because reasons. I'm following everyone back now â„
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because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
because reasons. I'm following everyone back now â„
Little mobile post to remind myself to change a thing about Sarah's biography. Once I'll get on a computer again (on Monday), I'll change the events of the show and her birthday a bit so that Sarah will be turned into a vampire at midnight on her 18th birthday. She was almost 18 in canon anyway and it honestly makes me uncomfortable af to know she is just as mature as her 18 year old self without being able to write that in her canon verses lol
(  m x n s t r u m lu c i s  )
Tatiana couldnât help but jump at the voice, turning back to face the stranger. She frowned as she moved aside, carefully adjusting her bag as the woman swung by. The stranger certainly had no reason to be rude to her - theyâd only just met!
âYou could have at least said please, you know.â
        Sarah stopped in the middle of her movement and turned on her heels to look at the other woman. She couldnât deny that she was quite surprised she got a reaction like that, especially because most people tended to yell when someone was being nice.
        â Well ââ Iâm sorry. I fear Iâve been pushed too many times, that kind of ruins my willingness to be kind. â
yo look ok you donât have to like Mark Seibert as Krolock, especially because he has a very new interpretation of that role, but hating on him is kinda stupid? because he definitely gives all he has & tries to make it good & do something new that makes sense so can ppl just chill pls
You are ready for a baptism. Stéphane Métro as Graf von Krolock, Paris 2014
(   t a n r i i s a l   )
  the moment those words leave her companionâs lips, theodora breathes a sigh of relief. having knowledge with self defense is a good thing. even if it wasnât commanded by their family codex, theodora would want her daughter to learn how to fight.Â
  â well, in order to not get lost, youâll need a map, yes? why donât you come with us & Iâll give you a map & some supplies for your journey? â just as theodora asks, the twins wake up. ( â mama Iâm hungry! â â oh oh! me too! â ) she stands & begins to pack up. as she does, mihrimah begins rambling as she speaks the woman. taner, who is still a little too sleepy to ramble, simply stares at the woman before handing her a sunflower.
  theodora canât help but smile as mihrimah greets herself & her brother. â hi Iâm mihrimah & this is taner & weâre twins! but Iâm the older one! whatâs your name? â
          The womanâs kindness surprises her, for Sarah has never experienced anything like that before; even Alfred, sweet and innocent Alfred, possesses the ability of making her feel slightly uncomfortable by meaning too well.
          â A map would be lovely, but I really donât need anything else, miss. I donât want to be a burden. â She quickly gets up as the other woman does. Then, her eyes widen when the child addresses her directly, but her lips soon curve into a little smile as she leans down a little, now at the same height as the children.
          â Hello, you two, itâs nice to meet you! Iâm Sarah. â
A wife who loses a husband is called a widow. A husband who loses a wife is called a widower. A child who loses his parents is called an orphan. There is no word for a parent who loses a child. Thatâs how awful the loss is.
Jay Neugeboren, An Orphanâs Tale (via atonedsins)
*points to ur lap* is this seat taken