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Claire Keane

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@sainiothedesigner
Ryan built his own fairy tale Magic set and has thoughts.
In the new bolas walker card you can see the Talom gates behind the text
You can! Cool!
Me: Whatâs your budget?
Client:Â Our budget is the best we can get for the least amount of money.
After 5 hours of work we sent the client a second iteration of logo design. He liked the first one, so we thought we would get positive feedback.
Client: I can work in Photoshop too, you know. Your design would take me approximately 20 min.
Designer Spends a Year Creating Logos That Subtly Reveal the Meaning of Words
A lot of you have been asking how I go about making my graphics, i.e. how I do graphic design, so I thought Iâd make a guide - or perhaps a series of guides if you would like - on how to design graphics! First off, Iâd like to introduce you to the fundamental elements of graphic design, and hopefully this will help you gain a new perspective. and improve your own design skills.
Lines are structures that connect two points. They make up everything that we see, even the letters and characters we read every day. But more often than not, we take them for granted. In reality, lines are one of the most rudimentary components of graphic design, and they serve to channel ideas and emotion.
Lines can:
Organize pieces of information or elements on a page
Serve as guidelines to lead the viewerâs eye
Provide movement such as using wavy lines to represent moving water
Emphasize certain parts of the page
Set a mood, such as how straight lines evoke order and neatness while zig-zags convey excitement and tension
A shape is any two-dimensional area with a recognizable boundary. They can add interest to designs (such as in backgrounds), organize visual content, and be used to make illustrations.
Shapes exist in three categories:
Geometric shapes are regular shapes like circles and squares
Organic shapes are more freeform, such as a blob or a leaf
Abstract shapes have a recognizable form but are not exactly natural shapes, such as alphabet glyphs, spirals, and stick figures
When brought together, these shapes can form helpful illustrations that will help convey meaning to your work or add some decoration to it.
The effects achieved by the shapes are determined by its form, color, size, and other characteristics. For example, triangles often show excitement and risk, while circles are seen as eternal and often feminine.
In the example illustration below, which is one of my January wallpapers, I use triangles to convey a feeling of vivacity and excitement.
Different shapes may also be used to structure content or create a layout, making it easier for the userâs eyes to find information. This is often the case in blogs and websites.
Color can be used to make an image stand out, convey information, enhance meaning, or group things together, but how do you know what colors âfitâ together? When youâre starting out, you might find it easier to look for color schemes from pinterest or wherever you can find inspiration. It also helps to look for images or photographs that evoke the same vibe youâre going for, and then using a similar color scheme.
But what if you want to make a palette yourself? Learn color theory!
Before I elaborate, hereâs some terminology for you:
Hue is the color itself
Value is how dark or light the color is
Saturation is the intensity of the color
Now, how do you go about making a color scheme? Here are some types of color schemes you should know about:
Monochromatic color schemes only use one hue but vary in value and saturation.
Analogous color schemes use colors adjacent to each other on the color wheel, such as red, orange, and yellow, or blues and greens.
Complementary color schemes use colors opposite each other on the color wheel. To add complexity, play with the value and saturation of these colors.
Split complementary color schemes use colors on either side of the complement.
Triadic color schemes use three colors that form an equilateral triangle on the color wheel. These are often very stark and in-your-face, so you might want to use this type of color scheme in moderation.
Tetradic color schemes use four colors that form a rectangle on the color wheel. These are more effective if one color serves as the main color and the other three colors are just accents.
When choosing a color scheme, the main thing you should keep in mind is balance. Using fewer colors means itâll be easier to balance and thus it is less likely that the piece will appear messy and discordant.
Color has the power of evoking emotions and moods, and each hue and shade has certain connotations associated with it.
In the illustration below - which is part of my April wallpaper set - I use the color green to convey the safety and familiarity of the comfort zone. The color red, on the other hand, shows risk and danger, but it also represents the courage required to get out of the comfort zone.
So the next time youâre thinking of what colors to use in your project, think of what kind of message you want the audience to receive.
Like the other elements weâve discussed so far, type conveys meaning beyond what is written. Type can communicate a mood, style, vibe, or feeling. A curly or script font might appear fancy and extravagant, while a handwritten font may seem raw and playful.
Different types of fonts are also suitable for different contexts. For example, sans-serif fonts are more readable on screen while serif fonts are more readable in print. Display fonts, on the other hand, tend to be fancy and decorative, and thus should only be used for small amounts of text, like titles.
Audience and purpose also serve a role in deciding what fonts to use. Large, bubbly text is suitable for a childrenâs birthday party invitation but probably not for a business card.
In graphic design, different fonts are often used in tandem with each other. The main principle or rule behind this is that you should choose fonts that complement each other. Large, bold fonts should be paired with small, subtle fonts. Oftentimes, youâll have to rely on your instincts, and thatâs okay.
Remember, though, that you wouldnât want to overwhelm your readers by using too many fonts. Stick to one or two per project. To add variation, change the weight or style of the existing fonts.
Finally, your text would be more effective if you establish some sort of visual hierarchy. This essentially means sorting out your text in order of importance, using different typefaces and fonts. This includes adding a certain weight (or boldness) or increasing the size of texts that are more significant.
In the title graphic below, the word âpodcastsâ is handwritten and larger than the rest of the title because thatâs what I want to draw attention to, so that readers know what the post is about. My name, on the other hand, is smaller than the other texts.
Texture adds tactility and depth and can also be used to evoke a certain feel. In this graphic from my March desktop wallpaper, I used a tape texture and a paint texture to achieve a scrapbook-y vibe.
Some other common textures used in designs are foil, watercolor, and paper textures. Although there are many textures to experiment with and choose from, you should also be careful not to overwhelm your viewers with too many textures in one piece.
Lines, shapes, color, text, and texture are the five basic elements of graphic design, and by understanding how these elements work together, youâll be able to make more effective designs.
Now, the question is, do I think deeply about all of this when I make my designs? To be honest, not really. A lot of my designs are instinctual, but knowing the theory behind what Iâm doing has helped me improve those instincts, and you can do the same!
Thatâs all for now. Hope this helps, and let me know if you would like me to continue the series or if this brief blog post is enough. Happy designing :)
Disclaimer: Iâm not a graphic designer, just a stressed-out senior who sometimes likes to design and stuff.
A friend once asked me to design a logo for him, for free. He gave me a deadline and I agreed â what are friends for? I was very busy at the time but turned it around in a tight weekend.
Client: Uh⊠thatâs not how I wanted it
Me:Â What do you not like? Can I fix it?
Client:Â Never mind. It doesnât matter now.
Later a common friend told me that he turned the logo in for a school project and got an A. He never even thanked me for it.
We arenât friends anymore.
when you a words writing and meaning sense make words to
Iâm a computer technician who does hardware fixes and builds custom computers for clients. Occasionally I do laptop resale for customers who donât know what theyâre looking for. This client needed a new laptop for her business, and I was happy to help her find one within her budget. Client: I need a new laptop with [specifications] and [specifications].
Me:Â Thatâs great, I can help you, what is your budget?
Client:Â I can only pay about $450.
Me:Â Okay, well with the specifications you provided the cheapest I can find is $600.
Client:Â Okay well find me something cheaper then, but I want those specifications. Iâm sure you can find something, you have a computer shop. You have connections.
I spend a while looking for something, I finally find a laptop within her specifications and budget but itâs used. I tell her that and she says itâs fine, so I deliver it and get payment.
1 week later I get an email from her.
Client:Â I need to return this computer. Itâs too slow.
Me:Â Okay, it shouldnât be running too badly, let me come and take a look.
 (For free, I might add).
I show up at her place of work, her computer is running pretty slow, but no immediately visible reason why. I ask her:
Me:Â How often do you restart your computer?
Client:Â Oh, I never turn it off.
Me: ⊠so itâs been on for a week straight?
Client:Â Yes.
Me:Â And you use it regularly.
Client:Â Yes.
Me:Â You need to turn your computer off. It will start running fine.
Client:Â No, I want a new laptop, now. For free.
*sigh*
Me:Â Okay, I will find you another computer.
Luckily I have a laptop in stock. This lady is pretty upset and is a corporate client so I didnât want to lose her, but I would be out at least $450. I go back the next week and give her the new computer. She seems to like it.
6 MONTHS later I get another email.
Client:Â So I did my best, I tried, and Iâm just not happy with this computer. I wanted to just deal with it but I canât stand it anymore, itâs too slow. I need you to give me my money back.
Me:Â How often do you restart it?
Client:Â Oh, I still donât turn it off.
Me: âŠWell, Iâm sorry, but since there your issue is clearly user-related, I canât possibly give you ANOTHER free machine. Even if it were hardware related, the fact that you have contacted me 6 MONTHS later means that you have already assumed responsibility for the machine, and there is no way I can reasonably take it back for a refund. If you would like, I can sell you a new laptop, or I can come to you for a service appointment (where I will just tell you to restart your computer), but I will not be refunding your money.
Client:Â How DARE you! You provided me with POOR QUALITY laptops and this is POOR CUSTOMER SERVICE! A real, professional business would never refuse a refund to a customer!
Me:Â I can guarantee thatâs not the case, but Iâm sure the distributor would be happy to discuss this with you, but at this point, there is nothing we can do.
Client:Â You have LOST me as a customer!
I think Iâm fine with that.
Hey guys, itâs near the end of the month, so as usual, Iâve made some wallpapers to help you stay motivated and inspired throughout the month! This time, Iâve made them in three themes: geometric, scrapbook, and one other one thatâs just an illustration so I donât really know what to call it haha. Anyway, sorry for the long wait. I wanted to post last week but I had a busy weekend. But yeah, here they are:
Download the wallpapers here!
Have an awesome month, and donât forget to tag me with #eintsein when you use these wallpapers :)
The DUNKINâ DONUTS logo throughout the years.
I well remember when I had my first donut. It was 1990, and Twin Peaks premiered on television in Holland. First time I heard the word âdonutââI thought it was a peculiar word. Do-nut. Peculiar shape too. Too young to drink hot black coffee, I got into the Peaks mood by eating copious amounts of donuts; it got so bad I became utterly sick of them and couldnât stand the sight of them for about 10 years. Story of my life.
Client: So I was thinking about it, and I really think youâre limiting yourself when you use your computer and not our software. You should think about using our computers.
I use Adobe Creative Cloud. He uses the 1999 Corel Draw.
Brazilian graphic designer and illustrator Butcher Billy got the idea of turning famous love hits into book covers of horror master Stephen King.Â
Joy Divisionâs âLove Will Tear Us Apart,â The Smiths, âHead Over Heelsâ by Tears For Fears and many others were portrayed in a very unusual way.
âThis series imagines an alternate universe where some of the most desperate and tragic romantic songs in the â70s andâ 80s are actually books written by Stephen King. The concept is to look at the dark side of love by the vision of pop culture, bringing aspects of its classic stories to play the true meaning of the songs - this can be completely subverted or stressed strangeness, while paying tribute to the vintage design of the original covers,â Butcher writes on his Behance.
What We Do in the Shadows alternative movie poster
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The Illuminate Live Series: Setlist Sweatshirt
Hello everyone! So, this is it; this is the end of this series. And Iâm not going to lie, Iâm a little sad yet excited. Iâd like to focus on coming up with other series.
So, for this last merch concept I wanted to kind of pay tribute to those songs we might not get to hear again, but they played an important part of this Illuminate era. With every new album and tour, itâs expected for some songs to get cut off from the setlist, so I wanted to design something that would help us, as fans, remember the songs that Shawn performed on this magical tour. Thatâs why, on the back of the sweatshirt I tried to recreate a handwritten setlist.
The front design is quite minimal; I used the same âlogoâ as the last concept I shared, which was for a hoodie. As for the sleeves, I also kept the two lines just like the hoodie design; it gives the concept a more casual vibe, I think.
For the color palette, I kept the same colors as the rest of the items in this collection: black, white and light blue.
I hope you guys like this, and as always, feedback is more than welcome and appreciated. Much love, guys! And have a wonderful Saturday night!