Im gay and tired @smolbeanistired - Tumblr Blog

nowritingonthewall

HAPPY STAR WARS DAY!

transfagrified-in-the-void

Here is a free pdf of the players handbook

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

For all your dnd purposes

murielsweddings-deactivated2023

stopppppp im going to pass away just thinking abt this

youngbloodbuzz

#what a way to discover you have a priase kink

champagne-vagabond

When I got my first tattoo I told my rather beautiful tattoo artist that I refused to be a wuss and she said “Oh dont worry, if you squirm I will pin you down.”

And that lives in my head rent free.

exeunt-pursued-by-a-bear

cipheramnesia

“What is it with queer people and tattoos?”

facelessoldgargoyle

Something something intricate rituals

aleisol

religion-is-a-mental-illness

Stupid is timeless.

kumboochies

I’m that lady who’s just FEELING it

beep-beepster

tbh cables were like that and safety precautions weren’t hard set in yet

10-thousand-words

Oh wow this is horrifying

moripartylove

Holy shit

bogleech

first I was gonna reblog for the electroskelachnid and then I was going to reblog for the lady who’s just like “mm yeah electrocute me in ur web mommy” and now I’m reblogging for the beautiful nightmare that used to be power lines

rosenkranz-does-things

extremely self indulgent, might-delete-later painting.

rosenkranz-does-things

nobody asked me but here's this scene. the song is beautiful, and the musical is available with eng sub on youtube

YOU hates terfs

rb if u hates terfs

antique-scarecrow

i fucking lost it when she opened the fridge

psychotictea

A big mood

blowyourhorn-deactivated2021051

I missed this video

prettyandmean

Keeyum.

lili-rochefort

@huffpc

advanced-procrastination

Anybody else start getting just as mad as her when she’s reading the inane fucking incomprehensible texts. DO YOU WANT THE CAKE OR NOT GINGER

gaysemiotics

WHERE IS HER OSCAR

sevenlegged

anbanananna

I need her to make me a cheesecake 😭😭😭

p3nny4urth0ught5-deactivated202

I love the “Mom is single but she’s sadly not gay”

capricorn-0mnikorn

This is the literary criticism hill I have chosen to die on.

There has been a half-complete version of post on my Dreamwidth journal under a “Private” filter (my eyes only) here since 9 December, 2018, just waiting for me to get the energy and mental focus to write an essay outlining all the textual evidence in Act 4, scene 1 (Ophelia’s “madness” scene). But at this point, I don’t think the required energy for that will ever come – at least, not for the long essay format. So I’m just going to post my conspiracy theory Thesis Statement here:

Ophelia did not commit suicide – she was murdered. By Queen Gertrude (probably).

And I can’t help but wonder how this play would be taught and performed if this interpretation were the standard one Here’s a bit of a presentation by Shakespearean actor and scholar, Ben Crystal, on his interpretation of the “To be, or not to be?” soliloquy, and how he no longer thinks Hamlet was suicidal at that point in the play, either (though he was, earlier on): Ben Crystal talks about Original Pronunciation, 20 July 2017 (it’s at a point about 40 minutes in to the whole thing). So what if suicide is not a recurring theme of the play? How does that change things?

capricorn-0mnikorn

Reblogging myself already, because my brain won’t let go of it.

Just imagine how classroom discussions, and essays in literary academic journals would go if it were read that Ophelia did not break under the weight of a cruel world, but instead had to be eliminated because she knew too much, and was on the brink of inciting a rebellion against King Claudius (Yes, that’s actually alluded to in the text).

If, while the men of the play were scheming and faffing about, the play pivoted on the actions of a middle-aged woman on one side, and a teenage girl on the other.

athelind

Tell us more! Tell us more!

capricorn-0mnikorn

First off – my mistake: it’s Act 4 Scene 5, not scene one. And it opens thusly (lines that merit attention are bolded):

QUEEN GERTRUDE: I will not speak with her. Gentleman: She is importunate, indeed distract: Her mood will needs be pitied. QUEEN GERTRUDE: What would she have? Gentleman: She speaks much of her father; says she hears There’s tricks i’ the world; and hems, and beats her heart; Spurns enviously at straws; speaks things in doubt, That carry but half sense: her speech is nothing, Yet the unshaped use of it doth move The hearers to collection; they aim at it, And botch the words up fit to their own thoughts; Which, as her winks, and nods, and gestures yield them, Indeed would make one think there might be thought, Though nothing sure, yet much unhappily.

A bit later, Ophelia comes in, singing. Not of flowers, yet, but alternating between a mourning song, and a very bawdy song that a young noble lady of sixteen years should not be singing in public, just in time for Claudius to hear her.

KING CLAUDIUS: Conceit upon her father.

OPHELIA: Pray you, let’s have no words of this; but when they ask you what it means, say you this: [translation: You want to know what it means? I’ll tell you what it means!]

Sings To-morrow is Saint Valentine’s day, All in the morning betime, And I a maid at your window, To be your Valentine. Then up he rose, and donn’d his clothes, And dupp’d the chamber-door; Let in the maid, that out a maid Never departed more. KING CLAUDIUS: Pretty Ophelia! OPHELIA: Indeed, la, without an oath, I’ll make an end on’t: [Let me finish!] Sings By Gis and by Saint Charity, Alack, and fie for shame! Young men will do’t, if they come to’t; By cock, they are to blame. Quoth she, before you tumbled me, You promised me to wed. So would I ha’ done, by yonder sun, An thou hadst not come to my bed.

[So here’s a song about a woman having sex out of wedlock because a guy promised to repay her… and then he reneges on his promise because she had sex with him]

And then Ophelia exits, spouting seeming madness, and Claudius says to Horatio:

Follow her close; give her good watch, I pray you.

So Claudius suspects something – whether that’s a suicide watch, or to make sure she doesn’t inspire rebellion – isn’t explicitly stated in text. But in any case, Ophelia’s not alone.

Then, Leartes comes in, leading a mob of commoners, who are chanting that he should be king (see the comment of Gentleman, above). And we have this exchange:

Leartes: Where is my father?

Claudius: Dead.

Gertrude: But not by him.

That, right there, is a single line of iambic pentameter. Which means that Gertrude literally does not skip a beat to defend Claudius before thinking of protecting her own son.

And now Ophelia comes in and sings her “mad flower song.” This Wordpress article outlines the symbolism of each flower and herb (It also spells out specific actions by Ophelia which are not spelled out in the original). The meaning flies right over our heads, but audiences of the time would have grokked it immediately; There’s “Grief” and “remembrance;” there’s also “flattery” and “deceived lovers” and an herb commonly used to induce abortions…

And the next news we hear of Ophelia is that she’s “Drowned herself.” Who delivers this news? Queen Gertrude – with an overabundance of minute detail of the scene as it happened.

Finally, there’s the fact that Ophelia was being hastily buried in the churchyard – even though that was strictly forbidden for suicides. The younger gravedigger thinks that’s because Ophelia was a privileged noblewoman, and getting special treatment. The older gravedigger reminds him (and the audience) that not all people who die by drowning are at fault…

And then I realized that Hamlet had to have the murder plot revealed to him by the ghost of his father, because he was away at school, but Ophelia was there at court, the whole time, and could have seen everything going down. But who pays attention to teenage girls hanging around the edges, or worries about what they see or don’t see, amirite?

I do think Ophelia was having a mental breakdown, triggered by grief and shock. But I think it was more of the “loss of situational awareness” and “blind to the danger” variety, instead of “no longer have the will to live” variety.

And that’s my analysis. And I’m sticking with it.

athelind

Oh, this is splendid!

capricorn-0mnikorn

*bows*

Thank you.

And then there are these lines from Queen Gertrude, after she agrees to talk with Ophelia, and Horatio exits to go fetch her:

To my sick soul, as sin’s true nature is, Each toy seems prologue to some great amiss: So full of artless jealousy is guilt, It spills itself in fearing to be spilt.

I’ve always liked that line about spilling something because you’re trying too hard not to (because RELATABLE). But I only just now realized that Shakespeare was putting underlines and circles and arrows around the whole issue of the queen’s quilt (and active role in the whole scheme with Claudius), by making those lines a pair of rhyming couplets, when nothing else in that scene rhymes.

I think the common interpretation of Ophelia has been handed down to us by literary critics and theater directors, who have all been men, and idealized the manic pixie dream gilrl, so they’ve always cast Ophelia as the tragic and doomed version of that.

When really, she was the brightest candle in the chandelier – and had she lived, she might have led the revolution to put her brother on the throne – so she had to be snuffed out.

capricorn-0mnikorn

Okay – I’d like to post a CORRECTION to this paragraph, that I wrote, above:

Finally, there’s the fact that Ophelia was being hastily buried in the churchyard – even though that was strictly forbidden for suicides. The younger gravedigger thinks that’s because Ophelia was a privileged noblewoman, and getting special treatment. The older gravedigger reminds him (and the audience) that not all people who die by drowning are at fault…

I went back and reread that bit (which really should be included in the list of evidence that Hamlet is a black comedy – in the script, the two gravediggers are named “First Clown” and “Second Clown.”

Anyway, it’s the elder gravedigger who argues that Ophelia committed suicide, but in the process, reminds the audience that it shouldn’t be counted as such. I’ll just quote that bit:

Give me leave. Here lies the water; good: here stands the man; good; if the man go to this water, and drown himself, it is, will he, nill he, he goes,–mark you that; but if the water come to him and drown him, he drowns not himself: argal, he that is not guilty of his own death shortens not his own life.

So, he’s arguing that because Ophelia went into the water, she must have committed suicide – but we, in the audience, who’ve just witnessed Ophelia’s madness just a few scenes earlier (even ignoring Queen Gertrude’s suspicious behavior), know that Ophelia did not “Wittingly” go into the water, because she was (at the very least) so lost in madness that she fell in accidentally.

Now, I’m not one of those people who stan Shakespeare in everything he wrote (a few of his plays are just hot messes), but here, I do agree that he’s at his peak, with what characters know which, (or should that be which know what?), and telling us the story of what happened, not through some Authorial voice on High, but many different limited points of view.

capricorn-0mnikorn

Reblogging to add a link to this post from @bisexual-evanhansen about re-imagining the “Get thee to a nunnery!” scene wherein Ophelia plays an active role in directing the “stage fight” between herself and Hamlet, and it’s played for laughs.

Because I really think it adds to my pile of evidence that Ophelia was murdered.

capricorn-0mnikorn

That warm, fuzzy feeling when a mutual reblogs a post that you were debating about whether to reblog, yourself.

(Instead, I opted to post something new, to put fresh thoughts in my brain)

But this still deserves to be signal boosted. ‘Cause Ophelia was done dirty. First, in-story, by Gertrude, and then, in the centuries after, when Literature teachers and theater directors shape how her story is interpreted.

prismatic-bell

As someone who first suggested Hamlet is not a tragedy in my tenth-grade English class (I didn’t know the phrase “black comedy” at the time but yeah, it totally is), I would agree with all this, and IN ADDITION:

I would suggest Ophelia’s murder didn’t start with the drowning, and that it wasn’t even entirely related to Laertes.

So first, we have her song about sex out of wedlock. It’s worth noting that much earlier in the play, when she and Laertes speak right before the “to thine own self be true” speech, there are hints that she herself is already “a maid no more,” at Hamlet’s hand. Now keep in mind the rest of the play takes place over the course of, at a minimum, several months, and:

If that’s true, and if perhaps Ophelia has a Little Problem, that little problem–legitimate or not–is heir to the throne.

So if it gets out that Claudius might have been responsible for the death of Hamlet, Sr–and Hamlet, Jr gives us plenty of reasons to be suspicious even before the ghost appears–then he’s almost certainly going to die at the hands of a mob. In which case Hamlet would ascend to the throne, but–oh, what’s this? Hamlet’s dead? Well, then the next in line is–

–a commoner’s child.

Yikes.

So Gertrude offers Ophelia some help with her Little Problem. All of the plants mentioned in the “mad flower song” could be used, in conjunction with each other, as abortifacients, but there’s one very important thing to note about them:

They have to be very, very precisely measured. Or they can cause sudden severe mood swings, hemorrhaging, excessive bleeding, disorientation, lack of focus, muscle weakness, difficulty breathing, unconsciousness, and death.

You know. As might be implied by “singing small snatches of songs” and laying in a creek apparently unaware you’re doing so and unable to pull yourself out. And, as noted above, Gertrude knows one hell of a lot about this scene; as my high school English teacher pointed out, why didn’t anyone help Ophelia, if they could see her so damn well they could describe the whole thing?

capricorn-0mnikorn

This is the literary criticism hill I have chosen to die on.

There has been a half-complete version of post on my Dreamwidth journal under a “Private” filter (my eyes only) here since 9 December, 2018, just waiting for me to get the energy and mental focus to write an essay outlining all the textual evidence in Act 4, scene 1 (Ophelia’s “madness” scene). But at this point, I don’t think the required energy for that will ever come – at least, not for the long essay format. So I’m just going to post my conspiracy theory Thesis Statement here:

Ophelia did not commit suicide – she was murdered. By Queen Gertrude (probably).

And I can’t help but wonder how this play would be taught and performed if this interpretation were the standard one Here’s a bit of a presentation by Shakespearean actor and scholar, Ben Crystal, on his interpretation of the “To be, or not to be?” soliloquy, and how he no longer thinks Hamlet was suicidal at that point in the play, either (though he was, earlier on): Ben Crystal talks about Original Pronunciation, 20 July 2017 (it’s at a point about 40 minutes in to the whole thing). So what if suicide is not a recurring theme of the play? How does that change things?

capricorn-0mnikorn

Reblogging myself already, because my brain won’t let go of it.

Just imagine how classroom discussions, and essays in literary academic journals would go if it were read that Ophelia did not break under the weight of a cruel world, but instead had to be eliminated because she knew too much, and was on the brink of inciting a rebellion against King Claudius (Yes, that’s actually alluded to in the text).

If, while the men of the play were scheming and faffing about, the play pivoted on the actions of a middle-aged woman on one side, and a teenage girl on the other.

athelind

Tell us more! Tell us more!

capricorn-0mnikorn

First off – my mistake: it’s Act 4 Scene 5, not scene one. And it opens thusly (lines that merit attention are bolded):

QUEEN GERTRUDE: I will not speak with her. Gentleman: She is importunate, indeed distract: Her mood will needs be pitied. QUEEN GERTRUDE: What would she have? Gentleman: She speaks much of her father; says she hears There’s tricks i’ the world; and hems, and beats her heart; Spurns enviously at straws; speaks things in doubt, That carry but half sense: her speech is nothing, Yet the unshaped use of it doth move The hearers to collection; they aim at it, And botch the words up fit to their own thoughts; Which, as her winks, and nods, and gestures yield them, Indeed would make one think there might be thought, Though nothing sure, yet much unhappily.

A bit later, Ophelia comes in, singing. Not of flowers, yet, but alternating between a mourning song, and a very bawdy song that a young noble lady of sixteen years should not be singing in public, just in time for Claudius to hear her.

KING CLAUDIUS: Conceit upon her father.

OPHELIA: Pray you, let’s have no words of this; but when they ask you what it means, say you this: [translation: You want to know what it means? I’ll tell you what it means!]

Sings To-morrow is Saint Valentine’s day, All in the morning betime, And I a maid at your window, To be your Valentine. Then up he rose, and donn’d his clothes, And dupp’d the chamber-door; Let in the maid, that out a maid Never departed more. KING CLAUDIUS: Pretty Ophelia! OPHELIA: Indeed, la, without an oath, I’ll make an end on’t: [Let me finish!] Sings By Gis and by Saint Charity, Alack, and fie for shame! Young men will do’t, if they come to’t; By cock, they are to blame. Quoth she, before you tumbled me, You promised me to wed. So would I ha’ done, by yonder sun, An thou hadst not come to my bed.

[So here’s a song about a woman having sex out of wedlock because a guy promised to repay her… and then he reneges on his promise because she had sex with him]

And then Ophelia exits, spouting seeming madness, and Claudius says to Horatio:

Follow her close; give her good watch, I pray you.

So Claudius suspects something – whether that’s a suicide watch, or to make sure she doesn’t inspire rebellion – isn’t explicitly stated in text. But in any case, Ophelia’s not alone.

Then, Leartes comes in, leading a mob of commoners, who are chanting that he should be king (see the comment of Gentleman, above). And we have this exchange:

Leartes: Where is my father?

Claudius: Dead.

Gertrude: But not by him.

That, right there, is a single line of iambic pentameter. Which means that Gertrude literally does not skip a beat to defend Claudius before thinking of protecting her own son.

And now Ophelia comes in and sings her “mad flower song.” This Wordpress article outlines the symbolism of each flower and herb (It also spells out specific actions by Ophelia which are not spelled out in the original). The meaning flies right over our heads, but audiences of the time would have grokked it immediately; There’s “Grief” and “remembrance;” there’s also “flattery” and “deceived lovers” and an herb commonly used to induce abortions…

And the next news we hear of Ophelia is that she’s “Drowned herself.” Who delivers this news? Queen Gertrude – with an overabundance of minute detail of the scene as it happened.

Finally, there’s the fact that Ophelia was being hastily buried in the churchyard – even though that was strictly forbidden for suicides. The younger gravedigger thinks that’s because Ophelia was a privileged noblewoman, and getting special treatment. The older gravedigger reminds him (and the audience) that not all people who die by drowning are at fault…

And then I realized that Hamlet had to have the murder plot revealed to him by the ghost of his father, because he was away at school, but Ophelia was there at court, the whole time, and could have seen everything going down. But who pays attention to teenage girls hanging around the edges, or worries about what they see or don’t see, amirite?

I do think Ophelia was having a mental breakdown, triggered by grief and shock. But I think it was more of the “loss of situational awareness” and “blind to the danger” variety, instead of “no longer have the will to live” variety.

And that’s my analysis. And I’m sticking with it.

athelind

Oh, this is splendid!

capricorn-0mnikorn

*bows*

Thank you.

And then there are these lines from Queen Gertrude, after she agrees to talk with Ophelia, and Horatio exits to go fetch her:

To my sick soul, as sin’s true nature is, Each toy seems prologue to some great amiss: So full of artless jealousy is guilt, It spills itself in fearing to be spilt.

I’ve always liked that line about spilling something because you’re trying too hard not to (because RELATABLE). But I only just now realized that Shakespeare was putting underlines and circles and arrows around the whole issue of the queen’s quilt (and active role in the whole scheme with Claudius), by making those lines a pair of rhyming couplets, when nothing else in that scene rhymes.

I think the common interpretation of Ophelia has been handed down to us by literary critics and theater directors, who have all been men, and idealized the manic pixie dream gilrl, so they’ve always cast Ophelia as the tragic and doomed version of that.

When really, she was the brightest candle in the chandelier – and had she lived, she might have led the revolution to put her brother on the throne – so she had to be snuffed out.

capricorn-0mnikorn

Okay – I’d like to post a CORRECTION to this paragraph, that I wrote, above:

Finally, there’s the fact that Ophelia was being hastily buried in the churchyard – even though that was strictly forbidden for suicides. The younger gravedigger thinks that’s because Ophelia was a privileged noblewoman, and getting special treatment. The older gravedigger reminds him (and the audience) that not all people who die by drowning are at fault…

I went back and reread that bit (which really should be included in the list of evidence that Hamlet is a black comedy – in the script, the two gravediggers are named “First Clown” and “Second Clown.”

Anyway, it’s the elder gravedigger who argues that Ophelia committed suicide, but in the process, reminds the audience that it shouldn’t be counted as such. I’ll just quote that bit:

Give me leave. Here lies the water; good: here stands the man; good; if the man go to this water, and drown himself, it is, will he, nill he, he goes,–mark you that; but if the water come to him and drown him, he drowns not himself: argal, he that is not guilty of his own death shortens not his own life.

So, he’s arguing that because Ophelia went into the water, she must have committed suicide – but we, in the audience, who’ve just witnessed Ophelia’s madness just a few scenes earlier (even ignoring Queen Gertrude’s suspicious behavior), know that Ophelia did not “Wittingly” go into the water, because she was (at the very least) so lost in madness that she fell in accidentally.

Now, I’m not one of those people who stan Shakespeare in everything he wrote (a few of his plays are just hot messes), but here, I do agree that he’s at his peak, with what characters know which, (or should that be which know what?), and telling us the story of what happened, not through some Authorial voice on High, but many different limited points of view.

capricorn-0mnikorn

Reblogging to add a link to this post from @bisexual-evanhansen about re-imagining the “Get thee to a nunnery!” scene wherein Ophelia plays an active role in directing the “stage fight” between herself and Hamlet, and it’s played for laughs.

Because I really think it adds to my pile of evidence that Ophelia was murdered.

capricorn-0mnikorn

That warm, fuzzy feeling when a mutual reblogs a post that you were debating about whether to reblog, yourself.

(Instead, I opted to post something new, to put fresh thoughts in my brain)

But this still deserves to be signal boosted. ‘Cause Ophelia was done dirty. First, in-story, by Gertrude, and then, in the centuries after, when Literature teachers and theater directors shape how her story is interpreted.

prismatic-bell

As someone who first suggested Hamlet is not a tragedy in my tenth-grade English class (I didn’t know the phrase “black comedy” at the time but yeah, it totally is), I would agree with all this, and IN ADDITION:

I would suggest Ophelia’s murder didn’t start with the drowning, and that it wasn’t even entirely related to Laertes.

So first, we have her song about sex out of wedlock. It’s worth noting that much earlier in the play, when she and Laertes speak right before the “to thine own self be true” speech, there are hints that she herself is already “a maid no more,” at Hamlet’s hand. Now keep in mind the rest of the play takes place over the course of, at a minimum, several months, and:

If that’s true, and if perhaps Ophelia has a Little Problem, that little problem–legitimate or not–is heir to the throne.

So if it gets out that Claudius might have been responsible for the death of Hamlet, Sr–and Hamlet, Jr gives us plenty of reasons to be suspicious even before the ghost appears–then he’s almost certainly going to die at the hands of a mob. In which case Hamlet would ascend to the throne, but–oh, what’s this? Hamlet’s dead? Well, then the next in line is–

–a commoner’s child.

Yikes.

So Gertrude offers Ophelia some help with her Little Problem. All of the plants mentioned in the “mad flower song” could be used, in conjunction with each other, as abortifacients, but there’s one very important thing to note about them:

They have to be very, very precisely measured. Or they can cause sudden severe mood swings, hemorrhaging, excessive bleeding, disorientation, lack of focus, muscle weakness, difficulty breathing, unconsciousness, and death.

You know. As might be implied by “singing small snatches of songs” and laying in a creek apparently unaware you’re doing so and unable to pull yourself out. And, as noted above, Gertrude knows one hell of a lot about this scene; as my high school English teacher pointed out, why didn’t anyone help Ophelia, if they could see her so damn well they could describe the whole thing?

tom-nippleston

I have waited ALL FUCKING YEAR TO POST THIS

Santa is coming tonight.

lich-of-the-golgari

@alltheshit-althetime

suntosirius

THE ONLY CHRISTMAS POST I DON’T BLOCK

fozby

dancer is my life

thedanliest

YES HERE IT IS, JUST IN THE SAINT NICK OF TIME

ironwoman359

OH GOSH I always forget about this post until I see it but it’s so great XD

yourfreindlyneighborhoodnerd

Cupid is my spirit animal

glumshoe

I’ll never understand why anthropomorphic animal cartoons like Robin Hood and Zootopia will go to the trouble of creating character designs that are meant to be understood as “attractive” or even “sexy” to the human audience but explicitly avoid showing interspecies romances between anthropomorphic animals. Why is THAT weird but, like, trying to make rabbits recognizably sexy-coded to humans isn’t?

glumshoe

Sometimes, sure, but why was Maid Marian a fox in Robin Hood? There wasn’t anything particularly “foxlike” about her personality, and it would make more sense for her to be a lion. They made her a fox only because Robin was a fox and making her something else would be “weird”, but I don’t think the wolf cop or the chicken maid or the lion prince were actually meant to represent race.

countesspetofi

The best inter species couple is Kermit and Miss Piggy as the Cratchits in A Muppet Christmas Carol, because all their sons are frogs and all their daughters are pigs, as God clearly intended.

glumshoe

there are only two genders: frog and pig

forestdwellingrat

I’ve pointed out to my friends that the fact that Kermit and Miss Piggy’s kids are like that means either

1) they reproduce asexually and the children are clones of each parent OR

2) Kermit and Miss Piggy are members of the same sexually dimorphic species, hence the split between their male and female children

yes I have spent too long running about potential muppet biology

glumshoe

oh god

sailor-lady

Third option, when they want kids they get some fabric and make one, and hope a Hand inhabits it

glumshoe

Do you think there’s a ritual for inviting An Inhabiting Hand to possess the empty husk of your muppet baby?

jenivi

aflowerthatbloomsinadversity

Just wanted to show u guys that in Muppets Most Wanted, Piggy fantasizes about her and Kermit having babies and this is what they look like

So do with that what you will

fremedon

Recall that in The Great Muppet Caper, Kermit and Fozzie are brothers. And this was their dad (right):

capitalism-and-analytics

Thank you for specifying, which one of the two individuals in the picture was the dad haha

la-pou-belle

I, for one, think Shrek handled interspecies coupling the best. By this I am of course talking about the Dronkeys.

kestrelsparverius

adrnired

In season 3 of BoJack Horseman, we learn Diane (middle) has been impregnated by Mr. Peanutbutter (left). The fetuses are confirmed to be puppies.

autisticexpression

This is the worst addition to this post

araku-validrava

I am reminded of Treasure Planet.

In which Captain Amelia (left), an extra terrestrial anthropomorphic cat, had hybrid babies with Doctor Doppler (middle), an extra terrestrial anthropomorphic dog, whom also gave birth to the babies

wizardlizardinhislair

I always thought that in muppet movies like muppet Christmas Carol the characters are played by the muppets (so kermit is acting and playing the role of Bob rather than being him) so the kids in that film would just be other acting muppets right?

Or is that just something my brain made up?

ridiculouslyphotogenicsinosauru

kingscrown666

Last time I saw this post (YESTERDAY) it stopped at the second Eggman

the-haiku-bot

Last time I saw this

post (YESTERDAY) it stopped at

the second Eggman

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

astronomical-bagel

anyone in this thread smoke weed

susiron

In Leo the Lion (2005) a lion and elephant have the most cursed hybrid children and I think yall should see them

(also Matt Mercer voices the villain, Maximus Elefante and I think that’s very important)

spaceinvaydr

headspace-hotel

I think that what they are talking about is perfectly clear.

midvalkyrie

On the 50th Anniversary of Scooby-Doo let us celebrate the musical group of goddesses known as the Hex Girls (x)

butchflirt

pregnantsecondo

CRYING THIS IS LITERALLY SCOUT

calamitys-child

I truly am obsessed with how Knives Out was like. Hello Daniel Craig, man who has spent the past two decades of his career being alternately beaten up and objectified playing an action hero with no personality. Would you like to please put on a shirt and an incomprehensible vaguely Texan accent and flex your character acting dark comedy muscles as well as your pecs for a while. And he’s like BOY WOULD I and they made a work of art. Also love that they put Chris Evans in sweaters. Get your beefcakes then dress them nice make them soft and give them some bonkers character work to do it’s what cinema needs more of

calamitys-child

I love that several people have responded to this with “op I forgive you cause you’re Scottish but that’s not a Texan accent” which is fair thank you I appreciate it but no two people have agreed on what accent it is which is also Absolutely fair and hilarious as a reaction to this film

calamitys-child

Cannot stress enough that I do not know what the fuck a foghorn leghorn is but literally a hundred people have said it to me so far so I’m assuming it’s important to, like, Americans

peachfromcmbyn

shiftythrifting

gallusrostromegalus

For those of you that are wondering, please have one of the fiest pieces of radio comedy ever:

jaynavajasso

the first time i watched this i laughed so hard i nearly puked

orwellsunderpants

THIRD BASE

lordkevington-deactivated-deact

Since I was 8 and found out about this for the first time my family has always followed up on someone saying “I don’t know,” with shouting “THIRD BASE”

j-sprrr

capricorn-0mnikorn

That animatronic video is great for people who may not be as familiar with the game of baseball, too. The different positions, and such.

agendermetalbender

It’s even better with their expressions and body language

itzbatz-deactivated20240722

we are officially in a new era of avatar fandom i am extremely screaming

fatsexybitch

Not sorry for the double reblog i just will never be over this

The unseen sokka running the camera and interference

Kataras headwrap that is clearly inspired by a protective bonnet thats simultaneously completely unrelated to the characters original design and yet immediately recognizable

'Coolin w the avatar'

The practical effects

Momo

The descent into screeching from zuko

silkirose

:/

silkirose

:0

silkirose

:)

silkirose

A little update <3

I still read all of your lovely replies! I have not given up on art my friends! I have even started my own webcomic on webtoon! It’s called Seth In Space and it would mean a lot to me if you would support me there! Love you all and happy halloween!!

silkirose

I’m so happy to tell you all that I’ve made great progress with my mental health!! To genuinely be able to say that I feel happy is so liberating and free! I know a lot of you are still in that dark place. I’m here to say that it does get better. Much better! I still have some tough days but progress is progress! Be kind and gentle to yourselves. I love you all and thank you to everyone who’s supported me over the years!

Here’s links to my commissions and projects! Commissions Animal Crossing Commissions Animal Crossing Tarot Cards Tarot Readings Seth In Space

HAPPY HALLOWEEN!!

silkirose

Happy halloween 2021 everyone!! As for some good news, I came out as genderfluid this year!! I hope everyone has a magical halloween!! Patreon

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