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hi this is grendelsmilf i have no clue what just happened to my blog one second i was blogging away oh so merrily the next she's fucking GONE except all my other sideblogs are fine and i haven't gotten any sort of email reporting that i was deleted for any sort of reason so i genuinely have no clue what just happened, how to report it, whether i can get my blog back..... but in the meantime, i'll be using this blog instead. so hiiii mutuals hiiiiiii
«Ah, how cool it would be if the death banned polity
Golgotha would be overgrown with rose bushes
The praetor would not sin
And Jesus Christ would not die
And he would forgive everyone personally»
(c) Pyrokinesis - «Герметика»
shell
You got a fast car
Is it fast enough so we can fly away?
We gotta make a decision
Leave tonight or live and die this way
Azure, Paler Than the Sky
FINALLY finished this piece, which I started over a year ago. Juri's 2nd duel is one of my favorite moments in Utena. There are so many gut-wrenching shots that I couldn't get out of my head, so I had to draw them all. This'll be available as a print at Lightbox Expo this year!
love this girl
shiny shiny shiny
these sword pull shots from episodes 1, 2, and 12 were likely reused animation. it's definitely well-animated with great attention to detail.
here, saionji, utena, and touga pulled the sword of dios from anthy, the rose bride, as they said, "grant me the power to bring the world revolution." the reflection of anthy in the sword was an apt imagery to convey the oppressive nature of the sword pull and the whole duelling system, the violence enacted upon the rose bride to achieve and sustain some form of structural hegemony within the system.
an interesting detail i note from these shots is that the background for anthy's reflection in saionji and touga's sword pull was black, but for utena's sword pull, anthy's background was white.
perhaps this detail served to highlight each duelist's benevolence towards the rose bride. yet, it's vital to keep in mind that anthy was seen displaying the same facial expression in all three sword pull shots; despite how well-meaning the duelist was, it did not alleviate the oppression of the rose bride. she still had to submit to the engaged.
Danger: fast flowing water may result in serious injury or death.
i think any analysis of utena based on the premise that it knew what it was doing with race is pretty unproductive because
1. anthy is dark skinned because lalah sune is dark-skinned
2. "Curried High Trip" is not an episode written by people who know what the fuck they were talking about
3. akio, the manifestation of predatory sexuality and patriarchal control is a dark-skinned man preying on a school of light-skinmed japanese teenagers. theres just no way to square it.
it is good that anthy is dark-skinned, it is a (likely unintentional) added dimension to a character that improves the show. but i dont think it all coheres because i think the creators of utena simply did not get it. they dont deserve the credit.
revolutionary girl utena + jacob’s ladder - william blake
When I talk to someone who’s just started RGU, it can be difficult to articulate the purpose of certain scenes without giving later plot points away. Nothing encapsulates this dilemma more than Anthy getting slapped.
Throughout the first arc, Anthy is slapped at least once per episode, often more. With the synopsis I give people about RGU as a master of subtle manipulation, they’re usually like, “Subtle???” (because this show cannot be recommended without discussing that aspect. “Oh, but spoilers—” nope. Ensuring people aren’t triggered comes first). This is also coming from someone who nearly dropped the show because I was tired of seeing a brown girl get physically abused every thirty seconds. The student body (mainly Saionji) slap Anthy, say she’s worthless and publicly humiliate her, to which Utena steps in as her prince on a white horse to defend her honor. Anthy is treated like shit, Utena saves her, repeat.
Then she loses the dual to Touga, and the vibe completely shifts. There’s sort of a running bit amongst live-bloggers where they keep tally of the number of times Anthy is slapped, but that only really happens in the first arc. Anthy accepts Utena’s kindness not because she believes she deserves it, but because Utena tells her to accept it. Even the cathartic moment where Anthy slaps back is revealed to actually be Utena. With this revelation, Utena wins back Anthy, and though the episode most definitely marks a turning point in their relationship, Utena still, and I cannot stress this enough, wins back Anthy to regain her own confidence.
The second arc begins, and Akio enters the stage. Saionji, the show’s biggest encapsulation of Anthy’s overt physical abuse, is expelled. Touga, the big bad of arc one, is completely absent. Utena thinks she finally has a handle on the situation, that her and Anthy are now on equal footing, but that couldn’t be further from the truth. This big, heroic, “I know exactly who I am” moment against Touga only marks the end of the first of four arcs.
The first arc sets up a type of abuse you clearly see and object to, only to pull the wool over your eyes with Akio. Akio, who never publically mistreats Anthy. Akio, who invites the engaged into his home, into the trap he’s spent years setting up. Remember when Anthy used to stay up late in the dorms watching infomercials and eating chips? I do.
So, yeah, when I tell people to stick with the show, I don’t mean because it gets better. It gets far, far worse, in both covert and realistic ways, and that’s precisely the point.
Something about not recognizing or caring when your getting groomed but being able to recognize it in others and intervening in a way that no one would ever do for you.
tbh im not entirely immune to a villain with a tragic backstory but i do think villain origins are a lot more interesting when the focus is less "here is the original sin, the first big bad thing that happened to them that made them who they are" and more "here is the first time a person who maybe otherwise felt powerless in their life realized that they could hurt someone and get away with it"
you can get a lot more mileage out of analyzing a truly abhorrent character through the lens of like. what sort of conditions would allow or even incentivize this kind of cruelty? what kind of person benefits from those conditions and how? over the more typical who hurt them type analysis. imo.