I still don't know what I'm wearing to the living room New Years Eve... I might not even go.

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@sammiegail
I still don't know what I'm wearing to the living room New Years Eve... I might not even go.
People need to STOP looking at me
Mood since I was 12 years old
in case you haven’t noticed, im WEIRD. I’m a weirdo. i dont fit in. and i dont WANT to fit in.
have you ever seen me without this stupid hat on? Thats weird.
The greatest video I have ever found on the internet oh my god.
Posting readmores like
when you tell your friends a joke and no one laughs
THE FUCKING PUNCHLINE, I’M ENDED
Don’t be a pussy
Not a single lie in sight……
me running after my pets to see what’s in their mouths
10 year old me was so pissed that Gabriella would sacrifice true love for a dumb school but 2014 me now accepts that Gabriella was smart like home girl knew she could find dick everywhere YALL SHE GOT INTO FUCKIN STANFORD. FUCKIN. STANFORD. FUK TROY BOLTON’S WHITE ASS
Mr. Rogers had an intentional manner of speaking to children, which his writers called “Freddish”. There were nine steps for translating into Freddish:
“State the idea you wish to express as clearly as possible, and in terms preschoolers can understand.” Example: It is dangerous to play in the street.
“Rephrase in a positive manner,” as in It is good to play where it is safe.
“Rephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.” As in, “Ask your parents where it is safe to play.”
“Rephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.” In the example, that’d mean getting rid of “ask”: Your parents will tell you where it is safe to play.
“Rephrase any element that suggests certainty.” That’d be “will”: Your parents can tell you where it is safe to play.
“Rephrase your idea to eliminate any element that may not apply to all children.” Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
“Add a simple motivational idea that gives preschoolers a reason to follow your advice.” Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
“Rephrase your new statement, repeating the first step.” “Good” represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
“Rephrase your idea a final time, relating it to some phase of development a preschooler can understand.” Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Mr. Rogers Had a Simple Set of Rules for Talking to Children - The Atlantic
Rogers brought this level of care and attention not just to granular details and phrasings, but the bigger messages his show would send. Hedda Sharapan, one of the staff members at Fred Rogers’s production company, Family Communications, Inc., recalls Rogers once halted taping of a show when a cast member told the puppet Henrietta Pussycat not to cry; he interrupted shooting to make it clear that his show would never suggest to children that they not cry.
In working on the show, Rogers interacted extensively with academic researchers. Daniel R. Anderson, a psychologist formerly at the University of Massachusetts who worked as an advisor for the show, remembered a speaking trip to Germany at which some members of an academic audience raised questions about Rogers’s direct approach on television. They were concerned that it could lead to false expectations from children of personal support from a televised figure. Anderson was impressed with the depth of Rogers’s reaction, and with the fact that he went back to production carefully screening scripts for any hint of language that could confuse children in that way.
In fact, Freddish and Rogers’s philosophy of child development is actually derived from some of the leading 20th-century scholars of the subject. In the 1950s, Rogers, already well known for a previous children’s TV program, was pursuing a graduate degree at The Pittsburgh Theological Seminary when a teacher there recommended he also study under the child-development expert Margaret McFarland at the University of Pittsburgh. There he was exposed to the theories of legendary faculty, including McFarland, Benjamin Spock, Erik Erikson, and T. Berry Brazelton. Rogers learned the highest standards in this emerging academic field, and he applied them to his program for almost half a century.
This is one of the reasons Rogers was so particular about the writing on his show. “I spent hours talking with Fred and taking notes,” says Greenwald, “then hours talking with Margaret McFarland before I went off and wrote the scripts. Then Fred made them better.” As simple as Mister Rogers’ Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.
That idea is REALLY worth learning to talk to the kiddos. Mr. Rogers still has a lot to teach us–especially for our own kids.
This poor dude is waiting for his date for the prom unknowing he is being watched by the crew of a hit TV show
The tides coming in, hurry up dude.
Tide got him but he’s ok.
He’s texting his girl but she’s not showing up. Is she standing him up?
His best bud just showed up to help him.
Tide is really coming in now, he’s on the phone. Things are getting frantic.
Will she arrive in time? We’re gonna give him a round of applause if she says yes and arrives.
OH NO!
CREW IS ENCOURAGING HIM TO RE-DO HIS WORK. WE’RE SHOUTING “DO IT!”
HE IS RE-MAKING THE MESSAGE! I REPEAT! HE IS REMAKING THE MESSAGE!
WE HAVE RECIEVED WORD THAT THE GIRL IS ON A TREASURE HUNT IN THE CITY AND THIS IS THE FINAL LOCATION. HIS FRIEND IS STALLING FOR TIME.
UPDATE: BEACHGOERS HAVE JOINED IN TO HELP THIS BOY REBUILD HIS MESSAGE TO THE GIRL! HIS FRIEND HAS JOINED IN AS WELL.
IT’S ALMOST DONE! THEY MIGHT MAKE IT!
THE MESSAGE IS COMPLETED! THE QUESTION IS NOW “WILL SHE SAY YES?”
BRO OF THE YEAR JUST BROUGHT A GIRL. I THINK THIS MAY BE IT!
I THINK THIS IS IT!
SHE’S APPROACHING!
YES! THE ANSWER IS YES!
OUR CREW IS CHEERING FOR THESE TWO.
1.17