
@theartofmadeline

Andulka
RMH
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taylor price
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"I'm Dorothy Gale from Kansas"
todays bird
tumblr dot com
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we're not kids anymore.
Cosimo Galluzzi

Product Placement
One Nice Bug Per Day
NASA
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tannertan36
Three Goblin Art

Kaledo Art
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@sanschaise
Real-Time Face Tracking and Projection Mapping
Impressive proof-of-concept demonstration from OMOTE which accurately projects visuals onto a moving human face - video embedded below:
[Link]
Face Field Project
A collection of art experiments by Robert Woodley and Adelheid Mers that explores the use of facial recognition technology.
The Face Synth (top GIF)
The Synth Face is a face plucked from the 60-dimensional Face Field. Use the sliders to navigate this field and retrieve other faces from its depth. Paint a face with the 60 brushes at your disposal.
[Link]
The Anti Face (middle GIF)
The Anti Face is face recognition turned upside-down. After looking at an image, it creates a face as different from it as possible. It might change gender, age, expression.
[Link]
The Face Spectrum (bottom GIF)
The Face Spectrum uses face recognition software to join rather than single out. It sorts all the faces in our database by their position in face space, by how similar they are in other words. As the density of real faces in the Face Field increases the impact has improved and the spectrum of human faces emerges. This will only improve over time as people use the app to populate the database.
[Link]
If you want to contribute your face to the database (and find your own Anti Face), you can use the Anti Face iOS app (which you can find here).
Here is just a selection of the experiments - if you want to find out more you can go to Robert’s website here
spoon
The least interesting videos on youtube.
https://www.behance.net/gallery/12069025/Little-Prince-Museum-of-Surrealism
voLumen
3D volumetric light display by Maximilian Mali can display animated 3D forms using POV method - video embedded below:
voLumen is a volumetric three dimensional LED display device. Its purpose is to project volumetric animations onto eyes of a human spectator …
… By quickly rotating thousands of LEDs around a common axis using a precise microprocessor-control-logic magic becomes a simple principle. The persistance of vision of the human eye enables the impression of a solid volumetric object. Using a speacially developed PC-Conversion software, animations and contents can be easily generated from 3D-Modelling/CAD software with just the press of a button! voLumen can be connected to a PC via USB to transfer the data to the 16GBytes of internal high-speed solid-state memory, which allows enough space for 36 minutes of smooth volumetric colourized 3D playback!
More Here
Andy Warhol paints Debbie Harry on an Amiga
Pop Art Icon + Pop Culture Icon + Classic Retro Computer
“Power does not corrupt. Fear corrupts… perhaps the fear of a loss of power.” ― John Steinbeck
Mediated Perceptions
Proof-of-concept AR experiment by Terrence Broad adapts your visuals through an Oculus Rift in time to music - video embedded below:
Mediated Perceptions is an experimental inquiry into the possibilities available by mediating the perceptual field. Using an Oculus Rift and stereo wide-angle webcams, the visual stream is manipulated by some realtime input; in this case music.
You can find out more atTerence’s Tumblr blog here
HALF DECADE BEAST—Moustache
©les Graphiquants 2014
via Shoot&Share for iPhone
In the exhibition, a machine equipped with hammers (controlled by users) destroys a server, taking a little bit of the internet with it; text messages inked to paper are promptly shredded; and a “drawing machine” distorts data through electromagnetism. It's all good, internet-inspired savagery. And though Tiefengraber wants people to think about these issues while interacting with his art, if they happen to just have a good time instead, that's fine, too..
Created by Thibault Brevet, CONSTI2GO is a portable device that allows, on the press of a button, to print copies of the US Constitution by hijacking the existing network of standard receipt printers.