St. Louis Post-Dispatch, Missouri, August 11, 1907
ojovivo
$LAYYYTER
let's talk about Bridgerton tea, my ask is open
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oozey mess
PUT YOUR BEARD IN MY MOUTH

tannertan36
Cosimo Galluzzi
DEAR READER

⁂

@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap
No title available
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me
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St. Louis Post-Dispatch, Missouri, August 11, 1907
Hungarian Embroidery Sampler
I finished this sampler a few years ago but have not gotten around to framing it. Each design is from a different region of Hungary. The most difficult is probably the Irasos, which has a tricky stitch. The colour schemes were chosen to suit the patterns, although many variations can be found in Hungary.
I ended up creating a little pillow that has a combination of all of these patterns … more on that another time.
WIFEEEE
This makes my soul happy. :)
tag yrself, im matyo
sárközi ❤︎
gran used to do it kalocsai style. rest in peace
jaj ezt imádom
Recycled Packing Materials Sculpted Into Elaborate Renaissance Costumes by Suzanne Jongmans
Gunta Stolzl
Bauhaus textiles
imadom ot
1939 Woman’s dinner dress (designed by Elsa Schiaparelli, embroidered by Lesage) (Paris, France)
rayon crepe, metallic thread embroidery, pearls, seed beads
(Philadelphia Museum of Art)
Sugarhill Tokyo Editorial
Areki for Sugarhill Tokyo
Mask from a costume for a muse in Zéphire et Flore, designed by Oliver Messel
British, c. 1925
papier maché
National Gallery of Australia
Edvard Munch, Madonna in the Graveyard, 1898
more
Cloaks from costumes for brigands in Daphnis et Chloé, designed by Léon Bakst and created by Marie Muelle
Russian, c. 1912
cotton, wool, and paint
National Gallery of Australia
Prop design for a loom by Léon Bakst, possibly for Hélène de Sparte
Russian, c. 1912-1923
graphite and gouache on paper
Metropolitan Museum of Art
Romare Bearden was one of the most influential African American artists of his generation. Collage was Bearden’s primary medium and his imagery reflects a rich cultural heritage shaped by his North Carolina birthplace, his childhood exposure to artists, writers, and musicians in Harlem, and African ritual traditions.
“Blue Snake,” 1971, by Romare Bearden © Romare Bearden Foundation / Licensed by VAGA, New York
Costume for a Syrian woman in Cléopâtre, designed by Léon Bakst
Russian, 1909 (skirt), 1930s (bodice)
cotton, silk, metal studs, paint
National Gallery of Australia
Raphael Kirchner, Swimming with swan, from the series Leda and the swan, 1876–1917
Publisher: E. Arenz
Publisher: Pascalis, Moss & Co.
Austrian (Vienna)1901
Nobuyoshi Araki
more
Bass Viola da Gamba by Andreas Jais, Musical Instruments
Gift of Janos Scholz, in memory of his son, Walter Rosen Scholz, 1988 Metropolitan Museum of Art, New York, NY Medium: Wood
http://www.metmuseum.org/art/collection/search/503349
Photograph by E.O. Hoppé of Lubov Tchernicheva in the title role of Cléopâtre
British, c. 1918
gelatin silver print
Harvard Theatre Collection, Houghton Library