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@sixeritwouldeatyoualive
smiling lunge for your timeline
“Make me beautiful”
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How can the wolf sleep at night.
“THE EVIL RABID (rabbit) ATTACKS—!?”
“Jack—!?”
BRO RELAX
Ok so about Johan why did he exactly kill the fortners?I understand why he left her at the fortners but then why did he come back after 9 years and kills them and hhen he wants to see her? Like what was his plan exactly
The tragedy of being one
This is the tragedy of twins: Johan is obsessed with the idea of being Nina and Nina being him, a single being separated into two entities, but a single being nonetheless.
Shoot me. You are me and I am you.
What Johan wants for Nina is not for her sake, but for her to remain himself. Or more precisely, as her identity has been suppressed by her mother, to be Nina.
Johan isn't angry with Tenma for saving him, but he knows that by saving the monster, Tenma himself has prevented Nina from finding happiness.
You saved my life 9 years ago. Have you already forgotten about the twins?
There's something that I find is often overlooked in the analysis of the beginning, and which will be of vital importance later on. Tenma had to answer a dilemma, save the mayor or save a little boy, but in reality, another silent dilemma arose immediately afterwards, save Johan or save Nina? Because in reality, throughout the work, Tenma is trying to make up for his mistake, not just saving Johan, and therefore killing him as Nina had aspired to do, but also saving Nina whom he had condemned.
Who was she trying to save ? Me ? Or my sister? Which of us ?
It's clear from the beginning that as long as Johan is close and alive, even in a comatose state, Nina is no more. The little girl in hospital needs to heal, just like her brother. The climax of all this comes when Johan ‘wakes up’ and Nina faints. They can no longer be two, they are condemned to be one.
It's towards the end that we realise that this dilemma has conditioned the twins' existence: who between Johan and Nina? Tenma will have to answer the question. If he doesn't kill Johan, it's not just because he's afraid to kill, it's because he doesn't know how to answer it.
If Johan had actually been killed by Nina that night, Nina would finally have been happy, because the monster would no longer be there. Above all, death was the only way for Johan to be "happy", because Nina is him, and if she is happy, he would have been happy. But if he lives, he's not cut out for happiness. And because Nina is him, she can't hope for happiness and a loving family.
Johan contacts Nina as Prince Charming on his white horse who will cover Nina with flowers. It sounded weirdly romantic, but in reality the symbolism is something else. In the apocalypse, Death is a white knight. And the flowers only evoke those placed on graves for mourners. Johan wants to cover Nina in flowers. Or lose her loved ones.
Don't tell me you think Prince Charming on his white knight is going to come and get you ?
For Johan, attacking the Fortners was inevitable. The name alone is a problem : Fortner. People who gave Nina a name. A name that she's not supposed to have. Giving herself an identity is what sets Johan apart. And he won't allow it. To return, he has to empty this identity.
It is for this symbolic reason that Nina suffers from amnesia. Obviously because she's traumatised. But also because the more she embraces Nina, the less she is Johan, so the more her memories of him crumble.
That's why, automatically, when Johan kills the Fortners, Nina remembers having killed him. Suddenly faced with death (the white knight) and loneliness (smother with flowers), Nina remembers the existence of her twin, Johan.
I killed him.
Why did Johan wait so long ? I think we still need to answer this from a philosophical point of view. Johan wanted to see Nina again. She is him, he is her, she is the only being that matters. But the Fortners were just in the way.
Are they really on their way when they didn't really know about this meeting? They have in themselves interfered by giving Nina a name. Johan is nevertheless concerned about Nina's happiness because I think he really tried to give her access to a form of healing and peace. He wanted to die so that she could be happy without the monster inside him. Then, when she rejected him in hospital, he let her live without him.
I'd also like to point out that Johan changed his motivation after recovering some of his memories. Which will in fact be Anna's. By reading the story about the nameless monster. Before that, I think Johan's amnesia gave him a kind of block. And he himself was afraid of what he described as a monster. Who was actually Bonaparte visiting them at the Liebert house.
Johan could never trust adults so he didn't trust the Fortners any more.
You'll run away so the monster doesn't catch you.
I think Johan's conclusion was that the only person he could trust was Doctor Tenma. So he left it to him to explore a past that he wanted to keep forgotten. I think he really did entrust Nina to him at the castle. Because Johan was there! He shot the henchman who was going to kidnap Nina. He was there when Nina met Tenma.
Why didn't he show up? Because he realised that Nina wasn't ready. Because she fainted when she saw him. She couldn't see Johan, the reflection of a past she didn't have the key to.
He killed the Fortners on Nina's birthday. A random date set for a nameless orphan with no history. Johan came to give meaning to this birthday. The day of Anna's rebirth.
And Johan's rebirth. Everything he did, he did for himself too. He has no name. Nina had to lose her family, she had to have a name without any substance. What are the Fortners without their parents? There is no longer a Fortner family.
The nameless monster simply ate his escaped second half.
One went east, the other west.
Then the monster who had gone west said to him. We don't need a name. You can be very happy without a name. Because we are the nameless monsters.
The little boy ate the monster from the west.
Faces Of Grief
The Walten Files (2020) – digital illustration.
«If there's a natural body, there's also a spiritual body»
Based on Norman Rockwell's self-portrait!
another year another jarchivist redesign
Not to get overly sentimental over a web series but of everything in Faces of Grief Sophie’s scenes and characterization here actually got me fairly emotional.
Sophie’s like one of my favorite characters fucking ever and idk why. I think on a personal level she’s just someone that I relate to in a way that I haven’t with many other characters before and fuck if FOG didn’t nail a lot of childhood experiences and emotions.
I think the execution of Sophie’s grieving was just as excellent as Rose’s. I felt so weirdly happy to hear her talking about not feeling the same about Ed and Molly’s passing cause i’ve always so strongly suspected that would have been a point of struggle for her.
Just the way she didn’t really even break or show a lot of emotion up until the attic scene — just sort of sitting in quiet when literally everything around her that she depends on just gradually goes away is really harrowing to me. I think often that grief in many mainline films and stuff it’s often very like loud, and I think the way everything in the Walten household gets plucked away bit by bit with no one really being able to stop and do as little as panic about it, fuck man they were on some shit in the writing room.
I have very normal opinions about monster volume 6
mmm guriten doodling
The other night I joked about grimmer being their cupidon but yk what its to somewhat level is true😭 but I'm no smart writer to explain anything.. Maybe one day I'll try.. I also love tumblr posts about parallels of lunge reading the love letter and this letter ending up being in tenmas hands oh goshhhhh..
The choice of words here is insane lol.....whats that... you are going to help him? No? Ohhh your gonna SAVE him oh okay and it's your first priority oh okay. I know it's probably translation stuff but let me be delulu we don't have that much of lunma moments from tenma side