⸻⸻⸻⸻⸻⸻ 2016 // 2026 ⸻⸻⸻⸻⸻⸻

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cherry valley forever
Today's Document

roma★

oozey mess
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
Cosimo Galluzzi
untitled
The Bright Sessions

Discoholic 🪩
official daine visual archive
EXPECTATIONS
KIROKAZE

@theartofmadeline
occasionally subtle

ellievsbear
Color Me Curious
Sade Olutola

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@skull-turtle
⸻⸻⸻⸻⸻⸻ 2016 // 2026 ⸻⸻⸻⸻⸻⸻
the theme of spiderman: brand new day being about non romantic love!! the ongoing throughline being that peter needs to not be so alone, that he needs friends. the way jean's story was about her sister. the way frank cried for peter, was soft with him like that, apologised like that because he cared about peter. the way mj's boyfriend doesn't matter at all because what matters is that she's ned's friend. the way the first person who remembered peter was his best friend, his oldest friend because of their special handshake. the way peter being bruce's friend was enough to snap him back from being hulk. the way peter being jean's friend so that she's not so alone is the entire reason we have an ending as happy as we do.
the way these non-romantic relationships are so important to the story.
peter parker with fully black eyes has done something to me i can't explain.
peter 3 now that he is the only spidey with less than 3 movies, the only spidey that needs web shooters, the only spidey that hasn't fought an alien and the only spidey that couldn't save his girl
A thing that strikes me about Brand New Day is that it's caused me to do a total reappraisal of Tom Holland as Spider-Man. Like, I honestly disliked him in the role for so long, but BND has shown that it was never Holland's fault; it was the writing and direction for Peter in previous MCU films as a pure and wholesome #relatable soyboy perpetually stuck in high school that Marvel's notorious spider-editorial has been trying to lock Spidey as ever since One More Day.
With BND, the new creative team used the ending of the Watts trilogy as an excuse to revamp MCU Spider-Man into his actual personality in the comics (prior to OMD ruining them), and in doing so they gave Holland the space to show off his acting talents and how good he really was as a pick. Because he captures it all perfectly. The grouchy (sometimes almost sadistic) sarcasm, the self-centeredness and self-pitying and self-loathing, the isolating of himself and requirement of others to break through his barriers, the heart of gold constantly shining through despite himself, the bitterness and wrath and temper, the way he's pathetic and cool in equal measure, the empathy beneath his ego and aversion to difficult emotions, the willpower, the tendency towards awkwardness, etc.. It's all there.
Only a few other actors have really captured that complex, horribly flawed yet always entertaining and ultimately sympathetic personality. Even some genuinely great Spidey media in recent years have fallen into the trap of using the Post-OMD persona (the PS4 games and Friendly Neighborhood), but with BND, Holland embraced lovable loser shithead Peter from the comics and acted the shit out of it. And even more impressively, did so while making it feel like a natural evolution from the Home Trilogy and that "cute sad boy" portrayal he was given to work with previously, despite how radically different the personalities are. I'm really happy about it.
It probably helps that Holland is no longer having to pretend like he's a high schooler and can thus play Spider-Man as the adult he's supposed to be. Which just further reflects the whole arrested development of Spider-Man's comic editorial, how it hurts the character, and how much Spidey media is improved by removing that and letting him grow and change and be a real human being like he used to.
If I had a nickel for every time Banner tell someone not to make something diabolical that could kill or hurt a lot of people and warn them that it's DANGEROUS, I'd have two nickels, which isn't a lot, but it's weird that it happened twice right?
It's really funny to me that MCU Spider-Man fans, for SO LONG, were saying us comic fans were being unreasonable for complaining that Uncle Ben was never acknowledged and saying "adaptations can be different from the comics if it was the same it would be so boring!"
And now they're eating up May's death, the lingering effects of it, how she haunts Peter's narrative, how he reflects on the lessons she taught him and how her absence still affects him to this day.
Like yeah... we know. It's pretty great, huh?
It's not like we've been saying this for years. It's totally not like the MCU had to recreate Ben's death with May because they realized it was an important element of Spider-Man, 3 movies late.
thinking about how the highly coveted "leviticus but from ryan's pov" is lowkey ryan just going through the horrors of Does My Situationship Like Me Back. like it gets hidden under his macho demeanour + how forward he is initiating kissing & sex but ryan is so clearly insecure that naim's feelings aren't returned (at least with the same intensity) for basically the entire run time of the film. we don't get to see how long he's been crushing before their first kiss at the mill, but we hear through their conversation afterwards that it's ryan that intiated bringing naim there, which makes me suspect ryan maybe had his eye on naim for a while..
like . ryan is palming naim through his jeans all of 2 seconds after their first kiss unabashedly eager, but then naim catches their reflection, panics and pulls away, and ryan is left painfully confused. bc naim was very into it at first (whimpering and moaning into ryan's mouth just from a kiss levels of into it), and even though he stopped before they went further he wasnt mad because they were bantering afterwards?? ryan knows naim is definitely attracted to him at least, but does he like him back?
so he brings naim to the mill the second time, lights a joint to loosen him up, and asks him in the bravest way he can manage. so there's nothing you like about this place? and though it leads into another kiss (and maybe more that we didn't get to see), naim kind of never properly answers the question. in fact, his playful avoidance could've even thrown ryan off further. nah, he says. nothing. clearly from the way naim leans in and kisses him again he's full of shit, but does he just like what they're doing because ryan is a boy? or because it's ryan?
a lot of people take ryan hooking up with hunter as a marker of ryan not caring for naim or placing little value on their relationship but i think it's actually the total opposite. to me, ryan is the one thinking he's placing way too much value on his budding relationship with naim and he's horrifically insecure bc he believes naim isn't doing the same. though we as the audience experience this from naim's pov and thus our knee-jerk reaction is to interpret it as naim does—ryan "cheating" on him and therefore not being serious abt him—im growing more convinced that from ryan's pov, he feels that naim is the one just having fun. again this is only my interpretation but i feel like there's SO much that points to ryan yearning so fucking hard and feeling like naim does not return his feelings with the same intensity. but since he's too caught up in his masculine performance and the Being A Teenager of it all he refuses to be vulnerable and just ask. So he's left feeling lost about whether or not the intensity of his feelings are returned. ++ the fact that what he has with naim is so different than what he's ever had with anyone before—a gentle and tender intimacy he never believed he was deserving of, he's extra terrified of it being one sided, because where would that leave him? what if for naim, ryan is just fun fooling around? what if by asking for more ryan scares him off? so when hunter, violently familiar, comes knocking and wants to pick up where they left off, of course he lets it happen.
then the ritual. ryan locking eyes with naim as he's twitching vomiting choking on the floor only to later encounter entity naim without knowing it's entity naim and quietly accepting naim's sudden uncharacteristic violence bc if means he can still have even a shadow of the tenderness they had before then he'd let naim do whatever he wanted to him. but forgive me i cannot sink my teeth into all of That right now or this post will be a million fucking words so allow me to jump to post jessica convo. they're in the bus digesting the fact that they'll probably have to deal with this thing for the rest of their lives. ryan is listening to naim immediately jump to well, guess ill leave town, and ryan is trying and failing not to let that cut deep bc how can naim be so quick to drop everything and leave bandee behind? so quick to wipe his hands clean of this town and everything in it, of him? ryan can't help it. "don't go" he says, feeling naim slipping through his fingers, mortified by how that is what terrifies him more than anything else. but then naim responds: "i hate that shit hole anyway". and obviously he's not trying to be unkind but how is that supposed to make ryan feel?? how is he not supposed to take that as him not meaning as much to naim as naim does to him?
even with the confirmation that naim's entity looking like him which means his feelings are a least slightly returned, ryan can't help but feel hurt and a little bitter that naim is so quickly scared away from what they have. he doesn't fault him for this of course, but how else is he supposed to feel when even though naim clearly feels something for him, he's not willing to fight for it? because ryan likes naim so fucking much!! he's just learnt that this thing following him might never leave him be, that for the rest of his life he will be on guard, but the craziest thing about all of it is that he doesn't fucking care!! all he wants is for naim to stay by his side and like him back. he gets a bit of relief through naim responding to his advances on the bus and obviously enjoying it, but then later, when ryan cheekily invites him into the bathroom, he doesn't realise until the blood is pouring down his neck that the kiss he'd just received was a lie and naim let his fear get in the way again.
the iconic "i don't want it to look like some other dickhead, i want it to look like you." is ryan's final desperate plea. this is him finally laying it all out, and taking the leap. and god what a scene!!! the fact he bitterly stormed off after naim tells him he's given up and is planning to leave, but turns back around bc he can't let him go. that even though naim is turned away he can't bring himself to look at his back, keeps his eyes on the ground, hands in his pockets, voice pitched high and on the verge of breaking. for ryan this isn't just about being openly gay, it's about being with naim. i like you, ryan is telling him. if i have to live with this thing, i wouldn't want it to have the face of anybody else. if i have to live with the oppression and hate that come being who i am, i want to do it with you, naim. you and no one else.
then all the shit with izzy happens, and ryan learns the truth. and of course it hurts, of course he's angry. but if anything, he's more angry at himself because he still fucking loves him! he stops the car, waits for naim to climb in and drives him all the way home. and the entire time his eyes stay firmly on the road because he can hear naim's tears and knows if he sees them then he'll break. it won't be me. it'll never be me. he says as his last words. a promise to himself as much as it is to naim, because maybe naim was right. maybe they're only making things worse.
but then the entity comes, and the second he sees naim's sweet face and big wet eyes begging for his forgiveness, ryan folds. and he knows he's being tricked even as it's happening, but that's the point of all this isn't it? to be lured in by somebody you can't refuse? he knows it's not really him before the touch turns violent, but ryan whelan is a moth, and naim reid is the brightest, most beautiful flame.
he makes it through the night by some miracle, bloody, bruised and hollow. his eyes fix on the horizon in a thousand-yard stare, unable to burn away the image of naim's throat splitting under his folding knife, blood spilling over his fingers like water. it'd grinned at him as his knife hit bone, metal grinding against vertebrae. more blood bubbled over naim's lips, bared teeth stained with red as it laughed up at him, the sound wet and horrific. at some point it stopped trying to kill him, knowing that the worst it could do had already been done, naim's eyes going colourless as ryan pulled the knife free and staggered away covered in blood that nobody else could see.
he doesn't remember packing the bag. doesn't remember walking to the bus stop. his phone rings but he doesn't answer. he doesn't do anything but keep his eyes on the gravel and wait for the bus that will take him away from this place and the invisible blood on this hands.
and then a familiar face, one he saw cry and bleed and die the night before. he should run, but he's frozen, entranced by him just like he was the first time naim reid walked into year 11 maths what feels like years ago.
please tell me its really you. and people sidle off the bus and pass between them, angling their bodies away from naim so they don't collide. naim nods, eyes shining with tears, and ryan knows then, that what he feared wasn't returned is felt by naim ten fold.
I love this so much
imagine forcibly sending your second in command to space and erasing his memory and having made peace with it for 26 years but then you finally get the back the information that will save the world and you find out that he woke up all alone because the other two died on the way and he didn't know what was going on and he was so scared but he manages to make first contact and he figures it all out anyway AND he might be able to go home with the astrophysics the alien gives him and you feel a part of your heart that hasn't felt alive in decades start to beat again because he might come back in just a few months if what he's saying is right and then you watch the last log and it turns out he needs to go back to save an alien species and he is going to starve to death and you feel the grief all over again.
my personal take on the matter
she's platonic about it but in my opinion, stratt 100% treats grace as her dead wife. she keeps a tacky fox trinket in her coat pocket. there's a framed photo of him in her study . he's grinning goofily in it (bc he's a dork). new guy like: is that her husband? / no, dumbass, it's dr. ryland grace, 1/3 of the hail mary mission. / oh, fuck. were they... ? / yeah, it's unclear. black-and-white montages of grace messing around in high-level meetings play every time stratt contemplates committing more environmental crimes. she looks up at the night sky and vaguely wonders if he's enjoying his space ramen. that's her dead wife. she killed him.
Rocky: we built our spaceship by unifying every mind on the planet to create a super hive mind, pooling out collective knowledge and problem solving skills to come up with a plan.
Grace: we gave the scariest woman I've ever met two coffees every morning, an unlimited budget, and enough legal immunity to cuss out any world leaders she wanted to and boy did she want to.
ryland grace is aroace. however he is also stratt’s dead wife, rocky’s red string of fate written-in-the-stars soulmate, & intensely violently homosexual for mark “simon iron lung” iplier. all things are true & all things can coexist. peace & love on planet erid
[Project Hail Mary spoilers]
Eva Stratt who insisted on being the first to be tested for the comatose gene
Eva Stratt who made sure the ship computer knew the crew's exact coffee orders, even Grace, down to the most precise measurements
Eva Stratt who illegally acquired thousands of video games for the hail mary crew, despite the fact they'd be in a coma for the majority of the trip
Eva Stratt who sent a school teacher into space because she knew he was a fundamentally good man
Eva Stratt who would betray the closest thing she had to a friend because she knew there was no other choice
Eva Stratt who would do anything to save the Earth, no matter the cost
Eva Stratt who desperately wished she could be the one to make the sacrifice instead
Eva Stratt who couldn't, no matter how much she wanted to
Eva Stratt who studied history, and had seen the way the world would become
Eva Stratt who was terrified by it
Eva Stratt who knew she would would go without credit
Eva Stratt who knew no statues would be built of her
Eva Stratt who knew she would never be a hero
Eva Stratt who did it all anyway
Eva Stratt who had to
Apparently Eva Stratt at the end of the movie on the ship had a prison tattoo on her neck that meant something along the lines of "life without parole." So, parallel to Grace and Rocky's adventure, there was a whole subplot where Eva Stratt
- Was eventually trialed by governments of the world as a scapegoat and sent to prison
- She somehow BROKE out of said prison and currently commandeers a rogue paramilitary faction of Project Hail Mary loyalists who believe in her over world governments, who presumably are still hunting her down
- She currently is on the run and staying mobile on an ice breaker ship like some kind of james bond villain base (but you know, good) while STILL working on project hail mary the whole time
- Her rogue loyalist faction controlled enough resources they could go to space and collect the beetles Grace had sent. Alternatively, it was the world government that collected the beetles, and Stratt had a whole ass heist movie to steal them, which is why she had the little xenonite figure at the end of the movie. Either ways she was running circles around them.
Absolutely insane. Never piss off a history major
i just love all the stories about production on project hail mary. they didn't use a single green/blue screen in the whole film. they built the whole interior of the hail mary. the petrova line scene was done practically by putting infrared lights on a chicken wire cage. rocky's voice was one of the puppeteers because he did such a good job during filming that they couldn't imagine anyone else voicing him. and rocky was a practical puppet/animatronic! sandra huller picked sign of the times as her karaoke song and she asked her daughter if it was still a cool song. i just feel like there was so much love making this film and im obsessed
project hail mary is insane bc the first half is like oh my god the world is dying and there's alien bacteria eating the sun and there's some guy alone on a ship and he's having a breakdown and the flashbacks are getting darker and this is a tragedy the likes of which i have never seen. then BAM andy weir says fuck you actually. here's this pokemon guy he's here to save the day with the power of friendship. and it's the best thing you've ever seen in your life