milky way of lilium japonicum - flickr 2013
hello vonnie
i don't do bad sauce passes
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PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi

@theartofmadeline
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Kiana Khansmith
Today's Document
One Nice Bug Per Day
Sweet Seals For You, Always

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pixel skylines
Xuebing Du
sheepfilms
will byers stan first human second
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let's talk about Bridgerton tea, my ask is open

JVL
Sade Olutola
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@saysomethingfromtheheart
milky way of lilium japonicum - flickr 2013
Hilma af Klint, Group VI, Evolution, No. 14, 1908
Telegram / Facebook / X.com
Mikhail Shemyakin, "Raskolnikov in His Room" (1985), illustration for Fyodor Dostoevsky's Crime and Punishment
I spent 30 years as an email draft
what?
he said he spent 30 years as an email draft
oh ok thanks
being into some bullshit that nobody cares about and also is stupid really changes you
Berkshire Landscape by Tim Flach (2008)
by Masatsugu Arai
Yosano Akiko, from a poem featured in River of Stars: The Poetry of Yosano Akiko
Hilma Af Klint, Group VI, Evolution, No. 9, 1908.
Photograph by Albin Dahlström; courtesy the Moderna Museet, Stockholm
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the thing about media literacy is that understanding why the author chose to specify that the curtains are blue is the same skill set as understanding that the way the author characterizes all black characters as angry or all chinese characters as meek and silent is racist. it is the same skill set as being able to identify when a news source is biased or when someone is feeding you propaganda. the ability to ask "why did this person choose to present this premise in this specific way?" is a critical skill in a world full of misinformation. why are the curtains blue? maybe it's a characterization detail. maybe it's extraneous worldbuilding. why is this character written as being right all the time? maybe you're intended to disagree with them. maybe it doesn't matter. maybe you should still ask why.
"i just can't get enough" (2009), jessica wilson
St Conan's Kirk on the banks of Loch Awe, in Scotland
i am just moved by everything now. i'm porous and everything gets inside me
the fact that generative A.I. has created a completely new fundamental doubt in reality (checking to see if an artwork we see is manmade or not) and doubt in the instinct of enjoying art is unforgivable. its sickeningly tragic, and i mean it. NOTHING is worth this price and i hope that everyone will one day realize this.
everytime i think i fit somewhere í actually don’t