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@shinertheplay
Faultline Theater continues its mission of presenting provocative theatre aimed at a younger generation of theatre-goer with its production of Shiner, a sort of William Shakespeare meets Harmony Korine mash-up now running through July 25 at San Francisco’s interesting performance venue PianoFight. Playwright Christian Durso’s two-character piece is set in 1994 during “grunge” rock’s heyday. The play opens with Margo ...
Margot and Jake have it all figured out. Their 13-year-old lives suck and the best solution seems to be to see Kurt Cobain perform and then jump off a freeway »
Teen love story is set during Nirvana mania
English publication PRAGUE POST reviews SHINER at PSC
The first SHINER tattoo (that I’m aware of). Margot’s Red Waining Moon on the neck of Rose Sampley, the intern and props master on Prague Shakespeare Company’s production of SHINER.
Thank you Rose! You are so punk rock. Not a poser. :)
SHINER opens in Prague at the Prague Shakespeare Company
I'm drafting this on a Lufthansa cocktail napkin somewhere over Germany. The local time is 17:00, which takes a bit of math for it to mean anything to me. All I do know is that SHINER opens its sixth and first international production with the Prague Shakespeare Company at 20:00. And that does mean something to me. This play has taken me to the most wonderful places. 48 Hours ago I didn't even have a ticket and here I am, full of luck. I have vague instructions on how to take a bus to a train to the theatre. And hopefully I'll have a chance to change before curtain. And there's a better than average chance I'll get turned around or lost-- (this happens to me a lot, even in Los Angeles, especially in Europe, and with great frequency while writing)-- and that's okay. My play's success has taught me (again) that flaws and mistakes are some of the best stuff in life.
The clouds are thick over Prague as we descend. The turbulence is strong. I'm amazed at the flight attendant serving wine in the aisle as the plane tosses and falls, how very punk rock of her.
And then there she is-- Prague. Strung with rivers, tied by bridges, bound by streets that bend like an accordion. I'm very excited to see what SHINER has been up to out here. The landing gear engages, and I close my eyes for another turn in the mosh pit.
Happy closing SHINER Reno!!!
Buzz Osborne says Montage Of Heck was bullshit. Saw the doc and loved it. Read this article and liked it too, maybe Kurt Cobain was really good at jerking our chain.
Thoughts?
(via Joins us for a Talk Back with "Shiner" Playwright Christian Durso)
http://paper.li/ishootreno/1330646039?edition_id=fd709d00-fd7e-11e4-ab66-002590a5ba2d
Christian Durso will be offering a talk back to audiences both Friday and Saturday nights following the performance. Grab your tickets to Shiner and stay as Christian shares insight and answers questions about this phenomenal production.
http://paper.li/ishootreno/1330646039?edition_id=fd709d00-fd7e-11e4-ab66-002590a5ba2d
Thanks for the love WLP
Shiner Up Next in Prague...
I'm driving through the high desert in northern Nevada. The sky is overcast, dark clouds roll down the sierras, rain drops thump the wind shield... If it weren't for casinos dotting 395, I might think I'm in the pacific northwest and that makes me happy. Tonight I get to see SHINER's fifth production, the third in one year. I feel especially good about this play coming to Reno. More than some of the other fancier, "theatre towns" the play has already been to I feel that Reno is something of a forgotten stepchild, a town defiantly holding onto its identity even as it suffers the butt of too many jokes-- in short, an outcast. Like Jake. Like Margot. Like Cobain himself. And I think I am abnormally fond of outcasts and underdogs, they always seem to have a viewpoint no one else has, they know something about the forest that the trees do not. I'm proud of my friends Joe and Kate at Good Luck Macbeth Theatre for holding their ground in Reno the way the great gunge bands held Seattle when Boeing was the only thing going, before Starbucks took hold in every suburbia, before Cobain was anything but an outcast with a guitar. I'm proud of Patrick who came from New York to do this show for whatever pittance was offered him. Fuck the gloss, tonight I'm making theatre in Reno with some great artists who refuse to accept that theatre needs a central location. Tesla just opened up shop nearby. Locals are saying there is a "Renossance" afoot. Theatre can and will be made everywhere by outcasts of all kinds in every outcast town in the world. SHINER hits the biggest little city in the world tonight as dark clouds in the distance drop lighting bolts. And I'm going to get into this mosh pit and throw some elbows out of pure love. See you there. Talkback after.
SHINER Reno Promo at Good Luck Macbeth
SHINER in the Reno Gazette
Jenny Kane, RGJ
“Although more than 20 years have passed since Kurt Cobain committed suicide, Cobain’s life, death and music still grip a global audience.
Just this year, unheard recordings from the late Nirvana frontman have been released, a new documentary about Cobain just debuted, and another is on its way.
In “Shiner,” a Good Luck Macbeth Theatre production that opens Friday in Reno, audiences will be transported back to the weeks leading up to Cobain’s self-inflicted gunshot wound death in 1994.
Reno will be the fifth city to welcome the play to its community.
The play is not Cobain’s story.
Playwright Christian Durso tells the story instead of two 13-year-olds, Jake and Margot, who form their own grunge-music fan club to celebrate all things Nirvana, Cobain’s band formed in the Pacific Northwest.
Soon Jake and Margot become bound as much by their shared insecurities as by their music, and the two teens make a pact to die happy.
All they need to do is see Nirvana live in concert, and then they will jump off the U.S. Highway 101 overpass. But a first kiss, a restraining order, and Kurt Cobain’s ailing health threaten their plans.
The production, directed by Bill Ware, stars prominent Reno actress Kate Atack and regional actor Patrick John Kiernan, who is based out of New York.
The production team expects that “Shiner” will not only speak to Nirvana and Cobain fans, but to anyone that feels a sense of angst and lack of belonging.
“His music is speaking to emotions that they can’t express,” said Christopher Daniels, managing director of the production, of fictional characters Jake and Margot, along with Cobain’s loyal followers.
“Shiner” was listed on the Tracking Board’s 2012 Young and Hungry List, a roll of the top 100 best scripts in Hollywood and was listed as one of the top 10 plays in New Orleans for 2014.
“We’ve been interviewing people about their connection with Nirvana. It almost has this John F. Kennedy feeling, in that everyone remembers where they were when Kurt Cobain died,” Daniels said.
With the music and arts scene booming in Reno and with the recent release of the new Cobain documentary, Daniels also feels like it is a perfect time for the show to come through Reno.
Tickets are available online via www.goodluckmacbeth.org. Presale tickets cost $15 and $18 at the door.
Scheduled dates for the production include Friday and Saturday; May 21-24; May 29-30; and June 5-6.”
Third Opening in one year tonight in NOLA
I'm writing this on an airplane bound for New Orleans. Tonight I'll attend the third opening of my play in the past year. My black sports coat and Nirvana shirt are tucked into a duffle bag somewhere in the cargo hold below my seat. I wear the same thing to each opening. I'm still amazed at the things this eighty five page play has brought to my life. In some ways, I feel like I'm constantly living in the shadow of those eighty five pages. But in most ways I'm humbled by them. I've been reading the rehearsal reports daily from Los Angeles. I've fielded a couple phone calls about lines. I scanned the production and rehearsal photos on the company's social media sites. I knew there was a whole creation process happening a couple thousand miles away that I was and was not involved in. Today I was just happy to get up at the crack of dawn after only a few hours sleep, fight traffic, and brave a middle seat with a little boy kicking at my back just so I can bear witness to another incarnation of my play. Today, I feel like a dad going to visit his kid at college. This removal has been a humbling experience. To risk a cliche, this play isn't mine, but it came through me. I'm just its guardian for the time being. Today I get to see again how it has grown. I will have just enough time to drop my bags, change into my Nirvana shirt and sports coat and run off to the theatre. I'm happy. This plays opens in its third time zone in a single year. And the year so happens to be the twentieth anniversary of Kurt Cobain's death. For a new writer I feel very blessed. Happy Opening NOLA Project and SHINER!