Jules of Nature
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Three Goblin Art
Misplaced Lens Cap
will byers stan first human second

Kiana Khansmith

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Lint Roller? I Barely Know Her
Keni
macklin celebrini has autism
Show & Tell
Cosmic Funnies

PR's Tumblrdome
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

pixel skylines

❣ Chile in a Photography ❣
almost home
we're not kids anymore.

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@smalltreasures-blog
Perovskite
Rother Kopf, Roth, Gerolstein, Eifel, Rhineland-Palatinate, Germany
Chaerin Im
“Some of my colleagues tell me they can’t imagine working in pediatrics. Millions of years of evolution have conditioned us to respond to the cries of a child. We can’t bear to see a child in pain. And once we have children of our own, it makes the work even more difficult. We all handle it differently, but everyone cries at some point. Not in front of the patient, but everyone cries. Every few months we have a ceremony where we mourn all the children who have passed away. We have a slideshow. We make cards. We talk about them and remember them together. We acknowledge that we all feel the loss. And even though our grief is not as significant as the family’s, it’s not trivial either. And we must take time to acknowledge that. Or all of us will burn out.”
Pamukkale
Eisuke Sato 佐藤栄輔 (Japanese, b. 1973, Oita, Japan) - S.F.N., 2009 Paintings: Acrylics on Canvas
Etheldreda Laing was around 38 years old when she first took pictures of her daughters using Autochrome, an early colour process. She would later become known for her work with color photography, and particularly for the series of pictures of her daughters.
Older daughter Janet was around 12 years old and Iris was roughly seven when Etheldreda first started photographing them.
These photos were taken in the garden of their Oxford home, in 1908.
This is simply amazing
Tattoo by Mirko Sata
i rlly am not interested in whether men are made uncomfortable by feminism because i am made uncomfortable by men every day of my life
Baryte and Berthierite
No. 5 Mine, Baia Sprie (Felsöbánya), Maramures Co., Romania
sext: I want to heal with you and build something better.
Two curious artic wolves by Nashoba67
no. 2325 - Jonas Schmidt - www.isiope.com
I don’t know how to talk about this. My mouth doesn’t like the taste of the truth anymore. I wonder how many monsters I’ve created in me since I met you. I should’ve given them names. There’s all this red on my hands and I can’t wash it off. I want to remember what it feels like to know a heart. Some day I’ll be standing in a cave and I’ll press both palms to the wall:This was for you. This was all for you.
Kelsey Danielle, “Red-handed” (via pigmenting)