HAPPY NEW YEAR
By Apollonia Saintclair
on January 1, 2025
Not today Justin
No title available
$LAYYYTER
wallacepolsom

祝日 / Permanent Vacation

Love Begins
we're not kids anymore.
RMH
🪼
cherry valley forever
noise dept.
No title available

★

Kiana Khansmith
Jules of Nature
todays bird
Claire Keane
Misplaced Lens Cap
occasionally subtle
Peter Solarz

seen from Germany
seen from Brazil
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seen from India

seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from Germany
seen from Israel

seen from United States
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seen from United Kingdom

seen from United States
seen from Malaysia
seen from United States

seen from United States

seen from Sweden

seen from United Kingdom

seen from Australia
@salderi
HAPPY NEW YEAR
By Apollonia Saintclair
on January 1, 2025
A fine Indian Mughal School
Watercolor in the manner of Swarup Singh
19th century
Shamsia Hassani
Born April 1988, is the first female graffiti artist of Afghanistan. Through her artworks, Shamsia portrays Afghan women in a male dominant society.
Korean School
19th century
A leopard, two tigers and a magpie
Jakhodo
watercolour, silk, gilt
the panel gilt-edged and now laid on a green patterned silk ground
framed 124.5cm. by 82cm.
4 3/4in. by 2ft. 8 1/4in.
Devishashthi
Indian
Yool Kim
South korean artist painter
“A Peaceful Afternoon”
“An Autumn Night”
“Cozy & Silent”
COLOSSAL
Swans, Plants, and Fragmented Figures Warmly Embrace in Yool Kim’s Paintings
November 28, 2024
Art
Grace Ebert
Warmth permeates Yool Kim’s most recent body of work, which portrays tangled masses of limbs and swans in rich palettes of reds, pinks, and oranges.
Laying dense lines in acrylic paint, the Seoul-based artist examines the interactions between living things and their sometimes contradictory desires. Her new paintings entwine fragmented iterations of human figures with graceful black and white birds, monsteras, and ferns to explore peace and equality.
“I wanted to express the beauty of being able to care (for) the weak and taking care of each other, without a sense of superiority and inferiority in living things that are set by the world,” Kim tells Colossal. “By hugging, touching, or leaning on each other, I highlighted the meaning of connection and warmth.”
As with earlier bodies of work, this series similarly explores the fractured nature of the self. Kim shares that she’s feeling calmer and more tranquil these days, which is reflected in the ways figures stretch to embrace one another.
“I also wanted to express that I have many egos and personalities within me; I am a human being full of complexity who cannot grasp existence as a single disposition,” she adds. “I’m always considering myself.”
Kim will show paintings in several exhibitions this spring, the first of which opens in March at Hall Spassov in Seattle.
OooooooooooooooooooooO
风拂荷香过/启功
The wind blows the lotus fragrance
Qi Gong
中国传统文化
Traditional Chinese Culture
Unknown
Korean Artist
Tigers
(smoking opium)
Ma Jing Hu
Chinese artist painter
Liu Yaming
Artist chinese Painting
Chinese Scene on a River Bank
1825-45
Watercolour over pencil on paper
George Chinnery
d.1852
Lâm Tùng Nguyễn
Vietnamese artist
Lâm Tùng Nguyễn
Vietnamese artist
Sliman Mansour
artist painter
Hope
Grim Park
My Road
korean traditional painter
acrylic on silk
2022
The Saffron Goddess (1600 B.C.) detail - Minoan fresco depicting a saffron harvest, Akrotiri, Santorini island, Greece
Varanasi, India: Considered one of the holiest cities in Hinduism, Varanasi offers a unique spiritual experience with its Ganges River rituals and ancient temples.
aiart
xpuigc