- I made you a nobleman, why do you play at being my valet? - I'm your servant in the council chamber, or here in the bath.
BECKET (1964) | dir. Peter Glenville
hello vonnie
Cosimo Galluzzi
Misplaced Lens Cap
Today's Document
No title available
d e v o n
Monterey Bay Aquarium
Claire Keane
noise dept.
NASA
Jules of Nature

Game Changer & Make Some Noise
Show & Tell
occasionally subtle
The Bowery Presents
★
todays bird

No title available
Sade Olutola

bliss lane
seen from Türkiye
seen from Sweden

seen from United States

seen from United States
seen from United States
seen from United States
seen from Italy
seen from United States
seen from United States
seen from United States
seen from Malaysia

seen from China

seen from United States
seen from United States

seen from Canada
seen from Ecuador
seen from United States
seen from United States
seen from United States
seen from Brazil
@sistermadlys
- I made you a nobleman, why do you play at being my valet? - I'm your servant in the council chamber, or here in the bath.
BECKET (1964) | dir. Peter Glenville
Kate Bush Running Up That Hill (1985)
wait guys. reblog this and tell me what the last movie you watched was. bonus points if you add a short review <333
DAVID COULTHARD giving flowers to his teammate MIKA HÄKKINEN to apologise for running into him at the 1999 AUSTRIAN GRAND PRIX.
I'VE FINALLY FIGURED OUT WHO VICTOR HUGO'S STORYTELLING STYLE REMINDS ME OF!
This guy right here.
reblog and put in the tags the name of your signature perfume/cologne
this too shall pass
HURRY UP
oh my god im going fucking crazy *continues to live exactly the same*
Reblog and put in the tags a song you listened to while having a specific experience, and listening to the song just isn’t the same if you’re not having that experience
free my man he did all of it but i dont care
Yes Michael, why don't you just lean into him... Very subtle! 😏😏
Rereblog, but I also wanted to add this moment right after the lean
Gregory Peck photoshoot in New York City, 1947.
The Grand Budapest Hotel (2014) dir. Wes Anderson