Midnighter #12 (2016)
written by Steve Olrando art by ACO, Hugo Petrus, & Romulo Fajardo, Jr.

❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
occasionally subtle
Noah Kahan
sheepfilms

Love Begins
Claire Keane
Phantogram Three
One Nice Bug Per Day
Mike Driver
The Stonewall Inn
Today's Document
I'd rather be in outer space 🛸

Jimmy Eat World
Show & Tell
EXPECTATIONS
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titsay
RMH
Fieri Frames

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@sassy-kryptonian-blog
Midnighter #12 (2016)
written by Steve Olrando art by ACO, Hugo Petrus, & Romulo Fajardo, Jr.
Illustration commissioned by San Antonio Magazine, for an article about cyberbullying (many thanks to AD Jen Hair!)
(Tumblr // Twitter // Instagram)
IF YOU AINT SUCKING HIS DICK WHILE HES DRIVING THEN WHAT ARE YOU DOING?
Getting home safely
comfy
anakin is done he needs a break
Vanessa Hudgens DC Comics superhero comedy gets series order
DC Comics is offiically launching a comedy series on NBC.
The network has given a series order to Powerless, which stars Vanessa Hudgens (Grease Live) as a “spunky young insurance adjuster specializing in regular-people coverage against damage caused by the crime-fighting superheroes.” (Think The Office meets Agents of SHIELD minus Marvel).
More details about the pilot storyline: “It’s when [Hudgens’ character] stands up to one of these larger-than-life figures (after an epic battle messes with her commute) that she accidentally becomes a cult ‘hero’ in her own right … even if it’s just to her group of lovably quirky co-workers. Now, while she navigates her normal, everyday life against an explosive backdrop, Emily might just discover that being a hero doesn’t always require superpowers.”
Alan Tudyk, Danny Pudi and Christina Kirk are also in the cast, with Ben Queen as writer and executive producer.
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IM LOVING THIS CAST OMG
but “Vanessa Hudgens (Grease Live)” hurts me
Where the fuxk is this why are they all dressed like that what is happening Chet why
Supergirl renewed and moving to The CW
Supergirl has been renewed for a second season — but will be moving from CBS to The CW, EW has confirmed.
Supergirl, which stars Melissa Benoist as the Girl of Steel, will now air on The CW, joining the other super series in producer Greg Berlanti’s universe, Arrow, The Flash, and DC’s Legends of Tomorrow.
Since Supergirl was first announced in development at CBS, both fans and industry insiders have questioned whether the major network famous for its crime dramas was the right fit for the show. Previously, CBS Entertainment chairman Nina Tassler defended the pickup, telling EW, “For our network right now, what we did respond to was the character’s humanity, the other characters in the show as well – the story trajectory and the character’s arc and growth. These are all things that made her just imminently relatable, and made the story exciting.”
Reports also have it that the series will move production from Los Angeles to Vancouver, where those other shows also film, but The CW would not confirm. The move could also bring more cross-over opportunities between Berlanti-verse brands, such as when The Flash joined Supergirl earlier this year. The show’s budget is likely to be impacted. The Supergirl pilot cost a reported $14 million and the per-episode cost is reportedly around $3 million. As Berlanti once told EW: “The other thing I would say was incredibly hard, was just trying to do something of this scope and size, and, quite truthfully, in Los Angeles. It’s an expensive city to shoot in. These things don’t come cheap, and we didn’t want to do it if we couldn’t give it the scope that it really deserves.” That means Supergirl 2.0 will likely be a more frugal production. Shooting in Vancouver instead of Los Angeles should alone bring some of the cost down, but it remains to be seen whether fans will be able to ascertain any production value difference on screen.
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I forgive everyone who hurt me I hope they find peace I’m trying to find peace myself
<3 IT’S CAAAAAAAAAANON!
IT’S CANON :D
DC COMICS BOMBSHELLS HARLEY AND IVY ARE CANON GAY AND THEY ARE CANONICALLY GIRLFRIENDS IN A RELATIONSHIP WITH EACH OTHER
SHARING BEAUTIFUL AND HELLA GAY SMOOCHES
THIS COMIC IS THE LITERAL BEST THING THAT DC PUBLISHES OR HAS EVER PUBLISHED AND I NEVER WANT IT TO END I WANT IT TO GO ON FOREVER :D
THIS IS THE KIND OF CONTENT THAT I CARE ABOUT SEEING IN MY COMICS <3
7 Failed Wayne Industries Products That Bruce Wayne Probably Wants You To Forget!
By Clark Kent.
11 Times Bruce Wayne Tried (Unsuccessfully) To Look Cool In Jorts! Oh Dear!
By Clark Kent.
Oscar Isaac at the ‘X-Men: Apocalypse’ Press Conference on May 7, 2016.
being a person who just naturally cries a lot is so embarrassing like
stressed out? cry. confused? cry. happy? cry. emotional movie? cry. scared? cry. you respond to every possible emotion by crying. and you have to tell people not to panic because like? you just cry a lot and not to take it personally but like
crying
Okay so like, seeing the way that reylo is shipped made me realize something.
A vast, vast majority of the reylo blogs I see are 15/16/17 year old girls, and I can’t actually say I’ve seen any that aren’t that specific demographic. What that says to me is that the issue with Reylo isn’t teenage girls romanticising abuse, it’s with the way that romance is sold to young girls.
I consumed a lot of “girl” media when I was younger, I read so many YA romance novels. And I know that a lot of people are aware of this because of all the jokes about “brooding YA love interests” but it’s really obvious the way it bleeds over in the fact that young girls, when presented with this angry, abusive character, automatically interpret him as a love interest. They hear the “I can take whatever I want line” and there are so many similar lines that have been painted to them as swoon-worthy. Young girls are taught to see the anger and aggressiveness characters like Kylo display as attractive qualities- especially when combined with his conflicted nature, which shows them he’s in some way “redeemable.” The “save the angry misunderstood loner from himself” narrative is sold to teenage girls so frequently that it’s almost impossible not to look at the way Kylo talks to Rey and see dozens of books I read when I was a kid.
Everyone remembers Twilight, how young girls were crazy over it and thought Edward was the boy of their dreams despite him stalking and manipulating and abusing Bella, because he was painted as such a romantic, misunderstood character. It was obvious with Twilight, because it became so endemic and everyone read it, but how many adults can say they’ve read a romance novel targeted at teenage girls in the past five, ten years? Because, let me tell you, Twilight is not alone in painting abuse as love, it’s just a very famous (and, admittedly, somewhat extreme) example.
Even ignoring the whole possibly-incest part of reylo, which is an equally nasty aspect in and of itself but not something I feel I can or should talk about, the biggest problem I see with Reylo is that the writers wrote him in a way that was most likely meant to be scary and abusive and threatening, and young girls are interpreting that as romantic, and the issue I see with that isn’t the shippers themselves, for the most part, but the kinds of things that society paints as romantic to young girls. So, yes, absolutely call out reylo for its myriad problems, but remember also that a lot of shippers are going to excuse those problems cause they’re young and this kind of cruelty is what’s been sold to them as romance for a long time.
Pretty sure the main reason is because Kylo is the only white dude who’s not old and fairly attractive.
hmmm #both probs
I honestly think the two reasons above are interrelated, or even the same reason being identified in two ways. I’ve been staying far far away from the discourse wrt shipping in this fandom, but from what I’ve seen, what @mmanalysis is saying is more of a– clarification of what @thejgatsbykid is saying.
Go back to Twilight. Who are the main romance leads marketed? Edward Cullen and Jacob Black.
Edward Cullen is the abusive, manipulative, white romantic lead. Jacob Black is not white (and frankly has his own problems but I don’t recall the series enough besides Bella breaking her hand punching him, so, I’ll set that aside because I don’t remember enough.)
If Edward Cullen was abusive and manipulative AND not-white, there is no way in hell that he would A.) be as heavily marketed, B.) be as completely adored, or C.) that his abusive characteristics would have ever been accepted.
It’s not that people in the U.S. (and the West in general) market abusive relationships to teen girls, it’s that they market abusive relationships with White men/boys to teen girls.
Be honest – how many “hot, broody, angry loner” type boys in YA are white? How many male love interests in YA are white in general? Most of them. Almost all. Hell, the literal trope of broody hot asshole is the Byronic Hero, and that’s as white as it gets.
Think about it: In the Hunger Games, Peeta is white. In The Mortal Instruments (let’s talk barely disguised rewritten Incest fanfic!), it turns out that Clary and Jace aren’t siblings, but Jace is blonde and golden-eyed. All played by white actors. Who else could I pick and choose? There’s that new book turned into a movie, The 5th wave, and that love interest is white. I’m pretty sure all of John Green’s protagonists are white male love interests. Vampire Academy. etc. etc. etc.
Girls are marketed white abusers. It’s the same reason why people are more likely to complain about Bill Cosby or Chris Brown, but say jack all about Sean Penn or Roman Polanski.
Now all that aside, the worst part is that I’ve seen (second hand) people trying to claim that Finn is not respecting Rey’s “personhood” because he grabs her hand twice while fleeing for their lives, etc. Like these kids are kids but also some of them are sure as hell adept at understanding the way to talk about ~feminism~ and ~social justice~ if it backs up their problematic and/or racist bullshit.
Basically, yes, teen girls are marketed white abusers are romantic partners, but also an aaaaawfffullll lot of those girls seem understand just enough to claim that Finn doesn’t respect Rey, that he’s selfish or uncaring, or that he invades her personal space, or disrespects her ~*~identity~*~ and it’s not very feminist if she ends up with the first boy she meets, etc etc etc.
Where do we draw the line, honestly? Like okay you’ve been marketed this your whole life but the second you start using big kid words to talk about why Finn isn’t good enough (because you wanna uphold the racist shit you were packaged elsewhere), I don’t think it’s right to give you a pass anymore. I don’t feel sorry for the white teenagers who talk about how unfeminist rey/finn is but buy into shit like Rey/Kylo. At that point, I consider them to be “adult enough” to get educated.
Basically okay, sure, they’re being sold this shit, and whatnot, but if you buy what is being sold and then say something else being marketed is more “problematic” than the thing you bought, then I can correct you on the matter.
the other demographic of reylo shippers are older white women who clearly have been marketed the same thing. they are the target audience of “romance” novels like 50 shades of grey, where the brooding, troubled, white man takes control of the woman and bends her to his will in order to be redeemed. this is a whole other generation, believing the same bullshit. it’s been going on for too long.
Hang on, hang on; back up.
Finn doesn’t respect her personal space because, while in a state of total panic due to culture shock, grief and terror, instinctively grabbed the hand of someone who maybe didn’t need his protection but … hello, Stormtrooper, used to working as a unit and didn’t want to lose the first person in this strange new place who a) understood the droid and b) actually talked to him. Trying to keep a necessary person within reach while everything was blowing up around them was bad because violation of personal space.
Kylo Ren digs into her mind and pulls out everything that causes her pain … and not only is that not a lack of respect of her personal space, but it’s considered romantic?
WHAT THE FUCK ARE WE TEACHING YOUNG WOMEN?
Reblog going to share the discussion