Aerial view of the fortress with three enceintes at Chanquillo, south of the Río Casma.
From “Art of the Incas and its origins” by Henri Stierlin, 1984. https://www.instagram.com/p/ClEmpNzNf2z/?igshid=NGJjMDIxMWI=

shark vs the universe
Sade Olutola

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JBB: An Artblog!
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@shapesformsandspaces
Aerial view of the fortress with three enceintes at Chanquillo, south of the Río Casma.
From “Art of the Incas and its origins” by Henri Stierlin, 1984. https://www.instagram.com/p/ClEmpNzNf2z/?igshid=NGJjMDIxMWI=
Aztec Calendar Stone with Mr. Villaseñor applying the finishing touches.
From “Los Angeles County Museum Quarterly 1965-66” by The Natural History Museum of Los Angeles County. https://www.instagram.com/p/ClHJHN9NybC/?igshid=NGJjMDIxMWI=
Aerial photograph of rectangular stone building, possibly a fortress, with seven protruding turrets and an inner wall lined with rooms. Structure is situated on plateau of Santa Valley.
From “Antisuyo; the search for the lost cities of the Amazon” by Gene Savoy, 1970. https://www.instagram.com/p/CkwES8INt7i/?igshid=NGJjMDIxMWI=
Vijayanagar, base of throne-hall.
From “Eternal India: the land, the people, the masterpieces of architecture and sculpture of India, Pakistan, Burma and Ceylon” by Alfred Nawrath, 1956. https://www.instagram.com/p/Ck_jMPYtiVK/?igshid=NGJjMDIxMWI=
Willi Soukop / Seated woman, 1979. Concrete.
From “Open air sculpture in Britain” by Walter John Strachan, 1984. https://www.instagram.com/p/CkohUZBNPI2/?igshid=NGJjMDIxMWI=
Mycenae. Gold foil discs with butterfly. Octopus and Palm-leaf from Tomb III.
From “The art of ancient Crete: from the earliest times to the iron age” by Helmuth Theodor Bosser, 1937. https://www.instagram.com/p/CfpAsietr9u/?igshid=NGJjMDIxMWI=
Corb, 1964. A bottle of notes and some voyages. Oldenburg, Claes. 1988.
Smithsonian miscellaneous shell collections, 1930.
Courtesy of Smithsonian Institution. https://www.instagram.com/p/Cfjxi2ptI9L/?igshid=NGJjMDIxMWI=
Isturitz Oval pendant / Lespugue,Sole.
From “The Art of Prehistorian Man in Western Europe” by Andre Leroi-Gourhan, 1968. https://www.instagram.com/p/CfeydzhtJvX/?igshid=NGJjMDIxMWI=
Intiwantana, Machu Picchu, Peru. Photo by César Paternosto.
From “El Taller Torres-García: the School of the South and its legacy”, 1988. https://www.instagram.com/p/CfjxlYINhtT/?igshid=NGJjMDIxMWI=
Mace or staff head, volcanic stone, Atlantic Watershed zone. Late Period IV 1-500 AD.
From “Between continents/between seas: Precolumbian art of Costa Rica”, 1981. https://www.instagram.com/p/CfZmqn9t1VD/?igshid=NGJjMDIxMWI=
Dustin Kalynuk
Air view of gardens. “Most beds have newly-planted sweet potato mounds, and others are about to be planted.”
From “The Dugum Dani: a Papuan culture in the highlands of West New Guinea” by Karl Heider, 1970. https://www.instagram.com/p/CfMlMDCNQSK/?igshid=NGJjMDIxMWI=
Fang mask. Photo by Robert Farris Thompson.
From “Perspectives: angles on African art”, 1987. https://www.instagram.com/p/CkeHs__tn4V/?igshid=NGJjMDIxMWI=
Eight-foot basalt head at La Venta. Photo by Donald Cordry.
From “Mexico south: the isthmus of Tehuantepec” by Miguel Covarrubias, 1946. https://www.instagram.com/p/CkjKt4WNGuL/?igshid=NGJjMDIxMWI=
Bogdan Bogdanovic / Ali sul pendio, 1966.
https://www.instagram.com/p/CkRJ1ButfD5/?igshid=NGJjMDIxMWI=
room and book