
izzy's playlists!

Origami Around
todays bird
Sweet Seals For You, Always
AnasAbdin
Peter Solarz

blake kathryn
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸
Not today Justin
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
styofa doing anything
ojovivo
Sade Olutola

Kaledo Art

if i look back, i am lost

tannertan36

Kiana Khansmith
taylor price
seen from Italy
seen from T1

seen from United States
seen from Canada

seen from Türkiye

seen from Malaysia
seen from T1

seen from United States

seen from China
seen from United States

seen from Hong Kong SAR China

seen from T1

seen from Türkiye

seen from T1

seen from Italy

seen from Malaysia

seen from Singapore

seen from Singapore
seen from United States

seen from United States
@screenkats
Nära jorden, nära skogen (Nina Hedenius, 1984)
House (1977)
Tobias Icarus Age 4 (1968), dir. Clemency Weight
Marlene Dietrich in Dishonored (1931) dir. Josef von Sternberg
cats in horror
blanche in house (1977) winston churchill in pet sematary (1989) jonesy in alien (1979) jezebel in the sentinel (1977) thackery binx in hocus pocus (1993) ligeia in the tomb of ligeia (1964) general in cat’s eye (1985) mar in ju-on: the grudge (2002) the cat in a girl walks home alone at night (2014) cat in coraline (2009)
We could ALL use a short break from politics to appreciate Jonesy the cat from Alien.
Read more in my CNET article here.
I was reminded today that in my family, we always called random tabby cats "Sarge" because of the stripes on their arms.
The Girl with All the Gifts (2016) Directed by Colm McCarthy
Alice in Wonderland (1951)
Women in movies: Holly Golightly, portrayed by Audrey Hepburn in Breakfast at Tiffany’s (1961). “It may be normal, darling; but I’d rather be natural.”
We are so focused on our search for truth, we fail to consider how few actually want us to find it. But it is always there, whether we see it or not, whether we choose to or not. The truth doesn’t care about our needs or wants. It doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. Where I once would fear the cost of truth, now I only ask: What is the cost of lies? Chernobyl, dir. Johan Renck // 2019
Footlight Parade (Lloyd Bacon, 1933)
Pet Sematary (USA, 1989)
La Pointe Courte (1955), dir. Agnès Varda