REWATCH ROULETTE ORPHAN BLACK | 3.06 Certain Agony of the Battlefield
Xuebing Du
Not today Justin
Game of Thrones Daily
Jules of Nature

roma★
Mike Driver
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n
No title available
One Nice Bug Per Day
tumblr dot com
he wasn't even looking at me and he found me
$LAYYYTER

Product Placement

⁂

@theartofmadeline

pixel skylines

if i look back, i am lost
No title available

seen from United Kingdom
seen from United States
seen from Bolivia
seen from France
seen from Brazil

seen from United States
seen from United States
seen from Brazil

seen from United Kingdom
seen from United States

seen from Türkiye

seen from United Kingdom

seen from United States

seen from United Kingdom
seen from United Kingdom

seen from Germany

seen from Malaysia
seen from Italy

seen from Türkiye
seen from United States
@sci-fi-gifs
REWATCH ROULETTE ORPHAN BLACK | 3.06 Certain Agony of the Battlefield
ryland grace + text posts
STAR TREK IV The Voyage Home
idiots (affectionate)・[70/?] ⤷ 3.16 — “Apocrypha”
You'll find a solution. You are my solution. My place is in the classroom.
DUNE: PART THREE (2026) / OFFICIAL TRAILER
Stargate SG-1, 06.22 Full Circle
REWATCH ROULETTE FRINGE | 3.20 6:02 AM EST
No one will ever love me like you again So, when you leave me, I should die I deserve it, don't I? ― Mitski, I’m Your Man
IRON LUNG dir. Mark Fischbach
PADMÉ AMIDALA & Anakin Skywalker Star Wars: Episode II – Attack of the Clones (2002)
"Please don't look at me like that. Why not? It makes me uncomfortable. Sorry my lady"
PROJECT HAIL MARY ↳ Roadtrip to Erid, Part Two insp
it feels like there's oceans between you and me once again.
“Let me help. A hundred years or so from now, I believe, a famous novelist will write a classic using that theme. He'll recommend those three words even over I love you.” — James T. Kirk in Star Trek Season 1, Episode 28: The City on the Edge of Forever
NAKED LUNCH 1991・dir. David Cronenberg
Symbolic petrova lines around Ryland Grace's neck PROJECT HAIL MARY (2026, Phil Lord & Christopher Miller)
BACKROOMS (2026) dir. Kane Parsons