Trailer Style | Ruby Gillman, Teenage Kraken / Supergirl (2026)
After 10 hours of progress, I could finally hear Blondie's "Call Me" mixed with Ruby Gillman.
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Trailer Style | Ruby Gillman, Teenage Kraken / Supergirl (2026)
After 10 hours of progress, I could finally hear Blondie's "Call Me" mixed with Ruby Gillman.
Harry Gregson-Williams - Land of Hope and Glory (from Flushed Away)
"A true crown jewel."
— The Toad
After finding myself revisiting an old post comparing the Shrek 5 designs to the past four Shreks, I decided to gather some more screenshots of Shrek and Donkey from the cast announcement.
Hopefully, these screenshots are more appealing.
Smash Mouth - All Star (Film Version from Shrek) | A 25th Anniversary Tribute to Shrek (2001)
I present my biggest attempt at a definitive film version of "All Star"!
My tribute to the 25th anniversary of Shrek! Granted, it may not be what you'd expect, but this has been in my head a year back or so when the Shrek's 25th anniversary was on its way.
Now, I thought I'd wait until May 18, but I already had myself burned out from setting it aside and creating it at the last minute as May arrived, so I hope you admire this labor of love I made.
When I thought about following companies that released films for DreamWorks Animation post-DreamWorks Pictures, Paramount Pictures (via Viacom); 20th Century Studios (via News Corporation, then 21st Century Fox) and Universal Studios (via NBCUniversal), I realized one thing: they all had an iconic yellow character; that was the perfect idea for this occasion: pitting Shrek against irritating yellow characters of those companies.
Fittingly, SpongeBob, being the poster child of relentless annoyance, was first, with Patrick tagging along; they'd believe Shrek was Squidward or some other reason. They took from May 6 to 10 to finish.
Next were the Simpsons, consisting of Homer, Marge, and Bart; Bart may have made more than a few cracks towards Shrek, whatever resulted in Homer strangling him, while Marge looks on in dismay. They took from May 14 to 15 to finish.
Of course, the Minions were next. I considered creating an artstyle for them, but seemed like too much with how much else I had worked on; fortunately, they had their designs from Saturday Morning Minions I could work with. I added Dave to be the one bothering Shrek while the other Minions (besides oblivious Bob) looking on in awe.
Columbia Television dream logo (READ DESCRIPTION)
It was about time Sony gave Columbia Pictures a new television division after over 20 years.
I'd love to see Columbia have a new television production competition taking over productions of existing TV shows based on its movies, like the upcoming Ghostbusters series.
Happy birthday, Neutron2001!
As I got word that Neutron2001 had a birthday coming up, I thought about making him something related to the Jimmy Timmy Power Hour, which after watching the Tom and Jerry Golden Era Anthology, I had the idea of making a Jimmy Timmy-styled title card with Timmy Turner taking the head role of Tom Cat and Jimmy Neutron taking the place of Jerry Mouse; hence "Tim and Jimmy"! As the day got closer, I went ahead in creating this with Timmy and the "Tim & Jimmy" title done while the background resuses the fan-created Power Hour 4 title card. Like the previous posts featuring Jimmy, I wanted to add the primary "bulgy" Jimmy for the title card for the sake of contrast between the 2D/3D protagonists; I asked Liamandnico to make a render of Jimmy as for this, which his results were great.
I also took it a step further by making a VHS/TV broadcast version with the help of Heisei VHS (https://hiyameshi-retro-pack.web.app/apps/Heisei-VHS/).
I hadn't realized today was the 30th anniversary of Dexter's Laboratory, so I was late in the game in making any artwork, but I figured I could still save face in creating a "How it started, How it's going" post like what I made during Despicable Me's 15th anniversary.
Anyway, Dexter's Laboratory was definitely a series that had a fall from grace. I never grew up watching the show much, but I could remember playing the online games on the Cartoon Network website, while I saw the occasional episodes on Boomerang and on Spectrum (formerly named Time Warner Cable)'s Kids on Demand.
Even realizing it was the first original series (not counting the anthology series What a Cartoon!), this series definitely helped pave the way for Cartoon Network's following original series. Its creator, Genndy Tartakovsky, has definitely made a memorable icon while he's remained a frequent name throughout the network having created more shows, even following Dexter's Lab's end, than any other creator in Cartoon Network's history, which were Star Wars: Clone Wars; Samurai Jack; Sym-Bionic Titan; Primal; and Unicorn: Warriors Eternal.
While it had a good run, even after Tartakovsky left the show and Chris Savino watered down its identity, Dexter's Lab deserved more in the long run than it was given.
The front cover was made on January 25, while the back cover was made on April 20.
This cover art was planned to be posted way back in January where I planned to make this Paramount Home Entertainment case art of Madagascar 3: Europe's Most Wanted, then make 20th Century Studios Home Entertainment case art of Kung Fu Panda 3 afterwards for the latter's 10th anniversary, but I ended up lacking the interest in finishing either one. I suddenly had the interest in making the cover art earlier this month when I planned on making my one Shrek-related post for the 25th anniversary of the first Shrek's premiere at the Mann Village Theater.
Anyway, this DVD cover was made with the usual PhotoLayers, PhotoRetouch, ImageWarp, and Classic MS Paint, while I reluctantly used Gemini to remove King Julien and and Skipper when I tried and failed with PhotoRetouch; of course, I used PhotoRetouch to remove the Gemini symbol when finishing up the front case. The front cover comes from the Blu-ray 3D front cover art, which seemed like a perfect fit rather than reuse the original standard front cover art; fortunately, there was a version of the alternative cover art for the original DVD release I could use.
After that was done, the spine was the last thing. I decided to leave it blank like how Universal does with its 4K releases of DreamWorks titles.
The front cover was made on April 23, while the back cover was made on April 21.
The front cover was made with the usual PhotoLayers, Image Warp, and Classic MS Paint. Fortunately, I still had the Gemini-altered cover I could use for making the front cover, as well as the title with the "modern" DreamWorks wordmark.
The front cover was originally made on January 25 as it had Alex on the top of the spine before he was removed on April 23 for the sake of consistency, as I didn't add him on the DVD (and later Blu-ray) spine.
Anyway, the front cover was made with the usual PhotoLayers, Image Warp, and Classic MS Paint. Of course, it used the Gemini-altered cover.
For the back covers themselves:
I relied on the Blu-ray and Blu-ray 3D back covers of the February 2018 reprints by Universal Pictures Home Entertainment for gathering the PG rating, the credits, the PDI logo, the Interscope Records logo, the banner of screenshots, the accolade above, and the gradient backgrounds to the top and special features banner.
I relied on the usual MS Paint Classic, Free Online Image Editor, PhotoRetouch, and Photoroom to make it happen. When it came to removing the jargon from the top part, I had to rely on Gemini in doing so.
When it came to the other details, I typed in the shortened description and specification jargon below and added many of the other logos needed in dark blue (22338d) as the credits and the PG rating among others.
For the 4K back cover, I decided to make it with just the image of Alex, Marty, Skipper and Private in the Luxury Assault Recreation Vehicle from the back cover as there'd be no more room for the screenshot banner.
The Shrek quadrillogy portrayed by the SpongeBob SquarePants film quadrillogy.
In case you didn't get it, here's this for context.
A little something to celebrate the first Shrek's premiere at the Mann Village Theater on April 22, 2001.
The Shrek quadrillogy portrayed by the SpongeBob SquarePants film quadrillogy.
In case you didn't get it, here's this for context.
A little something to celebrate the first Shrek's premiere at the Mann Village Theater on April 22, 2001.
Expect these gameplay videos of Back to the Future: The Game – Episode 4: Double Visions released on April 29 for the episode's 15th anniversary!
Paramount Pictures / Nickelodeon Movies / Domain Entertainment (2025, Search for SquarePants)
For what it's worth, I'd rather watch the normal Paramount Pictures logo opening the movie than its animation division's bland logo.
Planned on this after the official Blu-ray box art was revealed.
The first version was simple, but the slanted version took me two hours in lowering the box art piecing the parts of the spine.
Also, since I lowered the front cover for the sake of the 4K + Blu-ray banner for the slanted version, I needed to cover the lowered half up, which meant making a layer to the slanted slipcover.
The front cover was made simply on Microsoft Paint Classic, while the slanted versions were made with MS Paint Classic; Image Warp; PineTools' colorizing tool; and PhotoRetouch.
This back cover was up next, but, like all previous ones, the back cover was always the time-consuming one; this took me one and a half days (last Friday and the day this was posted) to finish due to all the 4K jargon, gathering the logos below and additional edits needed, all with the use of Microsoft Paint Classic; Free Online Image Editor; PineTools' colorizing image tool; LunaPic's color replacing tool; and PhotoRetouch.
And, I just wanna say it's bittersweet Paramount had skimped on releasing Search for SquarePants on Ultra HD Blu-ray, even though the franchise has been Nickelodeon's most profitable.
This is a secondary/alternative tribute piece for The Fairly OddParents, with this featuring its fellow Nicktoons celebrating and supporting.
Made in advance on March 21.
Jenny was made first, with screenshots from Season 2 and 3, while Danny was made up of a screenshot used for his hand and the rest of his body recycling a pose from my "Danny Meets Jenny" screenshot. With Jimmy and Cindy, they were rendered by my frequent collaborator, Neutron2001, for this.
Check out the first version here.
At first, it was the last thing on my mind, but as the 30th was on its way, I decided to make something for The Fairly OddParents' 25th anniversary (2001-2026).
My tribute artwork was made in advance on March 20.
I got to work on Thursday that night in creating the OddParents characters, consisting of just the main leads, Timmy; Cosmo; Wanda; Poof (introduced in Season 8); and Chloe (introduced in Season 10), with many screenshots from Seasons 9 and 10 to capture the current designs. On Friday, after they were finished, I then made Timmy's bedroom for the main image that day.
Y'know, it's rather surprising how The Fairly OddParents (as well as Invader Zim) was the last Nicktoons series to release before I was born, as I was born a day after OddParents (and Invader Zim) premiered on Nickelodeon.
I had thoughts about making a "clash" tribute between OddParents and Invader Zim since both shows were released on March 30, 2001, but I focused on making this tribute to OddParents since I never got into Invader Zim young or old.
If I may on The Fairly OddParents, it was for sure one of my favorite Nicktoons growing up, seeing reruns of the show on both Nick and Nicktoons Network, alongside The Adventures of Jimmy Neutron: Boy Genius and My Life as a Teenage Robot and checking out new episodes on Nick from 2008 to 2011. When I decided to check out Seasons 9 and 10, my teenage mind thought they were decent, but Season 10 was where the show hit a new low with referencing mid-2010's trends and transitioning from hand-drawn animation by Yeson Animation to flash animation by Elliot Animation. Today, even learning more about the rough edges of the following seasons and network meddling that resulted in the show being un-cancelled more than once, I see the show as a good Nicktoon that's had a fall from grace in the long run. Regardless of how flawed it's become now, as well as how it was treated poorly in that regard, I'd still consider this part of my personal favorite Nicktoons alongside Jimmy Neutron, Danny Phantom, and Teenage Robot.
Garfield Kart 2: All You Can Drift | Pirate Cup at 100cc with Jon
My first gameplay video of Garfield Kart 2: All You Can Drift.