[waste-it-on-something-useful]

Wipe transition from Deep Cover (Bill Duke, 1992), edited by pioneering film editor John Carter, at that time 70 years old!

The craziest technique you’ve seen in a minute, right?

[shtims]

[lauraandriessen]

About feminism, generations, legacy, and critique.

[lauraandriessen]

Toute Une Nuit (1982), dir. Chantal Akerman

[lauraandriessen]

Flyer and poster for Kinoautomat, a new platform dedicated to film and cinema based in Ghent, Belgium

[lauraandriessen]

Painted movie stills: Only God Forgives (2013), dir. Nicolas Winding Refn 4/15

[kickstarter]

“There’s always a week or two, or even a full month, where I’m convinced I’ll never write again, that everything was a fluke before.”

In a conversation with The Creative Independent, musician Mike Hadreas, a.k.a. Perfume Genius, discusses the pros and cons of having a creative partnership with your significant other, how he’s learned to overcome creative blocks, and the need to be true to himself in his music. Read the interview.

[coeursfideles]

Elle a passé tant d'heures sous les sunlights (Philippe Garrel, 1985)

[miodecalogo]

Ritual in Transfigured Time - Maya Deren.

[lauraandriessen]

Painted movie stills: Only God Forgives (2013), dir. Nicolas Winding Refn 2/15

[365filmsbyauroranocte]

Gena Rowlands in Minnie and Moskowitz (John Cassavetes, 1971)

[essentiallooks]

Black Orpheus - 1959

[shtims]

[shtims]

Inherent Vice (2014) Paul Thomas Anderson

Does it ever end? Ofcourse it does. It did.

[beetnelson]

greta talking about being attracted to melanie griffith in working girl and crying while watching moonlight

[mabellonghetti]

[shtims]

Willem Dafoe and John Lurie photographed by Steven Klein, 1990

[softpyramid]

Shirin Neshat with Sussan Deyhim Logic of the Birds 2001