BREVIARIO DE LOS VENCIDOS

Nacidos para el artificio, no podemos ya ser mas que el recuerdo de una infancia, una pureza inexistente.

[beyond-the-pale-deactivated2023]

Francis Picabia - Pavonia from the Transparency series, 1929, Sotheby’s

[photografya-deactivated20230917]

[pornadelic]

🤷🏻‍♂️🙋🏻‍♂️

[worker159-deactivated20210511]

🔥🔥🔥🔥🔥🔥

[speciesbarocus]

Church of St. Yves, La Roche-Maurice.

[grundoonmgnx]

Orley Ypon (Filipino, b. 1973)

[duchampscigarette]

James Bidgood - Pink Narcissus (1971)

[rudavanwuurden]

[rudavanwuurden]

Sebastia-no y los torsos medios. Como medias son nuestras verdades y sobre todo las luces, las calles. (en San Francisco de Quito) https://www.instagram.com/p/B9JJhw1Br00JhX8A1CvETXLWesW7NNLmLCxO1Q0/?igshid=1ljr03376zsj

[rudavanwuurden]

Borrachas en Studio 54.

[xshayarsha]

“There is a Quichua riddle: El que me nombra, me rompe. Whatever names me, breaks me. The solution, of course, is “silence.” But the truth is, anyone who knows your name can break you in two.”

— Carmen María Machado, from In the Dream House.

[maertyrer]

Jan Jerzy Wroniecki Salome with the Head of St. John the Baptist

linocut on paper, 1918

[myselfixion]

[untrustyou]

Federico Clavarino

[rudavanwuurden]

How are you ? I don't see you anymore on Facebook. Cheers.

I don't know... Facebook it ceased to exist for me

[pentauroi]

Grete Stern, Das Ewige Auge, um 1950

[avtavr]

[houndeye]

Denis Sarazhin

Pantomime 2