Black cats waiting to be auditioned for a horror movie, 1961

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PUT YOUR BEARD IN MY MOUTH
we're not kids anymore.
dirt enthusiast
TVSTRANGERTHINGS

Product Placement

if i look back, i am lost
Cosimo Galluzzi

Kiana Khansmith
KIROKAZE

shark vs the universe
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izzy's playlists!
Xuebing Du
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Peter Solarz
Three Goblin Art
Mike Driver
wallacepolsom

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@silverapple72002
Black cats waiting to be auditioned for a horror movie, 1961
Fasciation - a type of deformity in flowers🌼
It can happen as a result of random mutation, infection from disease, bacteria, or hormone imbalance
Merry Christmas and reminder that Santa Claus is a terrifying monster that will vomit you up the perfect present only if you’ve been very go
We are all extensions of the creator 🙌🏾
#spirituality
#sundayservice
#evolutionofconsciousness
#spiritualawakening
#knowledgeofself
#weareenergy
#wearespiritfirst
#weareallhavingahumanexperience
#weareheretolearngrowelevate
#earth
#marketplace
#school
#godputyourhelpcloserthanyouthink
#ancestralguidance
#intuition
#findyourroots
#findyourpath
#findyourself
#youaretheesource
#weareconnectedtotheuniverse
#africanspirituality
#melanin
Gaia by Fernanda Suarez
Paint the sky
I believe @askthemadmaninthebluebox may have been referring to whether or not you considered bringing Tom Ellis’ Lucifer from the FOX/Netflix adaptation into the upcoming Netflix adaptation of The Sandman in place of Gwendoline Christie, whether that was considered at any point over the course of its development?
No. Lucifer is its own thing, with its own theology. It began with Sandman, obviously, and with the Lucifer comics, but it’s so very much itself now that you can’t walk it back and join it up with Sandman again, without confusing everyone. So we didn’t even try.
@aceromanticperfection @askthemadmaninthebluebox
Here are some of the bigger differences between The Sandman Lucifer and Lucifer the TV series.
1. In The Sandman it was Morpheus AKA Dream (The Sandman) who helped Lucifer by cutting off his wings for him (using Mazikeen’s blade). At the time Fox made Lucifer the TV series it was 2016 and The Sandman TV series was far far off in the distance so Fox didn’t think to secure the rights to use the characters specific to Sandman so all the scenes that would have involved Morpheus AKA Dream were changed.
2. You know those speeches Lucifer gives in Season one about giving the damned a place to torture themselves and how he never bought souls? The speeches are given to Linda and Amenadiel respectively. In The Sandman: Season of mists those are actually from one long speech (same dialogue) but delivered to Morpheus AKA Dream while Lucifer is shutting down Hell.
3. Lucifer in the comics physically resembles David Bowie. Gwendoline Christie actually kind of looks Bowie-esque and in The Sandman audio drama Micheal sheen does a David Bowie impression when playing him. Tom Ellis, on the other hand, had to argue to keep his English accent, as some Fox exec wanted the character turned American. That should give you some idea of how different the original Sandman was.
4. Lucifer of the comics doesn’t solve crime while crushing on a lady detective. However a character named John Decker (Chloe’s father in the TV show) was used in the most recent The Sandman Universe: Lucifer comics from 2018.
5. In the Lucifer spin-off comics it is Mazikeen who is revealed to be Lucifer’s main love interest, not a mortal woman.
6. Lucifer of the comics isn’t as benign or forgiving as his TV show counterpart. The version in the TV show goes to therapy for six or so years and it has a major impact.
7. In the comics Lucifer is actually without masculine anatomy despite answering to male pronouns. You know that episode of Lucifer in season 6 where they make fun of cartoons being without reproductive organs? That’s actually a jab at the comics. Neil’s angels are without biological sex. This is true in all his lore.
8. Cain. Cain was the first truly major deviation in the Lucifer TV show. I know some Lucifer fans have Googled this one and thanks to New 52 and DC’s wikia being …well, a mess, they have mistakenly come to believe Cain is a vampire in the comics. No. That is only in the 2012 “I, vampire…” reboot comics, which have since been ignored as they lasted less than a year during New 52 and the original version of Cain was restored to canon during Dark Nights: Metal.
In the comics Cain is a nightmare-weaving entity that loyally serves Morpheus AKA Dream. He loves ghoulish horror puns (a bit like the Crypt Keeper) and his voice sounds like Vincent Price (see The Sandman Audio drama chapter 2 of act 1). Cain is very afraid of Lucifer (The Sandman Audio drama act 2 / The Sandman: season of Mists).
And no one, not even Lucifer would dare harm Cain, even if he is immortal. There is a mark on Cain (It’s on his forehead in the comics under his hairline, not the forearm). The mark doesn’t just mean he’s immortal, it means no one is allowed to harm him- not even Lucifer.
Though the comic version of Cain might be a nightmare based on the collective idea of Cain, or the literal Cain (it’s ambiguous) no one would harm him. So there wouldn’t be a running bit of him repeatedly dying. In fact that’s Abel in the comics.
9. Abel. Abel in the comics is NOT a horny ghost pulled out of Hell and inhabiting a woman’s body only to randomly be hit by a bus for dark humor. Abel, in the comics, is a sweet heart. Cain has a compulsive need to kill him every so often but Abel always recovers. Abel is also the mother of a baby gargoyle named Goldie (Secret name: Irving) that he raised from an egg given to him by Cain. Abel is kind hearted in the comics, heavy set, and benign.
As Cain is the Keeper of a spooky old house called The House of Mystery, Abel is the keeper of The House of Secrets. They live side by side in the realm of dreams as a pun on Cain being banished to “The land of Nod.” Land of Nod often meant dreamland in childrens’ stories.
10. Eve. Eve, in The Sandman comics, is a creator of nightmares (mostly for abusive men) and she resides in a cave where she looks after Morpheus’s ravens. She is not as… naïve as the Lucifer TV show version and she is not Mazikeen’s love interest, though Maze is bi in the comics. In fact in one comic she had a lover named Trixie. And yes, Amenadiel exists in the comics. But he looks very different.
11. Mazikeen. Mazikeen is a Lillum who is fiercely loyal to Lucifer however in the comics she cannot hide her disfigured / rotten half-face so she wears a mask. She also talks with a severe speech impediment.
12. Azriel is the Angel of Death in the Lucifer TV series and though her personality is portrayed as very similar to Death of The Endless, she is different enough where a Lucifer show fan (who never read the comics) once said to me “I prefer the TV show version of Death (Azriel) because Goths are mean and nasty. I like her as sweet and friendly.” Talk about jumping to conclusions! And an ironic statement if you knew how Death is supposed to be seen in The Sandman.
13. When Lucifer quit ruling Hell it didn’t just switch to some sort of autopilot mode. In The Sandman he kicked out all the souls and demons before shutting the place down and handing the key over to Morpheus AKA Dream (The Sandman) who ultimately gives it to two angels.
14. In the TV show Lucifer goes back to Hell and turns it into a place of therapy and redemption. In the comics he never returns to ruling Hell though the two angels Morpheus left the key to do try to make it a place or redemption.
______________
If they tried to use Tom Ellis now for The Sandman TV series it would confuse people. For starters, The Sandman begins before Lucifer quits ruling Hell so casual viewers who just saw the conclusion of the Lucifer TV series would be very lost, especially if they mistook The Sandman as a spin-off (ironic since Lucifer was originally a spin-off of The Sandman). The personality is a little different, and the continuities deviate too far. Also Tom Ellis wants to move on. He’s played Lucifer for six years. He wants to try other roles. Let him.
An excellent summary of some of the points of divergence. There’s a lot more places where the two shows have parted ways, to the point that trying to insert the Tom Ellis Lucifer into Sandman would create something that would leave Lucifer fans baffled, and Sandman fans upset, or vice versa.
Da 5 Bloods (2020) dir. Spike Lee
Pac Man | Noodle
Intent and Spell Writing
What is Intent in witchcraft?
Simply put intent is what result you wish to get from your spell or ritual. It is the energy you will be using to get results. Intent is extremely important for any spell. What do you wish to happen when you cast it? Do you wish to improve your studying or do you wish to banish something negative from your life? That is intent. It is the end goal.
Examples of Intent:
Banishment: keeping away negativity and negative energies
Beauty: for looking, expressing and feeling lovely and attractive
Binding: prevent harm, avoid danger, stop someone from performing a particular act; restriction
Business/Career: for success in one’s career, job hunting
Calming: relieve stress
Catalyst: stimulating a spell
Charge: store energy into something
Chasity: celibacy, innocence
Confidence: courage, self assurance and empowerment
Creativity: expression, imagination and improving artistic skills
Communication: improving communications and understandings with friends, family, spouses, etc; communicating with other forces
Cleanse: removing unclean energies and presences from self, objects or areas
Curse: bring negative energy into something or into someone’s life
Desire: gaining what one has strong feelings of want for or seeking to be wanted by others
Divination: clairvoyance, gaining insight
Discourage: prevent something from occurring
Dreams: bring dreams, relates to the dream realm
Emotional: spells focused on certain emotions
Encouragement: supporting and influencing something to happen
Exorcism: expelling evil spirits
Fertility: for conception
Fidelity: loyalty and faithfulness
Friendship: bonding and connections
Fortune: good luck
Forgotten: leave memories behind
Frugality: saving money
Glamour: illusions and perception
Generosity: kindness and good will
Happiness: joy and merriment
Healing: recovery and repair
Inspiration: gaining ideas and drive
Invisibility: going unnoticed, stealth
Judgment: improving decision making and choices
Longevity: increasing length/duration of things
Love: Romance
Lust: Libido and sex drive
Memory: remembrance
Motivation: determination
Patience: tolerance
Peace: tranquility
Prosperity: well-being
Protection: guarding, safety and warding
Psychic: improving any psychic ability or connection
Purification: purifying an object or space
Guidance: spiritual, mental, supernatural guidance, advice and bonds
Severing: cutting ties from others
Spirituality: for belief
Strength: brawn, endurance; physical, emotional, mental and spiritual
Truth: honesty with self and others
Wealth: increasing money and physical possessions
Wisdom: decisions, intelligence, learning
Wish: gaining things and desires
I have my intent now what?
Well you have just taken your first step to spell writing. Now that you have your intent, your goal, you can can start researching. What relates and corresponds to your intent and what ingredients do you have available? Some things you could research:
Gemstones
Herbs and flowers
Types of Water (spring, rain, ocean, etc)
Colors
Candles
Oils
Incense
Animal Symbolism
Time of Day
Planets and Cosmic Bodies
Fruits
Vegetables
Metals
Emotional, Psychic and Physical Energies
Classic Witches Tools (besom, wands, etc)
Divination Tools (pendulums, tarot cards, scrying mirrors, etc)
Mythology and Mythical Creatures
Once you have researched and found the ingredients and objects you wish to use, even if you decide to only use your own energy and voice that is fine. You don’t absolutely need to use anything specific. It is your spell and your intent, choose what you feel will work best for you.
How are you going to use these things you have researched and obtained? This will require more research on your part, witchcraft requires a lot of research. Some ideas:
Bath mix/salts
Tea and infusions (if ingredients are safe to ingest)
Gem Elixir (research to ensure your gemstone(s) is safe to use in water or safe methods to make it without submerging the gemstone)
Jar or Bottle Spell
Sigil Spell
Burning
Shredding/Cutting
Burying
Spoken
Painted/drawn
Crafted or Molded
The possibilities are truly endless. All I can say you have just taken your first steps for writing a spell! Once you have decided your intent and the process you wish to use, it is time to begin trials. Everything takes practice. It may not work at first but that is alright. Take notes and observe results. Just be safe with what you are doing. Happy Spell Writing!
“Commander Vimes didn’t like the phrase ‘The innocent have nothing to fear’, believing the innocent had everything to fear, mostly from the guilty but in the longer term even more from those who say things like ‘The innocent have nothing to fear’.”
–Terry Pratchett, Snuff
IG: avegansparadise
men get pegged cinematic universe
The Stories of Ibis (2010)
In a world where humans a minority and androids have created their own civilization, a wandering storyteller meets the beautiful android Ibis. She tells him seven stories of human/android interaction in order to reveal the secret behind humanity’s fall.
L to R (Western Style). In a world where humans a minority and androids have created their own civilization, a wandering storyteller meets the beautiful android Ibis. She tells him seven stories of human/android interaction in order to reveal the secret behind humanity’s fall. The story takes place centuries in the future, where the diminished populations of humans live uncultured lives in their own colonies. They resent the androids, who have built themselves a stable and cultural society. In this brutal time, our main character travels from colony to colony as a “storyteller,” one that speaks of the stories of the past. One day, he is abducted by Ibis, an android in the form of a young girl, and told of the stories created by humans in the ancient past.
The stories that Ibis speaks of are the 7 novels about the events surrounding the announcements of the development of artificial intelligence (AI) in the 20th to 21st centuries. At a glance, these stories do not appear to have any sort of connection, but what is the true meaning behind them? What are Ibis’ real intentions?.
by Hiroshi Yamamoto
Get it now here
Born 1956 in Kyoto. Began his career with game developers Group SNE in 1987 and debuted as a writer and game designer. Gained popularity with juvenile titles such as February at the Edge of Time and the Ghost Hunter series. His first hardcover science fiction release, God Never Keeps Silent became a sensation among SF fans and was nominated for the Japan SF Award. Other novels include Day of Judgment and The Unseen Sorrow of Winter. Aside from his work as a writer, Yamamoto is also active in various literary capacities as editor of classic science fiction anthologies and as president of To-Gakkai, a group of tongue-in-cheek “experts” on the occult.
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POWERFULL PIC!! POWERFULL READ!! ONE LOVE!!
THE REUNION OF BLACK FAMILY WORLD WIDE
the second type of scholar, the African-centered,
Nationalist and Pan-Africanism scholar. This type of scholar has
struggled for two centuries to be heard by African people yet this
scholar has had to contend with the power of white supremacy by way of
the first scholar, the media preference of the first scholar and the
innate selfl-preservation of white male culture that has created a
climate and environment to starve his scholar out. This scholar has
learned the theories, models, perceptions, and concepts and
assumptions of the same schools of the white male thought as the first
group of scholars yet this scholar has not only chosen to challenge
their fundamental validity but has moved into the direction of
replacing them with sound thinking that comes out of an African way of
looking at the human condition rooted in those cultural concepts,
theories, models, perceptions and assumptions of a fundamentally
African value system. This scholar has been a student of Jeffersonian
philosophy, Marxism, Christianity, Islam, capitalism, industrialism,
and found all of them to be unAfrican in nature, sensibility and
application. This scholar has started from the position that the
white male is not above being challenged in ALL of his theories,
models, approaches, assumptions and concepts about anything human.
This scholar takes the position that the white male is no more
intelligent than any other group of people on the planet. He has
merely had the ability to use seduction, coercion and brutal violence
to persuade the rest of humanity that he is the ultimate
representative of civilization, human achievement and human
aspiration. These scholars, however, have generally worked in
isolation from one another, without the advantage of financial support
that their peers have received continuously. They have had to
struggle against a mainstream African American, Caribbean and
continental African media that has been convinced of the credibility
that anything worth doing must be a copy of the white male model of
human intellect and social organization. These scholars for the most
part have not headed any historically Black college departments in
America, nor have they been made the heads of such departments in
Caribbean and African universities. Often times these scholars have
not only struggled to print their material but to get it advertised in
the mainstream black media. They have never been featured on
mainstream black controlled programming on a regular basis. They have
not been offered syndication by the Black media in the U. S., in the
Caribbean or on the African continent. They have had to pursue an
intellectual guerrilla strategy to get exposure in the Black world
globally. The power of white male supremacy is such that those
African people on the right of the white male cultural perspective and
those on the left of the white male cultural perspective have attacked
them with equal venom, and where they have not been attacked, they
have been deliberately ridiculed or questioned. Those who have
challenged them have read nothing of Martin R. Delany, Paul Cuffee,
Edward Wilmot Blyden, Marcus Garvey, Ida B. Wells, Queen Nzingha,
Queen Asantewaa, Cheikh Anta Diop, Denmark Vesey, Nat Turner, etc..
Their books have not been used by the vast majority of Black history
courses in the U.S. And of course they have not been approached by
most universities in the Caribbean and on the African continent to use
their books for courses. Yet this group of scholars has always
attempted to put the needs of African people first, realizing that the
other groups on the planet do not need our help, and are generally
helping themselves bettter than we are helping ourselves. All of
these scholars have started with the assumption that we have enough
genius within our ranks to solve our problems if we are willing to
think ourside of the Eurocentric cultural box. For them, we need to
learn how to think from a position of power; work together to
establish a position of power and be able to threaten retaliation from
a position of power."
Baye Kes Ba Me-Ra
"Two Types of Scholars in The Global African Community"