The Three Degrees, early 1970s | Valerie Holiday, Sheila Ferguson, Fayette Pinkney (L-R)

@theartofmadeline

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YOU ARE THE REASON
he wasn't even looking at me and he found me

Kaledo Art
cherry valley forever

Love Begins
todays bird

oozey mess
hello vonnie
Misplaced Lens Cap

blake kathryn
DEAR READER
Stranger Things

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Origami Around

祝日 / Permanent Vacation
ojovivo
dirt enthusiast
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seen from United States
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@shepherdsnotsheep
The Three Degrees, early 1970s | Valerie Holiday, Sheila Ferguson, Fayette Pinkney (L-R)
Touki Bouki (1973), directed by Djibril Diop Mambéty
Poet, performance artist, playwright, and novelist Ntozake Shange was born Paulette Williams on October 18, 1948, in Trenton, New Jersey. She earned a BA in American studies from Barnard College in 1970 and then left New York to pursue graduate studies at the University of Southern California (USC) in Los Angeles. It was during this time that she took the name “Ntozake” (“she who comes into her own things”) “Shange” (“she who walks like a lion”) from the Zulu dialect Xhosa. She received an MA in American studies from USC in 1973.
Her many books of poetry include Ridin’ the Moon in Texas: Word Paintings (St. Martin’s Press, 1987); From Okra to Greens (Coffee House Press, 1984); A Daughter’s Geography(St. Martin’s Press, 1983); Three Pieces (1981), which won the Los Angeles Times Book Prize; Nappy Edges (St. Martin’s Press, 1978); Natural Disasters and Other Festive Occasions (Heirs, 1977); and Melissa & Smith (Bookslinger, 1976).
Among her plays are Daddy Says (1989); Spell #7 (1985); From Okra to Greens/A Different Kinda Love Story (1983); A Photograph: Lovers-in-Motion (1981); and the renowned for colored girls who have considered suicide/when the rainbow is enuf (1977), which won an Obie Award and received Tony, Grammy, and Emmy Award nominations. The play, or “choreopoem,” became an instant classic. Performed by an ensemble of seven African American women, the play is comprised of monologues, movement, and poems that together describe the pain and struggle women face because of racism and sexism.
Theater critic Clive Barnes wrote about the play, “This is true folk poetry. It springs from the earth with the voice of people talking with the peculiarly precise clumsiness of life. It is the gaucheness of love. It is the jaggedness of actuality” (The New York Times, June 2, 1976).
About her writing, the poet Ishmael Reed said, “No contemporary writer has Ms. Shange’s uncanny gift for immersing herself within the situations and points of view of so many different types of women.”
She also authored multiple children’s books and prose works, including Some Sing, Some Cry (2010), If I Can Cook You Know God Can (1998), See No Evil: Prefaces, Essays & Accounts, 1976-1983 (1984), Sassafrass, Cypress & Indigo: A Novel (1982), and The Black Book (1986, with Robert Mapplethorpe).
Among her numerous honors are fellowships from the Guggenheim Foundation and the Lila Wallace-Reader’s Digest Fund, and a Pushcart Prize. Shange lived in Brooklyn. She died on October 27, 2018.
Kingston, Jamaica. Photograph by Beth Lesser (1980s)
Photograph from Chicago’s Tri-Taylor neighborhood on the city’s Near West Side. Photograph by Lou Fourcher as a UIC graduate student. (1970s)
Harlem in the 1920s.
“Harlem was the end of the line, the promise land, the place where all our fantasies came true. If I had to choose between Heaven and Harlem… Harlem, of course, would win everytime.” - Ossie Davis
The Therapist Directory is a listing of mental health professionals across the country who have been identified as a clinician who does great clinical work with Black women.
New Jersey doesn’t want Assata Shakur back. The white supremacist imagination wants Assata Shakur back. It has nothing to do with her “killing a cop”. It has nothing to do with justice, something we as citizens rarely get when the system that is operating against Assata also operates against us (#HandsUpDont___? #whocantbreatheandwhy?) This decades long lust over Assata Shakur’s freedom comes from a nation that had in its place a system that was considered to be impossible to defy being defied. They don’t know how this Black woman not only escaped from their maximum security prison, but also tracelessly made it to Cuba. They want her back like a child wants a toy back that never really belonged to them. They feel entitled to her freedom because she spat in their white supremacist patriarchal faces and made it out alive to the land of one of their biggest enemies. She broke every rule and like petulant children they can’t stand that someone else won. They want her back because without her their headcount of all of us, meaning every US citizen, is incomplete. Her defiance is still a sign to them that others will come after her. They have to make an example out of her even though they never made an example out of themselves for all the atrocities they’ve committed worldwide, on their own soil. Justice…she found justice. They want to take it away.
Phillip B. Williams (via shepherdsnotsheep)
op moetu
https://instagram.com/p/BKHOg_ohTeT/
Δ Maggie Lacivi stim board Δ
(sources in captions)
history being made
Meet Sister Rosetta Tharpe, the black woman who invented that rock and roll sound
You know what’s sad, before I even read this article I was ready to refute this because I grew up believing Chuck Berry created Rock and roll. It’s said how so many knew of this great woman yet none spoke on her greatness.
I also discovered Big Mama Thornton, who’s another hugely influential early inventor of rock and roll — I’m pretty sure Hound Dog was originally popularized by her, before Elvis stole it.
Love Sister Rosetta Tharpe! #BlackGirlMagic
A few of her performances:
https://www.youtube.com/watch?v=JeaBNAXfHfQ
https://www.youtube.com/watch?v=l9bX5mzdihs
https://www.youtube.com/watch?v=SR2gR6SZC2M
Also I heard she was bisexual…
Happy Black History Month!
Dear terror, / I came looking and I find you everywhere.
Camille Rankine, from “Dear Enemy:,” Incorrect Merciful Impulses (via 7-weeks)