The Process of Hunting and Gathering
I am afraid of my memories rearranging or dissolving. It happens all the time. So I am collecting the evidence as I go. It’s a constant motion of hunting and gathering, trying to preserve and make sense of raw materials. But there is a reason entomologists kill their subjects before arranging them on boards with pins stuck through their abdomens.
When I was a child, the stones I picked up every day from beaches, train tracks, the hole dug for the foundation of the nextdoor house that was never finished, I’d sort into egg cartons at night. Every stone had its own cardboard cup, labeled with the date and location of where it was found. Now I have rocks with no labels. They collect in my pockets, then jars, window sills, the filter at the back of the washer that I didn’t know existed until the machine stopped turning one day and the landlord called to ask me not to put rocks through the laundry anymore.
The summer L was hit by a truck, I lit a match every night for him even though I’m not religious and I’m not superstitious. I kept the burnt matches in a pill bottle until I knew what to do with them: build a tiny picket fence.
I save containers to help with the preservation. Altoid tins: for full sentences and photographs, songbird skeletons, grass that I traveled seven hours to trim from the overgrown backyard that was mine when I was a child. Rabies vaccine bottles: tiny glass receptacles that, if you can get the cap off without breaking the bottle, make perfect displays for ladybugs found belly up on the windowsill of my great grandfather’s trailer. You can fit one word in a vaccine bottle, so it must be selected very carefully.
I own one hair elastic, its purpose is to hold together a set of 200 index cards, color coded, each one with a noun that I like on one side and a corresponding sense on the other.
“Praying Mantis | Touch”.
I pull a card from the deck when I need help making sense of the world. Sometimes I throw the deck out and start over.
My Buddhist mother tells me I should “practice non-attachment.” So I cut away all the parts of The New Yorker I don’t want to read, save only the most interesting or useful words: tactile, habitat, borealis, the word The in six different fonts and colors. I also save a picture of a honey bee: endangered.
I don’t know what I’m building. I think it’s a kind of nest but I also think I could be wrong. I’m building it in small sections, compartments, boxes and jars, small books. I’m organizing parts: twine, wire, magazine and refrigerator magnet words, the small bones of animals found in gardens, woods, attics, the dunes that grow from here, back to where I came from. There are also photographs of strangers and photographs of people I know very well. There are plastic creatures, glass from the ocean, moss, bricks, cigarette packages, puppy teeth.