John Singer Sargent

oozey mess
AnasAbdin
let's talk about Bridgerton tea, my ask is open

Love Begins
No title available
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe
Xuebing Du
i don't do bad sauce passes
we're not kids anymore.
styofa doing anything
No title available
todays bird
noise dept.
Cosmic Funnies

blake kathryn
I'd rather be in outer space 🛸

Andulka
Three Goblin Art
Jules of Nature

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@scotomisation
John Singer Sargent
Joan Collins, 1951
films watched in 2018: designing woman (1957) dir. vincente minnelli
Open your eyes and go to sleep.
Designing woman (1957) dir. Vincente Minnelli
Robert Taylor and Greta Garbo in Camille (George Cukor, 1936)
Thomas Francis Dicksee
The relationship was certainly sensual, if not sexual. They kissed passionately in the back of limousines. Elizabeth was ready to lose her virginity, and she wanted to lose it to Monty. When they attended the premiere of A Place in the Sun, Monty suggested they stop for a burger before they made their grand entrance. The absurd idea of eating a take-out burger in their evening clothes delighted Elizabeth, and Monty instructed the driver where to go. In the backseat of the limo, they ate take-out burgers with paper napkins spread across their laps. Monty became hyper now, jumping around in his seat and throwing pickles out the window. “Hey, Bessie Mae,” he exclaimed, “do you want a french fry?” “Can I have a sip of your soda, Bessie Mae?” “Why do you keep calling me Bessie Mae?” she asked. “The whole world knows you as Elizabeth Taylor,” he said. “Only I can call you Bessie Mae. Elizabeth belongs to the public. Bessie Mae is mine.” - Charles Casillo
Carrie Fisher
Dordrecht (Marcel Proust)
Ton ciel toujours un peu bleu Le matin souvent un peu pleut Dordrecht endroit si beau Tombeau De mes illusions chéries Quand j'essaye à dessiner Tes canaux, tes toits, ton clocher Je me sens comme aimer Des patries Mais le soleil et les cloches Ont bien vite resséché Pour la grand-messe et les brioches Ton luisant clocher Ton ciel bleu Souvent pleut Mais dessous toujours un peu Reste bleu.
Monica Vitti, Alain Delon, L'Eclisse, Antonioni.
L'ECLISSE (1962), dir. Michelangelo Antonioni
"Ce qui semble caprice aux gens sans âme m'a toujours semblé la raison du cœur" Honoré de Balzac (Viser ton cœur Amour)
Scarlett
The Age Of Innocence (Martin Scorcese)
My love where shall we make love? In a bed? At night under the stars? Under a beautiful tree? On top of the sun? In a bath tub? In the jungle with zebras and lions and crocodiles? In a field with flowers? Niki de Saint Phalle