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Origami Around
"I'm Dorothy Gale from Kansas"
#extradirty
ellievsbear
Keni
art blog(derogatory)
bliss lane
Fai_Ryy
Interview Vampire Daily
Color Me Curious
shark vs the universe
RMH
Mike Driver
almost home
🪼
Sade Olutola
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Claire Keane
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@sal-hiyori
The usual ‘Good morning’, or our lives ‘happy ending’ What if not a single thing we prayed for has come to be? One you can’t help but doubt, this peaceful starry night Don’t forget me just for this moment, okay?
So I love Melty Land Nightmare so much & I think this song suits Russell ( & Informant) perfectly! But I ended up drawing everyone because I’m weak for more Russell being loved….
Every anime fr
say what you want about soul eater but NOTHING properly conveys the same emotion as the face people make after interacting with excalibur
y’all ever felt this
HELLO EVERYONE THIS IS THE BEST PICREW EVER HAVE A NICE DAY
HELL YEAH!!!! GOOD SHIT!!!
YYYEAAAAAAA
Trans mlem rights
I LOVE THIS SHIT!!
ok now this is epic,
Gay rights
i smell like beef
someone who doesnt know kagepro should describe this
The ipod kid’s drink got stuck in the machine. The other kid got ambitious and tried to reach up into the machine to retrieve it. Ipod kid still feels that it’s his drink.
More like ipod kid catches his plain looking friend making out with the vending machine and looks rightfully disturbed.
iPod KiD walks up on plain-looking classmate trying to steal a drink from the vending machine. iPod kid happens to be a vending machine fanatic, does not approve of this action. Prepare to open a can of musical whup-ass.
Are you implying a love triangle between iPod KiD, plain-looking friend, and the vending machine?
Hoi, I have art question if you don't mind me taking up your time! How do you usually do rough sketches/layouts? I'm curious, especially since my method is what you could politely call a mess.
Don’t worry, my initial rough sketches and comic layouts are definitely abysmal, too! I’ll use BACKLASH page 268 as an example of how I work (this applies to all the art I make - if a piece of mine isn’t a comic page then just remove steps 1-3 and the process is exactly the same, haha)
1) Script. I work from a script that probably doesn’t meet any of the industry script-writing standards, but it’s fine because I’m the only one that needs to know what goes where. Here’s what the script for this page looks like:
(I color-code the script as I do thumbnails. to visually represent to me what part of the script ended up on which pages (because I work on a ‘as many pages as it takes’ system rather than a ‘this chapter will be 30 pages’ system, haha))
2) Thumbnails. Now it starts to get unreadable. I draw my ‘thumbnails’ on full 8.5x11 sheets of printer paper. I have a hard time visualizing space if I don’t do thumbnails physically on paper, and this is also why I draw them fullsize instead of tiny. I can’t tell if a layout will work or not unless it’s the exact size of the space it’ll be taking up. (I don’t know if I’ve met anyone else who does it like this - I am the odd one when it comes to thumbnailing, I think, haha)
I write the dialogue directly onto the rough layout. This is the most important part of the process for me, because it forces me to make sure there is enough room for the dialogue and speech bubbles in each panel so that they don’t end up being crowded.
3) Panels and Speech Bubbles. At this step I move from traditional to digital. I have a page layout template that I copy the thumbnail into and then fit the panels around the page. (I do this so that my gutters are the same size from page to page.)
(my template looks like this–
–each pair of lines are on different layers, so I can easily move them/copy-paste them about the page to follow the borders on the thumbnail I’m working with. (I do panels by hand when it’s action or when I need to do something wack, but for the most part this is how I streamline the panel-creating process.)
I finalize the speech bubbles early on in the process for the same reason that I write the dialogue on my thumbnails - so I can see the space I’m left to work with.
4) Sketch. Draw the dang thing!
5) Lineart / Blacks. I’ve started using solid black in BACKLASH, so I do both steps at the same time.
6) Color! My least favorite step, my true enemy.
Flats:
Final color:
Aaaaand rinse and repeat over and over again for years and years, and that’s art, baby!
what’s the mood for july?
The Collection
Exploring a bit the body language of the clan cats, most of them based on the books and a few that I invented (like that the cats have signs exclusively for the preys).
when you wanna talk about that thing you’re obsessed with but you already said a lot about it and don’t wanna be annoying
sometimes u have Weird Dreams and then u feel the need to make shit like this:
ALWAYS remember to have fun!!!
BASED ON THEIR ACTUAL AGES
AAA a my doodles for today.
TRISC comic is going well more than i expected. It will end at the page 30 but im planning to continue season2 so here! more character doodles Im not planing to add them to the story yet just a doodles. hope you like it
well maybe in the future, I’ll add them too^^
i miss playing anything with epicmafia tbh....
honestly i would redo my blog since most of the stuff in here is pretty outdated and i havent updated them in like. a year or two
besides i got into kagepro so if you’re happy to scream at me about it then feel free to
aaaaaa
its 3 am... im just a little creecher i
Shintaro : what the fuck is going on here
