[last-picture-show]

Edward Hopper, Ryder’s House, 1933

[nobrashfestivity]

Pan Am Airlines, So Small Island, 1960s 

Mount Fuji

[theartistocraticelite-deactivat]

Tracey Emin Its What I'd Like to Be, 1998

[topcat77]

René Magritte 

 "Architecture au clair de lune", 1956

[topcat77]

David Boyd

[centuriespast]

Portrait of a young Woman Andrea del Brescianino (active 1506–1525) (attributed to) Ashmolean Museum, Oxford

[yama-bato]

Hiroshi SENJU | Artists | Gallery Art Composition

[amare-habeo]

František Kaván (Czech, 1866-1941) 

The Air of Home,  1895

Oil on canvas, 79 x 102 cm

[nobrashfestivity]

Vilhelm Hammershøi

[istmos]

Martin Parr, from “Bad Weather” series, 1970/80′s

[enchantedbook]

Taurus by Remedios Varo

[synesthesies]

[memoryslandscape-deactivated202]

“Love, oh my love, it will come Sure enough. A storm Broods over the dry earth all day. At night the shutters throb in its downpour. The metaphor holds; is a snug house. You are outside, lost somewhere. I find myself Devouring verses of stranger passion And exile. The exact words Are fed into my blank hunger for you.”

— Geoffrey Hill, from section 5 of “The Songbook of Sebastian Arrurruz,” New & Collected Poems 1952-1992 (Houghton Mifflin Company, 1994)

[indigodreams]

Pierrot et le Chat Théophile Alexandre Steinlen, (1859-1923)

[geceetilkisii]

[hildeeveraert]

Sabine Weiss - Au Bord de la Mer Bretagne, 1954

[luzfosca]

Sabine Weiss

Vers la lumière, Paris, 1953