IDM Showcase [05.04.18]
Me
The Setup
A Happy Star-owner
Lint Roller? I Barely Know Her
No title available
he wasn't even looking at me and he found me
Aqua Utopia|海の底で記憶を紡ぐ
Alisa U Zemlji Chuda
will byers stan first human second

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titsay
Three Goblin Art
Peter Solarz

izzy's playlists!
"I'm Dorothy Gale from Kansas"
Jules of Nature
we're not kids anymore.
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH

Kiana Khansmith
🪼
Mike Driver

No title available
seen from United Kingdom

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seen from Malaysia
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@slf-project-blog
IDM Showcase [05.04.18]
Me
The Setup
A Happy Star-owner
IDM Showcase Prep [04.30.18]
I tried to make perforated holes in the design to eliminate the issue of piercing through the mat board, but the size of holes I needed were too small and I couldn’t find a laser cutter setting that didn’t just make them fall out immediately.
Instead, I printed out some sheets of commonly known and zodiac constellations to use as stencils should participants wish to base their designs off of real stars.
Tandon Research Expo [04.27.18]
Gold Version Demo [04.23.18]
See the presentation here.
Fifth Prototype [04.16.18]
As a preface to the actual prototype, having made not found a suitable solution to my sourcing issue with the IC, I decided to pivot my concept to revolve more around hacking existing technology. I picked up a cheap solar garden light from Target, and removed its electronics to use in the projector. Thus the changes in this prototype reflect the need to fit the new electronics and solar panel into the bottom of the projector.
Laser cut file
Assembled projector
Issues
still trying to solve the issue with the mat board being difficult to pierce
dissembling the solar lights is time and labor intensive
Research Report Pt. A [04.13.18]
Read it here.
Fourth Prototype [04.09.18]
Laser cut file
Assembled projector
Issues
mat board is very thick, difficult to make holes
trouble sourcing IC QX5252F, integral to nocturnal circuit
Decisions made
search for alternate nocturnal circuits that don’t require this IC
reach out to professors about sourcing the IC or alternate parts
Third Prototype [04.02.18]
Laser cut file
Assembled Projector
Issues
size of folding pieces needs to be adjusted
excess cardboard from piercing obstructs light from escaping well, needs very large holes
obtaining large pieces of clean/not bend cardboard
Decisions made
adjust laser cut file
try to find clean cardboard sheets at art store
Project Proposal [02.12.18]
Read it here.
Second Prototype & Midterm Demo [03.26.18]
Laser cut file
Assembled projector
Issues
sides don’t fit together well - they are meant to conjoin at a 90 degree angle
laser cutter only uses 2 dimensions, so I can’t bevel the edges of each piece to allow them to fit snugly
stronger light needed - LEDs in series means they require more current, have to recalculate circuit
Critic feedback
consider cardboard as a material - low cost, can make a half cut for easy, foldable joints
brighter light - LED clusters or strips
put more consideration into marketing - maybe a short video to show assembly and a description of the concept
customization options - different colored LEDs, engrave initials, templates of well-known constellations/the zodiac
using the assembled projectors in an art installation - civil twilight, when all of the streetlights come on in a city
Decisions made
try a cardboard prototype - normal and collapsable
look into LED strips, see if they will work with the circuit/not use too much power
prepare constellation templates
consider a starmap template generator
First Prototype [03.12.18]
Laser cut file
Assembled projector
Issues
support columns too weak
parts don’t interlock well enough, doesn’t restrict vertical movement
paper difficult to glue in after assembly
holes from thumbtack too small, doesn’t let out enough light
too large overall
no place for solar panel to go
Decisions made
go with nocturnal circuit, but include a switch
try a design built for suspension (like a disco ball/the sun)
consider a starmap generator (for personalization), print on site?
narrow down room aesthetic components - workshop should be adaptable to any space
Project Dev Exercise [03.05.18]
3 Questions
What will the aesthetics of the space look like? It should contribute to the overall experience.
How many projectors can I afford to make? I have to buy some parts and I also need to account for what I’ll use during testing.
How will I make the instruction sheets? They need to be clear and easy to follow even if I’m not leading the user.
Project Image
Project Logo
[03.05.18]
This week I did a lot of sketches considering the construction of the projector frame. I decided on a hexagonal column shape for now, and I made the Illustrator file so that I can laser cut the pieces and try actually assembling it this week. In order to create pieces that are easily assembled, I want them to snap together without requiring glue. To achieve this the pieces and slots have to have notches, so I may have to try altering the size of the notches to see what allows for the best fit.
I also started constructing the circuit, but I am currently having trouble finding an example of exactly what I want. I can find circuits that charge a battery from solar power and that power an LED, but I want to include a switch so that the user can turn the light on and off as opposed to having it always be on when the panel is not getting light. So I am in the process of combining some examples and testing to make sure that they work.
[02.12.18]
Most stars travel the galaxy with companions or in clusters. But not all stars do that; our Sun, for example, moves through the galaxy without a stellar companion.
I came across this as I was looking up star facts (definitely for research), and it seemed the perfect way to start the transition between my project’s conceptual foundation and the actual science that it’s based upon. If one were to read this sentence with the aim of empathizing with the stars (as I did, and I hope to inspire others to do), they might think, “I wonder if the Sun gets lonely.”
This is the line of thinking that I hope that my project will make accessible to others, especially those urban dwellers who do not have as much opportunity has I have had to appreciate the stars right outside their door. The point of my project--empathy with the stars, through metaphor, anthropomorphizing, interaction--is to utilize technology to allow people who can’t see the stars on a regular basis to still develop a personal connection to them. My hope is that this connection will create a sense of ownership that in turn creates a sense of responsibility--almost like owning a pet.
After doing some research into the actual logistics of building a solar-powered mini star projector, I think it is definitely do-able in the workshop-style format that I had previously been considering. Some parts will be made beforehand--the nocturnal circuits, pieces of the frame--but will be assembled by participants, and other parts will be customizable, such as decoration of the projector and punching out the star map. The only issue with this form of the project will be cost. Most of the parts are very inexpensive and sold in bulk, but the solar panels and rechargeable batteries are a bit pricier. I will probably only be able to fund 10-20 full projectors on my own, so unless I can outsource some funding, that may be the max number of participants I can handle.
I’ve made good planning progress this week, so I should move on to the prototyping stage soon. This is most likely where all my theory and plans will go awry, but we’ll see!
[02.05.18] research
This week’s progress has consisted of the creation of an annotated bibliography. Otherwise known as me sitting at my computer trying to come up with keywords to tame the wild and unintelligible concept floating around in my head in order to do some proper research. But I have made progress, and I do actually feel now that I have a more concrete direction, as opposed to the vague kind of feeling that I was trying to convey before. I think I conceptualize a lot in terms of feeling, and that makes it difficult to bring my ideas into a concrete reality. But being forced to sit down and read real research that people have done and consider how I can apply it to my ideas has definitely helped.
I know now that I’m interested in the concept of ownership, and how perceived ownership over something enhances our connection to it. This sounds negative when referring to natural phenomena--claiming ownership over the environment implies some god-like quality that is clearly beyond the reach of us mortals--but I am seeking to define ownership in a more personal sense. It’s not so much about owning as power as it is about owning one’s own personal connection to nature. Using myself as an example, over my life I have cultivated a personal connection to the night sky, particularly the moon and the constellation Orion. I feel, in some way, that I own a part of them (or perhaps that they own a part of me), and thus I am motivated by the desire to maintain that connection. Since I can’t see them (often or at all) in NYC, I tend to seek them out when I return home.
I happened to grow up in a situation that allowed and promoted interaction with the natural environment, but how can a similar connection to how I feel be cultivated in urban environments without this kind of access? I believe that one potential answer lies in utilizing technology (urban elements) to recreate natural phenomena (natural elements). In terms of medium, my first instinct was to go down the route of installation, but upon further reflection I believe that a workshop style interaction could be beneficial in that it allows for a higher degree of personal interaction. Building something oneself facilitates the perception of ownership, while the public aspect encourages interpersonal interaction and an open channel of communication surrounding the subject.
Ideally, I would like to develop some sort of small object which can be easily constructed in this workshop setting, and then carried home with each person to promote the maintenance of the newly formed relationship. What does that look like? My initial idea was a mini constellation projector (have the night sky, right on your very own ceiling!), but this is the next area that requires more reflection and some prototyping.
And onward we go.
field trip
Over the weekend I went to the Museum of Natural History here in New York. I’ve never been before, so I wanted to go anyway, but I chose this museum especially for the planetarium and space exhibits. My project will be focused on stars, so I wanted to do some research to start off.
I’ve always loved studying space, but, walking through the exhibits by myself, I began to see more poetical interpretations of the scientific facts that were presented to me. And why can’t science be poetical? I think that might be one of the things I’m trying to get at in my project. I took lots of notes as I walked through, but here are a few things that caught my eye:
Stars are fighting a constant battle between the inward pressure of their gravity and the outward pressure of their internal heat.
Our Sun is only slightly above average (mass) and middle-aged.
Intermediate-mass stars produce the most carbon and nitrogen, and when they die they disperse these elements through space.
research exercise
https://www.youtube.com/watch?v=ZlMYFybnWfs
This is a keynote presented by Olafur Eliasson at a conference held by Zumtobel, and LED lighting solutions and lighting management company. Eliasson talks about how to use light (or other similar ephemeral elements) to encourage participation in a space, while making the space inclusive. He is particularly interested in public space, and how to generate a feeling of connectedness while also allowing singular response and individuality. Eliasson encourages a necessary participation in his art. In one case, he built a large circular walkway on the roof of a museum, with walls made entirely of glass with a rainbow gradation. With this piece, nothing happens if the participant doesn’t interact. If you stand still, the outside world is one color; but as you walk--participate physically with your body--the color of the glass gradually changes.
For my project, I am particularly interested in Eliasson’s ideas on interaction and encouraging an inclusive space. I think that my project will focus on the natural phenomenon of stars, and as such Eliasson’s relationship with light and how he creates feeling using light is also of particular interest to me. Now, I need to think about how I can put myself and my ideas into my project, while also allowing it to remain adaptable to the participant’s point of view. How can I encourage people to establish their own relationship to the stars, as I have in my life? How can my project leave room for individual interpretation and personalization?
https://www.ted.com/talks/natalie_jeremijenko_the_art_of_the_eco_mindshift
This is a TED talk by Natalie Jeremijenko, an artist and engineer who focuses on works to address environmental concerns. Jeremijenko runs what she calls the Environmental Health Clinic. It is similar to a traditional health clinic, except that people come in with concerns about their environment’s health, and are “prescribed” ways in which to address them. Jeremijenko’s goal in this, in addition to improving environmental health, is to redefine what we consider health in the first place. Largely, we believe health to be internal--disease, germs, functionality of our organs, etc. But many of the ailments faced by our society--asthma, developmental delays, obesity and diabetes-related issues--have roots in external forces. The health of our environment effects us just as much as the tiny germs inside of our bodies.
I am particularly interested in how Jeremijenko utilizes technology to adjust our how we relate to our environment. How can we re-script interactions to encourage not just individual action, but action as a collection? How can we make it so that the individual feels that they are a part of a larger whole, an aggregation that wields real power in affecting change?