The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow
Percy Bysshe Shelley, from “To —-,” Shelley’s Poetry and Prose (W. W. Norton & Co., 2002)
Today's Document
trying on a metaphor

titsay
d e v o n

Love Begins
taylor price
RMH

⁂
Keni

❣ Chile in a Photography ❣
Claire Keane

blake kathryn

izzy's playlists!
Cosmic Funnies
EXPECTATIONS
"I'm Dorothy Gale from Kansas"

tannertan36

Origami Around

No title available
Aqua Utopia|海の底で記憶を紡ぐ
seen from Italy

seen from United Kingdom
seen from Germany
seen from Brazil
seen from Brazil

seen from Argentina

seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United States
seen from Brazil

seen from Sweden
seen from Argentina
seen from United States
seen from United States
@sleepingwiththefishes
The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow
Percy Bysshe Shelley, from “To —-,” Shelley’s Poetry and Prose (W. W. Norton & Co., 2002)
So hard to raise my eyes Over the rest of you So I looked at your feet They walked over the ground when you found me They’ll cover the same terrain When I lose you
Frank Stanford, from “Blue Yodel of Her Feet,” What About This: Collected Poems of Frank Stanford (Copper Canyon Press, 2015)
Weeping too, perhaps, when you remember how he loved and yet wished to leave you: always both, at once.
Rainer Maria Rilke, excerpt of “Ariel (After reading Shakespeare’s Tempest) [Der Geist Ariel]”, from New Poems, trans. by Stephen Mitchell in The Selected Poetry of Rainer Maria Rilke
Source—Aufweinend vielleicht auch wenn man bedenkt wie’s einen liebte und fortwollte beides immer ganz in Einem.
(via antigonick)
Somewhere I had lost someone— so dear or so great or so fine that I never cared again: as if time dimmed, and color and sound were gone.
William Stafford, from “Looking Across the River,” The Darkness Around Us Is Deep: Selected Poems, ed. Robert Bly (HarperPerennial, 1993)
Eventually absence becomes a balm for forever.
Greg Sellers, journal entry, “Notes from Neruda’s Ghost,” 10 March 2020 (via memoryslandscape)
Karen Blixens Plads (II), Copenhagen 2021
AL PACINO The Godfather (1972) | dir. Francis Ford Coppola
Her (2013) dir. Spike Jonze
John Berger, Will it be a Likeness? from The Shape of a Pocket
“But in that moment I understood what they say about nostalgia, that no matter if you’re thinking of something good or bad, it always leaves you a little emptier afterward.”
— John Corey Whaley, Noggin
Ennio Morricone wrote his own obituary.
“There is only one reason why I’m saying goodbye like this and I’m having a private funeral: I don’t want to bother anyone.”
Thank you for the music!
RIP Ennio Morricone 1928 - 2020
Cinema Paradiso (1988)
We do not know the true value of our moments until they have undergone the test of memory. Like the images the photographer plunges into a golden bath, our sentiments take on color; and only then, after that recoil and that transfiguration, do we understand their real meaning and enjoy them in all their tranquil splendor.
—Georges Duhamel, from The Heart’s Domain (The Century Company, 1919)
movie-gifs:
Before Midnight (2013) dir. Richard Linklater
Julie Andrews on location in Salzburg, for the filming of The Sound of Music. 1965.