I love that opera sits in this limbo where it's extremely well-known but not really beyond a surface level recognition, so you get commercials for makeup or whatever to the tune of the I Hate Women So Much It's Unreal aria

shark vs the universe
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

Game Changer & Make Some Noise

titsay
noise dept.
occasionally subtle
art blog(derogatory)
Noah Kahan
d e v o n
Not today Justin
Today's Document

Discoholic 🪩
TMBGareOK. The Official They Might Be Giants tumblr
macklin celebrini has autism
🩵 avery cochrane 🩵
RMH

pixel skylines
taylor price
Claire Keane
seen from Croatia
seen from United States
seen from United States
seen from United States
seen from United States
seen from Aruba
seen from Brazil
seen from Argentina

seen from Malaysia
seen from Brazil

seen from Indonesia

seen from Maldives

seen from United States
seen from India
seen from Philippines
seen from Bangladesh
seen from Brazil
seen from Malaysia

seen from Malaysia
seen from Malaysia
@sarcastictheatre
I love that opera sits in this limbo where it's extremely well-known but not really beyond a surface level recognition, so you get commercials for makeup or whatever to the tune of the I Hate Women So Much It's Unreal aria
Jack Wolfe // Next to Normal // pt1
NEXT TO NORMAL PROSHOT + heart-wrenching moments Wyndham's Theatre (September 2024)
thank you mr. finn for introducing me to the world of musicals + musical theatre with the first show i was ever apart of, spelling bee. thank you for composing music and creating these characters, that many others can relate to. thank you for everything. may his memory be a blessing.
i really cannot properly express what william finn’s work has meant for me.
his art is what made me realise how important and powerful theatre is. he reminded me of the strength that comes with being entirely unique and not being afraid of your art’s original style.
i’ve found so much purpose in his work over the years; his shows just get me. i wrote an extended critical response about falsettoland over the course of 9 months last year, which caused me to greatly appreciate the craft of bill finn, and how he used his gifts as a composer and author to express his pain, grief and anger- and get audiences to share in this.
thank you, mr finn. for everything.
may his memory be a blessing
You could use a little pick-me-up
Melanie La Barrie as Hermes, Rachel Tucker as Persephone, West End 2025: @callmelasagna’s master
Tomorrow? like the thing that killed Macbeth?
“There’s no glory in it, heaven knows. But there is nothing else I’d want to do, love and enjoy. The more complicated things get the more I enjoy them. If I had a simple little one-set show I’d go crazy.” (Ruth Mitchell)
A quote I found that I loved from a Broadway stage manager that I’m researching for a class presentation. 🩵✨
Favorite Musical
Cabaret
West Side Story
Moulin Rouge
Wicked
Falsettos
Heathers
RENT
The Sound of Music
Mamma Mia
Fiddler on the Roof
Singing in the Rain
Little Shop of Horrors
Favorit Musical Part 2
Rocky Horror
Grease
La La Land
Sweeny Todd
Les Mis
CATS
A Star is Born
All that Jazz
Phantom of the Opera
Annie
Chicago
Sweet Charity
Favorite Musical Part 3
Hades Towns
Tick Tick Boom
My Fair Lady
Urinetown
Camelot
Hairspray
Chitty Chitty Bang Bang
The Producers
Victor/Victoria
Hedwig and the Angry Inch
Willy Wonka and the Chocolate Factory
Meet Me in St. Louis
NCUTI GATWA in The Importance of Being Earnest
Falsettoland (1990)
Alison Bechdel Talks Fun Home, Reveals She Can’t Actually Draw A Circle
“I went to an early reading of the show and it was incredible to see my life played out in front of me. But they got to “Maps” and it was this instant moment of, oh, that’s not right…I’ve just never been able to draw a circle. It’s possible my father lived his life inside one. I’m not really sure. I’m still not clear on exactly what they are. I never told Lisa and Jeanine about it, though. I thought it might be awkward.”
rent (2005) dir. chris columbus
someone just came in the door like no one i ever saw before
MACBETH (2023-2024) dir. by Simon Godwin Ralph Fiennes as Macbeth Indira Varma as Lady Macbeth
The Oresteia, dir. Peter Hall for the National Theatre (1981)
The Ghost of Christmas Yet to Come from A Christmas Carol at Chichester Festival Theatre