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@shepaintsred
June 1, 2023
Ana Mendieta, “Anima,” 1976
Body. Place. Presence. Emergence
The same space, anchored in time...time and space captured...sequence...all parts in one image. (brings to mind my need to capture one photograph of one bush every day over a year...and then, again, stopping at a point in the woods, again and again over time...creating an archive that will come into play in future art works)
Jorge Macchi talks about his work, “Vidas Paralelas (Parallel Lives),” and his multidimensional art practice that challenges the seemingly predictable parts ...
Create your own compass, choose your direction of travel.
Concertina...folding...extension...
Fractured Self is a seriese of artist books which include 'The Gaps Between' and 'Of Distance', they explore narraitve, identiy and 'place'.
I’m still very interested in map folding over history...currently creating concertina books in the studio.
Take a closer look at Kiki Smith's magical world with this new short documentary, filmed with the artist during the opening of her major exhibition at Modern...
Gahhhh!
“We are stressing the earth in very dramatic, unnecessary ways, and so it makes more sense to say: Oh no, I am nature also.” Join us as we visit the influent...
I feel so connected with this.
The Brazilian artist discusses repetition, geometry, art under dictatorship, and the unlikely significance of rubber stamps.
Notions of repetition....capture of line...memory.
The Centre for Oral History and Digital Storytelling (COHDS/CHORN) is based at Concordia University. It explores the links between oral history, digital media, the…
I’ve been reading essays by Sebastien Caquard the past several months. He writes stuff that inspires my practice and my relationship with my project at the Bow River, as well as the experience of my grief and sense of identity. My personal narrative is more and more immersed in the land.
Hey, I have a Wikipedia page! Really Short Bio Catherine D’Ignazio is an Assistant Professor of Urban Science and Planning in the Department of Urban Studies and Planning at MIT and Director …
As my body moves deep into the circle, I begin to question the truth of the map...and what it represents. I also question my privilege. My body pulls out of an invention of geography and technology, a line. I am becoming more and more curious about the edges.
Joshua Edwards...my first encounter of someone who validated my daily circular walking that happened along with my daily photograph of one bush.
Wilhelmina Barns-Graham, Seventeen Lines, (pen, ink and oil, board), 1982 [Wilhelmina Barns-Graham Trust, Edinburgh]