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๐ฅฐ๐ฉท Pose reference byย albanenechi
punzie ๐
A breath of fresh air...
...can fill the lungs with magic.
The finest sketches are always done in the notebooks๐๐๐
I adore these CUTIES they have the healthiest relationship omfgg so i did some screenshot redraws also first time drawing Eugene not that complicated as I thought he would be ALSO FIRST POST AGEGEH !! I had fun drawing them sm
the fact that tangled has a perfect set-up for major miscommunication between rapunzel and eugene to be the final emotional climax of the movie (โwhyโd you leave meโ) but instead sidesteps that in favor of a beautiful battle between the two of them in which they try to out-sacrifice each other because they love and understand each other that much. the fact that they each try to save the other using the best means theyโve got at their disposal, the ones theyโve used their whole lives: rapunzel bargaining with mother gothel and promising away pieces of herself- this time all of herself- in exchange for his safety, Eugene pulling one final scam and trick when he feigns tenderly touching her face so he can actually cut off all her hair and set her free. the fact that Eugeneโs plan works but as a result he dies, Flynn dies. (he told us this at the beginning, โthis is the story of how I diedโ but remember- itโs a fun story.) The fact that the swashbuckling rogue and trickster and thief Flynn DIES so that rapunzel, the girl who never got to have a life, can LIVE. The fact that after one final successful trick Flynn dies so Eugene, little lost orphan boy, can rise again in his final and only role as a good man and as rapunzelโs husband- all of these make tangled the masterpiece it is. in this essay I will
OP whereโs the essaaaaay
What unites Eugene and Rapunzel, what forms the basis of their connection, is not just their lonely, isolated, unloved childhoods but the mechanisms they each used and still use to try to fill the voids in their lives. And those mechanisms boil down to- keeping busy, whatever the cost. Rapunzelโs opening song is literally a montage of her desperate attempts to fill an otherwise empty day (and empty life) and Eugene steals for the riches, sure, but mostly for the adventure, the thrill, the chase. The motion and color of it and the ways in which it is the opposite of boredom, the opposite of emptiness.ย
They are both resourceful and determined, used to doing the best they can with what they have, and as a result they encounter each other and decide to team up. Practicality, not romance, is what drives them together and what keeps them together for much of the movie.
Their methods of filling voids with whatever scheme they can concoct, the skills theyโve both gained from their past experiences, become the means they use to achieve their shared goal: get Rapunzel to the city to watch the floating lights and return her safely home. The scrapes and (mis)adventures they get into on their way are not just filler or fluff; they are opportunities to highlight the natural teamwork they have, the ways in which they complement and complete each other and so help each other: Rapunzel solves the run-in with the group of thugs/misfits with vulnerability and openness; together, they escape from the guards and avoid drowning.ย
Already this is an improvement on their previous work, their previous โbusinessโ. It has more warmth, it has more success, it has more color. But thatโs not all. Alongside their adventures, they start to talk to each other. Confide in each other. Nothing huge or dramatic. When he tells her his name he follows it with the dryly delivered โsomeone might as well knowโ. And when he asks about the situation at home, his voice is gentle and kind but not full of depth of feeling just yet. But itโs real, honest connection about their pasts and so contains within it the articulation of their emptiness. Itโs the realest relationship either of them have ever had. Itโs far realer than anything their past endeavors have ever brought them.
When they reach the lights, Rapunzel realizes this and it comes out in her words expressing her fears and worries about the lights. Understandably, sheโs scared finally seeing the lights wonโt be enough. But then, and hereโs the beautiful thing, sheโs scared that it will be.ย โAnd what if it is,โ she says, tears in her eyes and voice. โWhat then?โ This is the moment in which Rapunzel recognizes that she really has never filled the void in her life, the place where real love and human connection should be, and that the lights wonโt do it either. Chasing the lights was her noblest effort yet, a beautiful and real and a valid dream, but still not enough. because the lights are not a person and the lights canโt love her back.ย
Eugeneโs answer to this is hopeful- thereโs always another dream to chase. But he still doesnโt really have an answer for her. He doesnโt really understand.
Until they see the lights.ย
Until they see the lights together.ย
Their golden glow and beauty is enchanting, itโs everything she dreamed it would be. And then, itโs more.ย
And itโs more because when she turns around, right at the end of the first verse, she sees him. Holding her dream in her hands, watching her watch it, experiencing it with her.ย
Thatโs when she knows.ย
She hands him the satchel and he knows he knows too.ย
He knows that there is no new dream, no better dream, than her, than a real life of love with the person in front of him.ย
After the lights happens everything I said in the original post. Theyโre torn apart and beautifully, magically, unexpectedly Mother Gothelโs ploy to sow discord between them doesnโt work. Rapunzel sees through Mother Gothelโs lie to see the truth of everything, including his reasons for leaving, and when he shows up there is no reproach or misunderstanding to clear away. Like I said in my original post, they understand each other now.ย
And like I said in the post above, Rapunzelโs bargaining for his life and Eugeneโs cutting off of her hair are the means they use to set the other free. And ultimately Eugene wins. He dies and his death, the first time she truly experiences loss, opens her up to a fuller understanding of and use of her magic and her healing. He is restored to her and they live (truly) happily ever after.
But my point with all of this is, the heart of the story and its own specific magic, is that their skills and habits and means- whatever the word we want to use is- garnered by each of their efforts to fill their life with meaning finally fulfilled their true purpose, finally made them happy. Because they stopped being the end goal of their lives and became the means to their true purpose- the life and love they have with each other.ย
Birthright update!
https://archiveofourown.org/works/24460735/chapters/235129996
Are there some movies you wish were hand-drawn animated?
Let me be oh so clear when I say that I don't think that traditional animation is superior to CGI. They're very different mediums. I will, however, say that traditional animation lends itself more to versatility, and that CGI, as the medium progresses, seems too hyper-focused on making textures real (skin, fabric, the environment), and that's leading them down a path of sameness that's boring (for me) to look at.
(On the other hand, realistically programming Elsa's blizzard in Frozen led to scientists solving a decades-old mystery.)
Tiana famously wears 13 different outfits while spending only 17 minutes as a human, when you take into account everything she's seen wearing as a child, and outfit variations that include coat and/or hat. That means that, on average, she's wearing each outfit/outfit combination for approximately one minute and twenty seconds, and we know she spends a few minutes in three of the outfits. So, really, she's seen in most of them for less than a minute. That's really only possible within budget for a traditionally drawn movie, because CGI would require new rigs and texturing and physics engines for the fabric and all sorts of things that cost way more than just someone to design the different outfit. That's why, in the movie of Tangled, Rapunzel wears two dresses, one of which is a modified version of her main one, and is also the basis for her wedding dress. It was just cheaper that way, especially considering that Tangled still clocks in as the most expensive animated movie made to date, when taking inflation into account (and second most expensive just after The Lion King (2019), and they actually had comparable budgets).
All that being said, I wouldn't have hated a traditionally animated Tangled. Big screen budget with the vision they had? It would have looked absolutely amazing, and Rapunzel could have worn so many more outfits. So could Eugene have.
art by LPDisney on deviantART
Another in my line of WIPs I'm finally finishing.
In 2019, I drew a quick pic of what we thought Eugene's S3 outfit looked like, based on a teeny tiny image we had of him from the season poster. I got several of the details wrong.
So, in 2024, I decided to polish the pic I did in 2019, fixing it to be accurate, nicely inked and colored, etc.
And it took me this long to finish it.
I think I'm getting better at catching his resemblance... I hope...
via Tom Caulfield on Instagram: Does anyone remember Varian from Tangled the series? Hereโs a sequence I boarded where Varian has a vision. Do yall remembers? I remember the deadline๐
Heโs exactly where he wants to be. ๐
๐ธ๐ผ๐ท๏ฝ
Happy birthday, Sunshine!
TANGLED JUNE BRIDE DAY 6: The Kiss
Smack!
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