I'll not be posting anymore in this tumblr.
I have it since 2011 and it's full of my old favourites.
It's time to change. :)
See you space cowboy.
No title available

titsay
I'd rather be in outer space 🛸
todays bird

Kiana Khansmith
Not today Justin
almost home

#extradirty

oozey mess
Phantogram Three

No title available

Jimmy Eat World
No title available

❣ Chile in a Photography ❣
macklin celebrini has autism
"I'm Dorothy Gale from Kansas"
cherry valley forever
EXPECTATIONS

ellievsbear
NASA

seen from Russia

seen from Germany
seen from Malaysia

seen from Colombia
seen from Brazil
seen from China
seen from United States

seen from Türkiye
seen from Mexico
seen from United States
seen from United States
seen from Canada

seen from United States

seen from United States

seen from United Kingdom
seen from Austria
seen from Malaysia

seen from Austria

seen from Türkiye
seen from Philippines
@smallships-blog
I'll not be posting anymore in this tumblr.
I have it since 2011 and it's full of my old favourites.
It's time to change. :)
See you space cowboy.
do not let robin williams die in vain, use his death as a lesson and a reminder than anybody can suffer from depression no matter their outward behavior or reputation.
Shaping your eyebrows, steps: 01 02 03
Douglas Adams, Mostly Harmless
James Baldwin
Veteran Studio Ghibli producer Toshio Suzuki discussed the famed animation house’s future in a documentary broadcast by the TBS network on its “Jonetsu Tairiku” program on Sunday evening. Suzuki talked about the need for “big changes in all aspects of our operations.” One possibility he mentioned was a hiatus in the production department and taking what he described as a “short break” to assess the studio’s future. He added that it “would be possible for us to keep making films indefinitely.” Such short breaks are common in the Japanese animation business, in which companies hire animators on a per-project basis and dissolve the production teams, save for a few key staff, when the project is completed. Studio Ghilbi was unusual in retaining a large number of full-time staff by industry standards, with annual personnel expenses totaling nearly $20 million by one estimate. But with the retirement of studio maestro and co-founder Hayao Miyazaki (pictured) in September of last year, Studio Ghilbi lost his fabled box office clout. Its latest feature, Hiromasa Yonebayashi’s “When Marnie Was There,” is expected to finish with about $36 million, which makes it a solid hit, but Miyazaki’s films would routinely top the $100 million mark. His last feature prior to retiring, “The Wind Rises,” finished with nearly $120 million. So as Suzuki noted, the studio has to economize; now that it has become a more normal studio by local standards. A post to an English-language blog subsequently picked up by other media, wrongly reported Suzuki as announcing Studio Ghibli’s closure and dissolution. The death of Japan’s most famous animation house, to paraphrase Mark Twain, has been greatly exaggerated.
Japan’s Studio Ghibli Envisages Short Break, not Imminent Closure (via filmantidote)
Studio Ghibli | 1985 - 2014
After recent rumors of Studio Ghibli closing their animation department and the low box office numbers for When Marnie Was There, it was time to make an appreciation post for a company that has created true movie magic again and again. So, thank you, Studio Ghibli. Hopefully it isn’t good-bye just yet. Studio Ghibli is no longer producing animated films. So here’s to you, Ghibli, and everything you’ve given us.
Ashik Kerib (Sergei Parajanov - 1988)
The Crucified Lovers (1954, Kenji Mizoguchi)
"The reason I like this film is that even I, the filmmaker, get confused as to which parts were fiction and which documentary. It’s as if the film doesn’t belong to me, as if it had made itself; the main character was so strong, it was I who was being told what should be done. And when I saw the film, I realised it was not an artificial creation, but different; it increased my responsibility as a filmmaker. Cinema is no longer the panoramic experience it once was, with big budgets; cinema is -or ought to be- about analysing individual human experience, and how you can find yourself within that subjectivity. After making this film, I realised how I could identify with each of the characters, and how much of myself was in them."
— Abbas Kiarostami, Close-Up (Nema-ye Nazdik 1990)
emotional abuse is when someone does something to hurt you, and when you express your feelings, that you’re upset, they turn it around to be something you did to hurt them and they force you to apologize for it, and your feelings, like always, are rendered invalid and silenced, forever damaging the ability to trust others with your feelings because they always are used against you.
this is important because so many people don’t know this
Wakamono Tachi Episode 01
Hayao Miyazaki on life
hey mtv, welcome to my crib! that’s me in the corner, that’s me in the spotlight, losing my religion