Grief
trying on a metaphor
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@saelmeril
Grief
Pater Hoyt: Let me tell you this tragic story of the slow death of my church, the desperation of believers to save it, the most terrifying trees, the dismissiveness of science for "unimportant" subjects, and a concept of immortality so gruesome it makes priests question the existence of god.
Sol Weintraub: Let me tell you about the slow death of my only child, about time and inevidability and being a parent, about having to witness your daughter wake up confused and frightened every single day and my powerlessness to help her. Let me tell you about the Binding of Isaac and a nonbeliever's struggle with god.
The Consul: Let me tell you about the doomed rebellion of a beautiful world and the death of it's ecosystem. About how interstellar travel and relative time separate people. About my lifelong struggle to fight my grandmother's fight to the detriment of my own person to the point where I do not even have a name.
Martin Silenus: Let me tell you about my incredibly long life and all the stuff I've lost, including earth itself and my ability to speak. How I became unfathomably wealthy writing shitty pulp fiction. About art and the process of creation in such a profound way that you'll forget you hated me.
Brawne Lamia: Let me tell you about our Robot Kings and how humanity is unable to stop whatever they are doing. About how everything you have been told about our history might be a lie. About corruption and murder in the highest office of our government. And about the cute twink I met, fell in love with, got pregnant from and then lost.
Het Masteen did not live to tell his story.
Fedmahn Kassad: Let me tell you about my incredibly hot secret girlfriend and about all the sex we had in detail!
"any allegiance to a deity or concept or universal principle which put obedience above decent behavior toward an innocent human being was evil" Hyperion - Dan Simmons
The pilgrims from Dan Simmons' Hyperion. There is almost zero fanart of them online, so I had to sketch some! It's very rough, but I'm still quite satisfied, as it gave me an occasion to get out of my comfort zone with different ethnicities and sci-fi clothing (though most of the designs are heavily referencing stuff I found online. Is the monk wearing Balenciaga sandals? Yes he is). Don't know if I'll ever clean them up and color them, but I'm still putting them out in the world. Maybe one day some other characters will join them -- I haven't read Endymion yet, but my hands have been itching to draw at least Moneta and Gladstone someday. Also, I promise I didn't erase Brawne's muscles!! They just ended up being conceales by the trenchcoat. But you and I know they're there.
If you haven't heard, the em dash has been getting a lot of attention latelyâŠ
Because it was trained on pirated workâincluding freely accessible online writing (like fanfic, academic texts)âChatGPT picked up patterns and quirks native to human writing.
Including (sigh) the em dash.
There are other victims here (RIP tapestry and delve đ« ), but the appropriation of the em dashâa punctuation mark beloved by writers everywhereâfeels especially personal.
A kind of low-grade panic is ensuing. Writers who once memed their own em dash overuseâthe greatest punctuation mark ever to grace the control-freakâs lexicon, franklyâare suddenly backing away to avoid accusations.
No. More. We have centuries of dash-abusing writers behind us. We will not sit quietly while AI repurposes our beloved stilted asideâor the just-one-more clarification the sentence demandsâor the dramatic pause your comma could neverâetc.
You donât write like AIâAI writes like you.
Defend the em dash.
(Feel free to download/share/stick it where it matters!)
A new chapter of my fan-fiction novel AndĂșniĂ« Means Sunset
Fic summary:
The last decades of NĂșmenor told through the memoir of a lady of the House of AndĂșniĂ«. In writing, she recounts the strife for her homeland, her marriage to the Enemy, and the turbulent lives of their two sons.
Chapter 21: Voronwë
âVoronwĂ« was a Man of NĂșmenor. He accompanied Elendil when he was fleeing from the destruction of NĂșmenor.â â Tolkien Gateway
None of the chapter cover art components belong to me.
this feels relevant as ever in our day, when petty tyrants still talk about immortality and covet what isn't theirs
Just some further notes on the deep theological inspirations for Tolkien's world-building and overarching themes - like the fallen desire for everlasting life rather than honoring creation, national arrogance, and such things you can see in the narrative of the Akallabeth. what does this remind you of?
"In the second stage, the days of Pride and Glory and grudging of the Ban, they begin to seek wealth rather than bliss. The desire to escape death produced a cult of the dead, and they lavished wealth and art on tombs and memorials." [...] "At the feet of the mountain were built the tombs of the Kings, and hard by upon a hill was Armenelos, fairest of cities, and there stood the tower and the citadel that was raised by Elros son of EĂ€rendil, whom the Valar appointed to be the first King of the DĂșnedain."
"Thus the bliss of Westernesse became diminished; but still its might and splendour increased. For the kings and their people had not yet abandoned wisdom, and if they loved the Valar no longer at least they still feared them. They did not dare openly to break the Ban or to sail beyond the limits that had been appointed. Eastwards still they steered their tall ships. But the fear of death grew ever darker upon them, and they delayed it by all means that they could; and they began to build great houses for their dead, while their wise men laboured unceasingly to discover if they might the secret of recalling life, or at the least of the prolonging of Menâs days. Yet they achieved only the art of preserving incorrupt the dead flesh of Men, and they filled all the land with silent tombs in which the thought of death was enshrined in the darkness. But those that lived turned the more eagerly to pleasure and revelry, desiring ever more goods and more riches; and after the days of Tar-Ancalimon the offering of the first fruits to Eru was neglected, and men went seldom any more to the Hallow upon the heights of Meneltarma in the midst of the land."
"The mightiest and proudest was Ar-PharazĂŽn the Golden of all those that had wielded the Sceptre of the Sea-Kings since the foundation of NĂșmenor; and four and twenty Kings and Queens had ruled the NĂșmenĂłreans before, and slept now in their deep tombs under the mount of Meneltarma, lying upon beds of gold."
âWoe to you, [...] You are like whitewashed tombs, which look beautiful on the outside but on the inside are full of the bones of the dead." - Matthew 23:27
Tolkien was definitely onto something. A personal note. I started writing a long AkallabĂȘth-based fan-fic in 2013 (in Russian), then an English version in 2019. Almost at the same time, my country started its ongoing descent into (worse than before) authoritarianism and militarism. Without drawing direct parallels, of course, I felt like I began to understand my characters on a different level. Now I live abroad without the possibility to return safely. Different world, different situation, but something about it feels uncanny.
With many countries veering towards or fully embracing fascism, Iâm sure Iâm not alone in this.
Would you spare them for fifty, twenty or at least ten righteous? (TRSB 2025)
A Message Came to RĂłmenna
It is TRSB time again! After a slightly rocky process with finding author(s) for my prompt this year, I am so happy this art found a home with @fiammagalathon. And in a quite late pinch hit! So I hope you enjoy a dive into the really depressing and chaotic moment that is very late NĂșmenor. This art has been in a perpetual state of early WIP since trsb 2022, but it finally found its way to actually being drawn, and I think I like this version much better than I would have done then, probably. Anyway thank you for your attention, now go read my author's story! -> To the fic:
The AkallabĂȘth tells the tale of the Fall of NĂșmenor. Well. Of the Lords, and of how their actions led to it. For the common folk there is little place in tales and legends.
But they lived there. They had to work there, find ways to bring bread to the table. They loved, they laughed, they held children and did little kind things to each other.
Title: Would you spare them for fifty, twenty or at least ten righteous?Words: 5,196 Rating: T Archive warnings: Major Character Death Relationships: OC & OC, OC / OC Characters: Original NĂșmenorean Characters @tolkienrsb
WIP - Lords of Angband
Downfall of NĂșmenor, and Flight of the Faithful
Elendil, Isildur & AnĂĄrion fleeing NĂșmenor. Watercolor I made entirely in raw sienna, in series of darkening washes.
literally so hilarious how so many tolkien fans are obsessed with canon. there is next to no official canon. the only thing thatâs fully canon is the lord of the rings, part of the silmarillion and the hobbit (and thatâs debatable, even). tolkien had no idea what was canon, he was switching things up all the time. so just pick a version you like a go with it, nobody knows whatâs going on. tolkien changed little details over and over to the point where he never finished most of his work, like 25% of the silmarillion is just christopher tolkien smashing notes together and praying itâs what the vision was
Witch King of Angmar before he became a NazgulHe received a Sign from the one at the top of the Meneltharma.
He loved Numenor.
Same headcanonâŠ
Fic about Tar-MĂriel and the fall of NĂșmenor. Cw:Major Character death (implied), ~1200 words. No beta we die like Tar-MĂriel. Inspired by my AkallabĂȘth thoughts.
It had been a wonderful month, with her husband gone she was free to explore her home like she once did. Before she was named âAr-Zimraphelâ, before her marriage. She watched the renditions of the âLay of Leithienâ and other such stories; talked with Elendil about the lands beyond, and walked as far to the coast as possible to breathe in the clean air of her youth. She even, in great secrecy, found a small shrine to Uinen that was not destroyed, and prayed.
For her safety, for NĂșmenorâs livelihood, for the hope that Eru could save them from this mess, and for the deaths of Sauron and PharazĂŽn.
It had been many days since they had last seen a sign of the armada, and not even the most far-sighted of them could see the ships. Hopefully, PharazĂŽn had died during the trip, maybe he had fallen into the sea and his golden armor kept him from swimming back up. It would have been a poetic end, killed by his own pride. Though the Deceiver still remained and still carried out its plans-they named it God now, higher than Eru-she had spent that time freer and happier than she had been since her fatherâs death.
She should have known. All the warning signs were there and out in the open. From the violent storms, which never happened in NĂșmenor before; from the lightening that smote under the wings of the eagle clouds, the beloved animals of ManwĂ«. She should have known from the moment that corpses charred on Sauronâs alter. From the moment that Nimloth was burned in the name of Morgoth the Enemy, and how it reeked for days. They were doomed.
The wind whipped her hair into her face as she ascended another step up the Meneltarma. Thousands of them had laid ahead of her in the beginning, now only hundreds were left. Though the path was worn with time and disuse, she could still find the route to the top of the pillar. It was carved by the movements of her ancestors before her, and made by her father and herself when she was younger. Hopefully the Hallow was still standing, and all she could do was pray that shelter remained.
Smoke filled the salty air, it brought with it the deafening sounds of screams and of the earth rumbling. It stung her scratches from tripping and made it harder to breathe in. She had fallen a million times on her way up, bashed her feet against the stones and ripped her arms open across the rocks.
MĂriel was not well dressed for this trek, but who is when they meet the apocalypse? It did not matter that her sandals were now wet with blood, nor that her dyed robes were now brown with dirt. Her jewelry laid abandoned in the steadily rising water, all the shining gold had simply dragged her down.
Pain appeared with every step, blisters had grown from the chaffing of wet sandals. But this did not matter to her, she was more concerned with reaching the temple in order to live. She did not want to die. She did not want to die.
The howling of a thousand beasts echoed throughout the land as her NĂșmenor was torn apart, and the laughter of the most vile monster to exist responded in terms.
Meneltarmaâs cliff sides felt slick with blood as she reached for the indentations of a railing, and the floor was drenched with rain. MĂriel fell down once again and the force of her collision with the solid stone rang throughout her body. She screamed out with agony as her kneecap broke, but the most frightening thing was that the cries of her people had now died out. It was replaced by the rumbling of stone, the crashing of waves, and sick laughter.
Though that is due to the distance between her and them, she lied.
NĂșmenor cannot be dead or dying, it had been here for thousands of years, and it was her home. If it was dead then where would she go to buy new rugs for the palace floors without the marketplace; where would the âLay of EĂ€rendilâ preform without the theater, where would Elendil return after a long trip if there wasnât a port, where would she overhear hushed debates on the classification of coral without the libraries, and where would the children throw their balls to play if there wasnât a plaza? Who would her people, the nĂșmenĂłreans, be without their lovely AnadĂ»nĂȘ? Their home?
âââââââââââââââââââââââââââ
Waves crashed, buildings crumbled, lightening struck, fires started, fires died, and MĂriel dragged herself back up again. Only a hundred steps laid ahead of her, only a hundred until she reached the top, only a hundred before she arrived in the holy place. Each movement of her left leg was another lance of hot pain throughout her body. But she kept going, because she did not want to die. Like everyone on the island, she wanted to live past this event. She wanted to see the entire world, and laugh with friends during the journey.
But Oâ EĂ€rendil her forefather, would being on the Pillar of Heaven be enough to save her? Would she be safe on top of it, within the alter to Eru. Would He even save her, knowing the crimes she turned a blind eye to? While it was tall and fearsome, the waves crashed higher and higher with each passing second. Where she once was, the waters covered entirely.
The realization dawned on her mind, though she ignored it. She was not going to survive even if she made it, and that was the most terrifying discovery. For the waves grew tall enough that even the pillar would be devoted. Was all of this for naught?
(No. Even if she shall die , at least MĂriel would be in the last untainted place of NĂșmenor. At least she would die within Eruâs reach, and maybe her death could be quick. And maybe what lies beyond the circles of the world will be kinder than she thought, perhaps she could meet her father again.)
Tar-MĂriel, the last ruler of NĂșmenor, climbed up further. The laughter of Sauron combined with the rush if the waves, the cries of OssĂ«âs gulls, and the thunder of the storm. But she ignored it.
Sixty steps, fifty, forty, thirty. Only twenty steps left that she needed to ascend before she reached the top of the Meneltarma. The waves followed her closer and closer, now coming up to her thighs and making it difficult to move. But she must and she did, higher and higher she climbed.
So near was dear MĂriel, fairer than silver and pearls, but then the world shifted. The land tilted backwards and the droning cry of the earth was all the she heard. All MĂriel could see before her as she clung on tight to the rock was the Wave, and she was lost.
âToo late she strive to ascend the steep ways of the Meneltarma to the holy place; for the waters overtook her, and her cry was lost in the roaring of the windâ (AkallabĂȘth, 279)
Chapter 20: The Scent of Blood
Posting an update to my AkallabĂȘth-based fan-fiction novel AndĂșniĂ« Means Sunset
Fanfic summary:
The last decades of NĂșmenor told through the memoir of a lady of the House of AndĂșniĂ«. In writing, she recounts the strife for her homeland, her marriage to the Enemy, and the turbulent lives of their two sons.
the lobsters in the Numenor kitchens when the wave hits:
POV:
You have OCD, so the best way to cope is by bringing about world domination.
Mairon in a nutshell
The two newest chapters of my AkallabĂȘth-based fanfic AndĂșniĂ« Means Sunset
(It's been a while... but I'll post it anyway)
Fanfic summary:
The daughter of Amandil of AndĂșniĂ« (OFC) records her memories of the last decades of NĂșmenor: the crises of her society, the strife of her family, her marriage to the Enemy, and the turbulent lives of their two sons.
18. Rifts and Bridges
19. An Eastern Legend (contains a lot of head-canon about Rhûn)
(None of the artworks in the chapter covers belong to me)