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Post-series Maiko and their narrative symbolisms

One of the few things I genuinely appreciate about post-series ATLA media is the symbolisms surrounding Maiko, especially the narrative choices in the ATLA comics involving Mai and Zuko, and what those details suggest about the progression of their relationship.

In the final panel of the Rebound comic, Mai is shown holding Zuko’s face on a picture of them, surrounded by a rose and fire lilies. Roses traditionally symbolize devotion, enduring love, and passion, while fire lilies symbolize fiery passion and purity.

I think the flowers reflect the emotional state of Mai and Zuko’s relationship during that period: intense, unresolved, and still deeply emotional despite the breakup.

Even though Mai was the one who ended the relationship, Rebound makes it clear that her feelings for Zuko never truly disappeared even while she was dating someone else. Smoke and shadow reinforces that the longing between them is mutual rather than one-sided.

Neither of them has emotionally moved on, which is why I don’t interpret the flowers in Rebound as symbols of closure. Instead, they symbolize a love that still exists beneath the pain and separation.

In the Ashes of the Academy comic, however, the symbolism noticeably shifts. Mai is shown holding a daisy while standing beside Zuko. Daisies are commonly associated with spring and are usually among the first flowers to bloom during the season.

Daisies symbolize new beginnings, innocence, youth, hope, and loyal love. Unlike the emotionally intense symbolism in Rebound, daisies carry a much softer and calmer meaning.

Ashes also includes cicada beetles, both insects commonly associated with emergence and renewal during spring and because of that, I think Ashes is very likely meant to take place during spring as well. That seasonal framing strengthens the symbolism of renewal surrounding both Mai and Zuko.

What makes this especially compelling to me is the progression across the comics themselves. Rebound focuses on unresolved passion and longing, while Ashes introduces symbolism tied to healing, loyalty, and renewal.

Even though the comics never directly state the status of Mai and Zuko’s relationship, the daisy panel feels like a subtle indication that this arc may represent the beginning of reconciliation between them :)

Now of course, symbolisms are subjective and interpretations will always vary depending on the reader, but as a Maiko fan who loves analyzing their relationship and dynamic, I genuinely believe that the flowers in these panels were chosen with intentional symbolic meaning tied to the progression of their story.

Going back to the cicada beetles, another piece of symbolism I really like surrounding Mai in the comics is the recurring metaphor of cicada beetles, specifically cicadas, because they are often associated with personal change, rebirth, transformation, and emergence.

Mai spending years “underground” before finally emerging feels like a strong metaphor for who she was before The Boiling Rock. For most of her life, she existed in an environment where she was emotionally repressed, politically indoctrinated, and discouraged from expressing individuality or personal opinion under both Fire Nation culture and her family’s expectations. When she betrays Azula at The Boiling Rock, that moment feels symbolic of emergence itself.

Like a cicada shedding its skin and coming into the light for the first time, Mai steps out of the emotional numbness and silence she had been trapped in for years. She allows herself to become vulnerable in a way she never had before, choosing LOVE OVER FEAR.

That’s why I think the recurring spring symbolism in Ashes matters so much. Ashes tells us that Mai’s arc is about personal growth and becoming more outspoken about her beliefs. The imagery of cicadas emerging during spring, alongside the daisy symbolism of renewal and new beginnings, makes both Zuko’s and especially Mai’s character arcs feel less like a return to who they used to be, and more like a transformation into entirely new people.