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[sasrabahu-blog]

from the dialogue used, the techniques and properties employed, such as kelir, blencong, kotak, keprak, and so on, it may be established conclusively that the wayang is indigenous to indonesia.

[sasrabahu-blog]

in west java the wayang golek enjoys the greatest popularity, while in bali only four kinds of leather wayang puppetry exist: wayang parwa, wayang ramayana, calonarang & gambuh.

[sasrabahu-blog]

many types and sets of wayang puppets survive, among them the following: wayang beber, purwa, madya, gedog, krucil, klitik, golek purwa, golek menak, dupara, jawa, kancil, Perjuangan, suluh, pancasila.

[sasrabahu-blog]

according to the classical text Serat Pakem Sastramiruda and socio-cultural artifacts, islamic leaders eere very active in contributing to the development of the wayang as the completion of the figures, the elaboration of the accompaniment of the gamelan and the editing of the repertoire.

[sasrabahu-blog]

all the islamic kings and princess who succeded the hindu-javanese rulers, enjoyed the wayang, and the hindu-javanese tradition was completely assimilated by islam, especially in java, anf survive vigorously until modern times.

[sasrabahu-blog]

at the time of the hindu kingdoms of java, the wayang has already made of punched leather and made use of the white screen and full gamelan accompaniment, this also still exist in bali.

[sasrabahu-blog]

wayang has existed since the eleventh century and throughout the ensuing nine hundred years has been a popular art form.