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[guillaume-en-egypte]

Women on the Verge of a Nervous Breakdown dir. Pedro Almodóvar (1988)

[nemfrog]

Twilight rays in the sky opposite the sun. Untersuchungen über Dämmerungserscheinungen. 1888. 

e-rara

[nemfrog]

"Submarine life in the northern seas."

Gately's universal educator. 1883.

Internet Archive

[nemfrog]

Fleurs. Arbres et abrisseaux. Flowering trees and shrubs. Larousse Du XX Siecle en six Volumes. 1930.

Internet Archive

[nyctophilia-35]

[theinternetarchive]

etruscan ring of gilded silver decorated with a winged lion, a siren, and a flying scarab beetle, italy c. 500s-400s b.c.

[expressions-of-nature]

Zhangye Danxia Landform, China by YUEBIRDS

[pastart]

Stuart Winecoff

[ymutate]

Tomás Sánchez (Cuban, born 1948)

Descubridor de Lagunas [Discoverer of Lagoons], 2007

Acrylic on linen

100 x 122 cm. (39 ¹/₄ x 48 in.)

Private collection

[moonrockworld]

Kees Scherer - Temple of Nefertari at Abu Simbel, Egypt, 1965-1968

[toiich]

Isabelle Huppert, une vie pour jouer (2001), dir. Serge Toubiana

[expressions-of-nature]

by Sergey Butorin

[toiich]

Late Spring (1949), dir. Yasujirō Ozu

[petaltexturedskies]

Emily Dickinson, in a letter to Mary Bowles, wr. c. August 1861

[thinkingimages]

Interior, 1925, Edward Hopper

[artemisiasea]

Mysticism is awe. And I think any human being who's lost awe is really a lost person. A civilization that's lost awe, an educational system that can't teach awe and nurture it, a worship system that is devoid of awe because it is so full of human verbosity, is perverse. These systems are doing the opposite of what we have to do, which is to awaken the heart. Mysticism is about heart-knowledge, heart-experience.

Matthew Fox, Listening to the Land

[memoryslandscape-deactivated202]

“The way to love anything is to realise that it might be lost.”

— G. K. Chesterton, from “The Advantages of Having One Leg,” Tremendous Trifles (Methuen & Co. Ltd., 1910)