The Boy with Green Hair (1948), Joseph Losey
(...)”I want my hair back the way it was!“(...)
(See here)

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The Boy with Green Hair (1948), Joseph Losey
(...)”I want my hair back the way it was!“(...)
(See here)
La Grande Belleza (2013), Paolo Sorrentino
(…)“I spent all my summers making plans for September. Not any longer. Now I spend the summer remembering the good intentions which vanished. In part because of laziness, in part because of carelessness. What’s wrong with feeling nostalgic? It’s the only distraction for those who’ve no faith in the future. Without rain August is coming to an end, and September isn’t arriving. And I’m so ordinary. But there’s no need to worry. It’s alright, it’s okay.”(…)
(See here)
M (1931), Fritz Lang (...)"It's there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It's me, pursuing myself! I want to escape, to escape from myself! But it's impossible. I can't escape, I have to obey it. I have to run, run... endless streets. I want to escape, to get away! And I'm pursued by ghosts. Ghosts of mothers and of those children... they never leave me. They are always there... always, always, always!, except when I do it, when I... Then I can't remember anything. And afterwards I see those posters and read what I've done, and read, and read... did I do that? But I can't remember anything about it! But who will believe me? Who knows what it's like to be me? How I'm forced to act... how I must, must... don't want to, must! Don't want to, but must! And then a voice screams! I can't bear to hear it! I can't go on! I can't... I can't...(...)" (See here)
Old Boy (2003), Chan-wook Park
(...)"If they had told me it was going to be fifteen years, would it have been easier to endure?"(...)
(See here)
The Panic in Needle Park (1971), Jerry Schatzberg
Hank: "What are you gonna do?"
Helen: "Well, I'm not gonna do it with you."
(See here)
Accattone (1961), Pier Paolo Pasolini
(...)"What's hunger? A vice - its all in the mind. If they hadn't got used to eating as children... did your lousy father fill you with the vice of eating?"(...)
(See here)
Personal notes:
I really recomend this film, it is the second Pasolini film I saw untill now and I am really moved by it.
El día de la bestia (1995), Álex de la Iglesia
(...)"The end of the world is tonight! This very night! Christmas eve is fucked! Christmas is fucked! Everything's fucked!"(...)
(See here)
Christiane F. Wir Kinder vom Bahnhof Zoo (1981), Ulrich Edel
"He was hooked at 14...Overdosed in a act of despair... less one cat after the product...
I don't understand, As long as the product exists, I'll never shoot up like that!"
(See here)
Red Line (2009), Takeshi Koike
(...)"Someone's having doubts, huh? Hell, I was just trying to keep this thing interesting. You're just a voice, pal! You don't know a damn thing about racing! (...)"
(See here)
Chelovek s Kinoapparatom / The Man with a Movie Camera (1929), Dziga Vertov
"The Man with a Movie Camera. A 6 reel record on film. Produced by VUFKU in 1929. Excerpt from a camera operator's diary.
ATTENTION VIEWERS: This film is an experiment in cinematic communication of real events.
Without the help of intertitles. Without the help of a story. Without the help of theater.
This experimental work aims at creating a truly international language of cinema based on its absolute separation from the language of theatre and literature."
(See here - Cinematic Orchestra's version)
Personal Notes:
Left you with the 2002 soundtrack version, composed by Jason Swinscoe and performed by the Cinematic Orchestra. But there are several others soundtracks for this film, the most recent one, composed by James Whetzel.
(See here - James Whetzel's version)
Kirikou et La Sorcière (1998), Michel Ocelot
Kirikou: "So... The Sorceress did not take the water away from the village, she did not eat the men, she prefers to eat yams... next you are going to say she's innocent and she loves everybody!"
Kirikou's Grandfather: "No, no. She dislikes children, she despises women, and she hates all men!"
Kirikou: "But why?"
Kirikou's Grandfather: "Because she is in pain"
(See here)
Giant (1956), George Stevens
Leslie Benedict: "Money isn't everything, Jett."
Jett Rink: "Not when you've got it."
(See here)
The Assassination fo Jesse James by the Coward Robert Ford (2007), Andrew Dominik
Jesse James: "You ever count the stars? I can't ever get the same number, they keep changin' on me."
Ed Miller: "I don't even know what a star is, exactly..."
Jesse James: "Well, your body knows, it's your mind that forgot."
(See here)
Les Amours Imaginaires (2010), Xavier Dolan
(...)"I love to smoke, smoking a cigarette is like forgetting. When I hit rock bottom, it's all I have: Light up, smoke up, shut the fuck up. It hides the shit. The smoke hides the shit. Cigarettes clearly keep me from going crazy, keep me alive, it keeps me alive until I die."(...)
(See here)
Le Roi et L'Oiseau (1980), Paul Grimault
(...)"La vie est une cerise, La mort est un noyau, L'amour un cerisier."(...)
(See here)
Blade Runner (1982), Ridley Scott
(...)"Early in the 21st Century, THE TYRELL CORPORATION advanced Robot evolution into the NEXUS phase - a being virtually identical to a human - know as Replicant...
The NEXUS 6 Replicants were superior in strenght and agility, and at least equal in inteligence, to the genetic engineers who created them.
Replicants were used off-world as slave labor, in the hazardous exploration and colonization of other planets.
After a bloody mutiny by NEXUS 6 combat team in a off-world colony, Replicants were declared illegal on earth - under the penalty of death.
Special police squads - BLADE RUNNER UNITS - had orders to shoot to kill, upon detection, any trespassing Replicant.
That was not called execution.
It was called retirement."(...)
(See here)
Harvey (1950), Fielder Cook
(...)"Harvey and I sit in the bars... have a drink or two... play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they're saying, "We don't know your name, mister, but you're a very nice fella." Harvey and I warm ourselves in all these golden moments. We've entered as strangers - soon we have friends. And they come over... and they sit with us... and they drink with us... and they talk to us. They tell about the big terrible things they've done and the big wonderful things they'll do. Their hopes, and their regrets, and their loves, and their hates. All very large, because nobody ever brings anything small into a bar. And then I introduce them to Harvey... and he's bigger and grander than anything they offer me. And when they leave, they leave impressed. The same people seldom come back; but that's envy, my dear. There's a little bit of envy in the best of us."(...)
(See here)