音楽を聴き、浮かんだ情景を楽譜の概念無く譜面に描く試み。昔から、好きな音楽を聴くと色彩や形、稀に映像が浮かぶ。それは聴覚と視覚の重なり合った領域が引き起こした出来事と捉えている。そこで五線譜をタイムラインに見立て、見えた色彩や形を時間軸に忠実に五線譜上に再現することを始めた（最近は、たまに五線譜を無視して自由に描くこともある）。これまでの図形楽譜のような「演奏者に向けられた楽譜」ではなく、絵画の鑑賞者を対象にし、私が感覚に忠実に描くことによって観た人たちの中に内在している聴覚と視覚を超越した部分が最大限に引き出されることを祈る。 As I listen to music, what comes to mind is what I draw; I try to illustrate the musical notes off of one page, interpreted on to another page. For the longest time when I hear songs I like, colors and textures and on rare occasions whole images will spring up in my imagination. These images overlap in a melding of the senses, sight and sound becoming one. From that I began to visualize the sheet music and select from the imagined pictures what appeared to remain loyal to that timeline, but drawn into colors and shapes.(Recently, I have begun to sometimes ignore the musical notation in favor of just drawing freely.) Until now these graphic notation interpretive drawings were not sheet music aimed at performers, but art works to be viewed by anyone who would see them. As I have been faithful to my vision and drawn it as such, the viewer can feel and interpret on their own terms what transcends sight and sound, and on a deeper level intrinsic to the senses get that feeling at their core. This is my ultimate goal and hope, that people will have their senses awakened on a deep level and experience that primal feeling from my works.
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