sarahratgb

[sarahratgb]

[sarahratgb]

[sarahratgb]

[artfulfashion]

[luthienne]

Hélène Cixous, Hyperdream (tr. Beverly Bie Brahic)

[01sentencereviews]

“I’ve taken Mohammad Reza’s notebook by mistake. / Why weren’t you more careful?”

Where is the Friend’s Home? (1987, Abbas Kiarostami)

cinematography by Farhad Saba

[birdasaurus]

https://www.instagram.com/p/Bc54W_LhOb-/

[inspirationandstoriesetc]

“The way human beings speak is so heartbreaking to me—we never sound the way we want to sound. We’re always stopping ourselves in mid–sentence because we’re so terrified of saying the wrong thing. Speaking is a kind of misery. And I guess I comfort myself by finding the rhythms and accidental poetry in everyone’s inadequate attempts to articulate their thoughts. We’re all sort of quietly suffering as we go about our days, trying and failing to communicate to other people what we want and what we believe.”

— Annie Baker

[thingsfromthedirt]

[monachopsis-people]

[cndy1701]

women exist in a whole universe in and of themselves

[marypickfords]

The Obscene Mirror (Jesús Franco, 1973) Possession (Andrzej Zulawski, 1981) The Public Woman (Andrzej Zulawski, 1984) The Piano Teacher (Michael Haneke, 2001)

[sarahratgb]

Cosima Frei - Zwischenstopp

[sunbathe]

https://www.instagram.com/p/BQpfoM0Act2/

[nowvoyagerit]

Romy Schneider and Alain Delon in La piscine (Jacques Deray, 1969)

[pureangeles]

Rosalía by Camila Falquez for The Fader

[sarahratgb]