The first half of a book made to promote the 2000 film Shiki-Jitsu (Ritual Day).

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The first half of a book made to promote the 2000 film Shiki-Jitsu (Ritual Day).
Robert Mapplethorpe: Tulip & Thorn (1985)
Robert’s hands by Patti Smith (1970)
Sachiko Abe. Cut Papers. Source 1 Source 2 Source 3
Theresa Hak Kyung Cha, Other Things Seen, Other Things Heard 1978 and Pause Still 1979.
Theresa Hak Kyung Cha, Untitled (the sand grain story) and Life Mixing.
From: Theresa Hak Kyung Cha. Between the Teeth, Curated by Robert Milne, Manifold Books, Amsterdam, November 28, 2021 – January 22, 2022 [Courtesy of Berkeley Art Museum and Pacific Film Archive, Berkeley, CA. © Theresa Hak Kyung Cha]
Surname Viêt Given Name Nam (1989, Trinh T. Minh-ha)
Surname Viêt Given Name Nam dir. Trịnh Thị Minh Hà, USA/Vietnam, 1989.
Trinh T. Minh-ha, Reassemblage, 1981, video still. Courtesy: © the artist and Moongift films
Surname Viêt Given Name Nam (Trịnh T. Minh-hà | 1989)
Trinh T. Minh-ha Surname Viet, Given Name Nam (1989)
Surname Viêt Given Name Nam (Trịnh T. Minh-hà | 1989)
The Fourth Dimension (Trinh T. Minh-ha, 2001)
Theresa Hak Kyung Cha (1951~1982)
Permutations, 1976, Single channel video, black& white, silent, 16mm film transferred into HD video
Passages / Paysages, 1978, Three channels video, black& white, sound, 10min
Mouth to Mouth, 1975, Single channel video, black& white, sound, 8min
Aveugle Voix, 1975(printed 2024), Digital inkjet print, Performance, 23 Bluxome Street, San Francisco, USA
"The ink spills thickest before it runs dry before it stops writing at all." from Dictee by Theresa Hak Kyung Cha
Theresa Hak Kyung Cha (1951~1982) was an American novelist, producer, director, and avant-garde artist of South Korean origin. Her works are currently on display at the National Museum of Modern and Contemporary Art (MMCA), Seoul.
exilée and temps morts: selected works by theresa hak kyung cha
It murmurs inside. It murmurs. Inside is the pain of speech the pain to say. Larger still. Greater than is the pain not to say. To not say. Says nothing against the pain to speak. It festers inside. The wound, liquid, dust. Must break. Must void.
—Theresa Hak Kyung Cha, Dictee