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One Nice Bug Per Day

Origami Around
DEAR READER
I'd rather be in outer space 🛸
we're not kids anymore.
todays bird

★
let's talk about Bridgerton tea, my ask is open
Jules of Nature

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Aqua Utopia|海の底で記憶を紡ぐ
Today's Document

Kiana Khansmith

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RMH
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StProductionsActingGallery turned 3 today!
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(Mohammad De la Perse)
Please don’t, above all, plant me in your heart. I grow too quick.
Rainer Maria Rilke,Unfinished Tales (via thelovejournals)
#niceangle #phaliclondon #westminster #dusk (at Big Ben)
50 likes!
What does it mean for your body to be easy? Is it waking up tired and sagging from the corners of your eyes and mouth (you’re careful to clean up the dust)? Standing in the corner of a lecture just to stop the fire from rising any higher up your spine. Not being able to smile in case your face cracks wide open. Not being able to cry because it stings. What does it mean for your body to be easy? Staring at the walls between naps. Never getting up, save to go to the bathroom. I want to be like the people I see in photographs who can go to the beach (their skin is perfect but it’s not about perfection it’s about the fact that they can) and step in without worrying that the hurt is going to come back. I do not want to fight. Maybe that is why I’m tired all the time.
something chronic | ishani jasmin (via ishanijasmin)
This is beautiful X
Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better. We are all born mad. Some remain so. You're on earth. There's no cure for that.
Samuel Beckett
meaning of life according to st
I was sitting outside a room of feverish activity, with Susan Weatherly,
Inside a select group of people who were individually called on a rabbit tannoy to enter.
And I just waited and waited for my name to be called, I was envious of those that were called.
We waited in complete luxury, lifting our arms languorously to a feeling of silk, cashmere and mink, grasping bundles of light and energy.
And my name was not called.
She started to congratulate me , she spoke of the big musical I did when I was 15 and on the verge of being an adult - she said I was very good in it!
I said it was good that she remembered - it was incredibly emotive for both of us seeing as she played the piano throughout.
But I felt awful, my name wasn’t being called on the rabbit tannoy and I didn’t know how to cope with all the luxury? I felt excluded.
She kissed me on the head saying that I was the most appreciated and worthwhile person she knew out of everyone she knew, and she knew a lot of people.
This annoyed me somewhat, and suddenly I burst through into the room.
I saw everyone I had ever met industriously leaning over piles of little pins and needles and tiny metal shapes!
Looking over them was a little man, who was ordering them about and dishing out more piles of metal to sort out.
I saw what they were doing but everyone was ignoring me. They were in complete labour, and I wanted to join in, I still felt excluded.
I suddenly launched into complete hysterics at the little boss man, telling him that Susan Weatherly made me feel patronized, and why couldn’t I be doing what everyone else seemed to be doing? They seemed to be doing a real worthwhile task? Like I was jealous of the inane jobs they used to give concentration camp prisoners?
Like the nasty Nazis.
Nothing would satisfy me more than if the little boss man put his shovel into a big pile of little metal filings and give me a pile. So he did.
I tried to put them into piles, but they all blew away like haze.
The little boss man was frantically trying to gather them all together to dish them out again to the select people. It all seemed so pointless. I longed to be outside again in the luxurious waiting room. I didn’t mind Susan Weatherly and her annoying asides.
No-matter what I did my fillings of metal pieces were catching the wind and turning into mist and clouds, and that was all these select individuals were doing! Just sorting through my dreams.
That was the meaning of life. I was an artist - pleasing myself in luxury, whilst other ordinary people were laborious their whole lives, doing nothing.
Susan Weatherly was an angel, I realised. She chose me to be different, when she heard me sing all those years ago!
I wouldn’t have to join in the regular work ethic of regular human beings! That’s why she rang up and got me expelled from school, just after my A-level mock exams. She wanted me to escape the path of a ritual work nonentity!
And the meaning of life is happiness - where you need to be happy in the luxurious waiting room - earth - waiting for your name to be called! Enjoy now - work is terrible but a necessary component of life!
Work is getting the earth to spin - whilst the select few dream dreams that inspire all the workers!
Listen to be heard It is only when you learn to listen, that you will finally be heard. — Bryant McGill
FIGURING OUT WHY IT LOOKED CHEAP
Standing in the art
Gallery at the opening. The opening of wonderful?
With no one there except me and One other A scholar and someone he had just met walked in and told him it was a shame we were not young?
He was French? And the photocopies were wrapped in cheap wood?
She was French, from far out west, and had the look of the paintings that were all hung on pegs, all show, for now?
"Shame we weren't there with them" "there's plenty to sing".
She was off, my nana, off causing her mischief - same as usual?
Then we were off, and missed the event - didn't miss the splitting hairs that's for sure? @ S T O’Malley
BUZZBOMB
All notion of intent is brawn All Muscles are developed by strong grips And pumping mind trips
Any kind of man will do it to you Any kind of man will let you have it all And any kind of man will let you fall
Into the rudeness of exhaling air Into the crudeness of envious leers Tearing the glances into fucking fears
The buzz-bomb is moved up to five
And the intensity moves through your body Like a galvanising intent of rampaging and violent Soaring thieves intent
Of scarring your eyes forever Of barring any of the detecting of slightly Whiffy men who politely
Ask if it’s ok to explode into Chasms and schisms of impending joy Bouncing off the walls with a jerk off
Dismayed to find them flaccid and waiting But full of fat tongue licking The kicking foot and stripping milf who is ever in filth.
Oh god the youngest cries into the neck of his pa Worship me sum more and cum again As the buzz-bomb is turned to eight
Freaking eight
Oh Christ says it all, and merely solely and soaring into the oblivion.
© S T O’Malley
sex sex sex
TEACHING THE UNTEACHABLE
And amplify the preferred sadness.
My mind takes an awful lot of brutish clause and
Nought
A fringe full of a frame brought together by vengeful boys
Who want the here and now
Who shout the specific explicit ways of life
Never ending wading through paths of what ifs and maybes
Effing Ali Akbar
And the glory of god fearing howls and hoots
For nothing, of nothing, if everything counted for the should
Would that should was a viable pause and
Caught - A frightened blame brought into the headlights
If everything from the 21st Century was demanding a return of the
Pretty little baths of regret and bewilderment and the boys
Who had nothing wanted to blow it up in never stopping
Fucking fear and fright knowing that pleasure
Was the thing they craved yet they could only wave away
As the ancient words written by grinding sweating
Calculating fraying and moth eaten, slightly beaten wretches
Was the one and only thing to believe warned off by the new
And things they couldn’t possibly apprehend nor lucid attempts at life
Silly billies waking, and wanking their ‘tendas’ of virgin sluts.
I believe in predestiny and showing the unshowable
That predicts the only thing to happen and they tell me
London has fallen into the boy’s evil minds and all
That’s given is ideas, they shoot poets don’t they
As life slips us by as a multitude of vagrants
Want what you have and die at the pleasure
Rather than face the sands of denial or shame
Of being human better to destroy
AND AMPLIFY THE PREFERRED SADNESS © S T O’Malley
Lord George Byron
EGO
Ego is in results - always in the results
One, you, chasing the mirage
One, you, lacing the mirror with images of success you
think you have, or letting others cloud your
grey clouds or green clouds or greyish off white screen
don't let the ego be see and don’t let it let you live in the moment.
The ego trap
Live in the moment
Dive into the minute
Dream big
Scream
Keep challenging yourself and don't be defined by your past,
It will be easier to accomplish your dreams if you get over your blocks.
When you are in the truth and don't have a clue what is going to happen, and the audience doesn't know what is going to happen, that's when art happens.
BUZZBOMB
All notion of intent is brawn All Muscles are developed by strong grips And pumping mind trips
Any kind of man will do it to you Any kind of man will let you have it all And any kind of man will let you fall
Into the rudeness of exhaling air Into the crudeness of envious leers Tearing the glances into fucking fears
The buzz-bomb is moved up to five
And the intensity moves through your body Like a galvanising intent of rampaging and violent Soaring thieves intent
Of scarring your eyes forever Of barring any of the detecting of slightly Whiffy men who politely
Ask if it’s ok to explode into Chasms and schisms of impending joy Bouncing off the walls with a jerk off
Dismayed to find them flaccid and waiting But full of fat tongue licking The kicking foot and stripping milf who is ever in filth.
Oh god the youngest cries into the neck of his pa Worship me sum more and cum again As the buzz-bomb is turned to eight
Freaking eight
Oh Christ says it all, and merely solely and soaring into the oblivion.
© S T O’Malley
sex sex sex
Vera Rich was the founder of Manifold, "the magazine of new poetry". It was started in 1962 and appeared regularly under Vera's editorship until May 1969, when it was suspended owing to Vera's taking a job as Soviet and East European Correspondent for the scientific weekly Nature. At the time of its suspension Manifold had close on 900 subscribers, almost half of them in the USA. This initially temporary job at Nature lasted for more than 20 years. It was only in 1998 that it proved possible to relaunch Manifold. All together, 49 issues were published under Vera's editorship. It published original high-quality poetry in traditional and innovative styles, in various variants of English, and - from time to time - in major European languages, as well as translations of poetry from less-known languages.
https://en.wikipedia.org/wiki/Vera_Rich