hey i’d die for you // 16th Jan - Omeara

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hey i’d die for you // 16th Jan - Omeara
Fred in Charli XCX’s BoysÂ
My new favourite place
dial tone
Electrotrash by Signe Pierce
nobody remembered how it started
When we go into a hotel room and there’s one socket left, it’s like a f*cking stampede out of Jumanji, trying to get it. It’s like you’re angry and you’re angry if someone gets to charge their phone first, you believe you have the right to have your phone fully charged first because this precious, meaningless information has to stream into your life constantly. It’s a really appalling scary idea and I only realised on this tour, that the only time of the day when I don’t have my phone next to me is when I’m on stage. Which makes me think it would be nice to play longer gigs, because it’s the only release. Like some people go swimming or play football.
Fred Macpherson via BitterSweetSymphonies (via chacaltaya)
Spector, 24th May 2016, Southampton Joiners
In London there is so much in the way of narcissism, a need to hold a mirror to everything and work out how it reflects on you and why. But actually I think the people having the best time realise they’re not the centre of everything and they’re just a minor facet in a big set of wheels and cogs. We have a tendency as artists and dramatic English people to paint ourselves into our own film noir, wherein every windswept cab ride takes on significance, whereas actually we’re just going between places, having a drink and working a job. It shouldn’t all be that complicated. So would I take out that frequency if I could? Yes for my sanity but I don’t think it would be good for the music, if I wasn’t feeling something. So it’s a double-edged sword.
Fred Macpherson (via rootsandroutes)