My 20th Century (Ildikó Enyedi, 1989)
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sheepfilms
Sade Olutola

@theartofmadeline
The Bright Sessions
Fieri Frames
PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost
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🩵 avery cochrane 🩵
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todays bird
art blog(derogatory)
Cosimo Galluzzi
occasionally subtle

Jimmy Eat World
Mike Driver
EXPECTATIONS
Interview Vampire Daily
Cookie Run:Kingdom Official!
seen from United States

seen from Türkiye
seen from United States

seen from Vietnam
seen from Uruguay

seen from Colombia
seen from United States

seen from United Kingdom
seen from Moldova

seen from Indonesia
seen from United States

seen from United States
seen from Netherlands

seen from Bangladesh
seen from United States

seen from United Kingdom

seen from United States
seen from Netherlands
seen from United States
seen from United Kingdom
@waste-it-on-something-useful
My 20th Century (Ildikó Enyedi, 1989)
The Runner (Amir Naderi, 1984)
The Spirit of the Beehive (Victor Erise, 1973) Cure (Kiyoshi Kurosawa, 1997)
When someone interrupts me whilst I'm soliloquizing.
House of the Long Shadows (Pete Walker, 1983)
"When the camera is rolling, when everybody is together, including actors, the crew, and me, too, we are breathing in the same rhythm. It really looks like the best sex. This is the reason why you do it."
Béla Tarr interviewed by film critic Scott Foundas in 2023 for The Criterion Collection.
"In the beginning, I was just thinking about social problems. Then afterwards came some ontological problems. Later, we just see the shit is cosmical, thinking about the whole world, global.
Béla Tarr interviewed by film critic Scott Foundas in 2023 for The Criterion Collection.
"In my films, I'm not knocking on the door... I kick the door."
Béla Tarr interviewed by film critic Scott Foundas in 2023 for The Criterion Collection.
The video store in Speaking Parts (Atom Egoyan, 1989)
Columbia Pictures logo at the end of Strait-Jacket (William Castle, 1964)
Diane Ladd during partial audio commentary from 2002 for Alice Doesn't Live Here Anymore (Scorsese, 1974):
"Here’s my favorite scene. My Fellini scene, our Fellini scene. Fellini always had these incredible scenes that knocked everybody out, that were real, and unusual. But here’s two people, just sitting out there in their uniforms, sunning. You’d think they’re on a beach or something. Our hair’s a mess. We have no make-up on. We’re totally relaxed. (...) Now look at that shot. There we are, by the garbage cans. Just sitting in two little old chairs. And that dust, that pop-up dust, there’s the hand of God. That’s probably my favorite scene of my whole life."
Rest in peace.
Yi Yi (Edward Yang, 2000)
House of Bamboo (Samuel Fuller, 1955) Yi Yi (Edward Yang, 2000)
Golem (Piotr Szulkin, 1979)
Yi Yi (Edward Yang, 2000)
Yi Yi (Edward Yang, 2000)
Yi Yi (Edward Yang, 2000)
Freejack (Geoff Murphy, 1992)