shinyslingback's art blog turned 4 today!
let's talk about Bridgerton tea, my ask is open
macklin celebrini has autism
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The Stonewall Inn
Lint Roller? I Barely Know Her

❣ Chile in a Photography ❣
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RMH

Kiana Khansmith
almost home

Product Placement

blake kathryn

Discoholic 🪩

Jar Jar Binks Fan Club
🪼
sheepfilms
occasionally subtle
★

bliss lane
PUT YOUR BEARD IN MY MOUTH

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@shinyslingback-blog
shinyslingback's art blog turned 4 today!
Shane McAdams - Pen Blow (2011) - Ballpoint pen and resin on panel
Darren Almond,Tide, 2008, comprising of 567 digital wall clocks.
Tacita Dean
Beautiful Sheffield
From The Russian Ending
2001
Photo-etching on paper
"Hopper Drawing" - the first major museum exhibition to focus on the drawings and creative process of Edward Hopper is now on view at the Whitney Museum of American Art
Tom Friedman
Untitled, 1997
Marker on paper, 30 x 32 inches
A field of dots made by placing a marker on a piece of paper and allowing the ink to bleed
Tom Friedman - Untitled (1990)
“The artist writes his signature repeatedly for the life of a pen.”
10PM. I know what I need and want on my birthday: a drafting table!
amalgam (process sequence)
(Posting via phone, from queue and accidentally sent this to the wrong blog:7knotwind)
London-based painter Clare Chapman produces work that finds beguiling beauty in the dark and disturbing. Some of her subjects resemble the pus-filled pods or cocoons from which aliens and other horror film staples burst forth, others are more abstract, uncertain outlines in fleshy colours that unnerve without us quite knowing why. The ever-brilliant Brighten The Corners have just redesigned Clare’s website and by keeping the navigation nicely simple they have done a tremendous job at letting us viewers chart and enjoy Clare’s evolution as an artist over the past few years. http://www.itsnicethat.com/articles/brighten-the-corners-clare-chapman http://clarechapman.com/
“Tearful” by Christina K
Octfalls (by Ryoichi Kurokawa)
Via
Nightvision
Monday: Taiyo Yamamoto
liquid soundscapes
Unidisplay + Unipsycho acoustic (by carsten nicolai)
nearlya:
Vernon Fisher. Evidence of Houdini’s Return, 1994, Oil, blackboard slating, wood, mixed media on Board