Docs in Theaters: "Ballplayer: Pelotero" "Deconstructing Dad" "Family Portrait in Black and White" "The Imposter" and "Shut Up and Play the Hits"
Coincidentally, two of this weekâs major theatrical releases for documentary involve older people passing themselves off as younger, sometimes even falsifying their identities. And in both films foreigners do so to find a new home in Texas. Maybe the new music doc, which is only playing one night nationwide, shares the impersonation theme too. I havenât seen it. I bet thereâs someone in the concert audience lying about their age.
There are also some other docs I havenât seen that are opening today, including Itâs the Earth Not the Moon, which I was unable to fully showcase so added to the expanded releases section. Two other films in this section I want to note this week are Our Daily Bread, a must-see older work playing a couple dates in NYC, and Music From the Big House, which returns to the calendar and list with some Southeast engagements.
Film festivals featuring docs going on this week include: Dokufest [7/7-7/15]; Maine International [7/13-7/22]; Revelation Perth International [7/5-7/15]; Downtown LA [7/6-7/13]; Outfest - LA LGBT [7/12-7/22]; Philadelphia QFest [7/12-7/23]; Asian Film Festival of Dallas [7/12-7/19]; Rochester Jewish [7/8-7/16]; Jerusalem [7/5-7/14]; Frame Out [7/6-8/25]; and Imagenation Outdoors.
Here are your three new theatrical releases followed by the weekly list of docs still in cinemas:
As I wrote earlier in the week, Major League Baseball is not too happy about this film, which looks at the ample exportation of baseball players from the Dominican Republic. Teenagers are groomed and treated as commodities by a exploitative system based in dreams of America, riches and general upward mobility.
Subjects within the doc, if not the film itself, speculate and allege the system is rigged on the U.S. side to keep valuable players priced cheaper. But Dominican corruption is more commonly known, as hopefuls lie about their age or go so far as changing their identities to pass as the most sought-after age of 16. Itâs a fascinating yet sad process that allows us to better enjoy the national pastime.
Donât think of the film as an investigative expose, however. Itâs focused on the people, mainly two great prospects who just happen to end up accused of age fraud, and their poor families holding on to hope for a better life for their boys.
Recommended If You Like: Hoop Dreams; Sugar (drama); Elevate
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