FORWARD MOTION

[crossconnectmag]

The Remarkable X-Ray Photography of Jim Wehtje

[sixpenceee]

How a caterpillar climbs. From the film Microcosmos. 

[snsellman]

[snsellman]

Snippy the horse, mutilated in 1967 in Alamosa, CO. 

[snsellman]

Pre summit goodness. Greg soaks in the Sierra Nevada mountains!

[snsellman]

One of my most favorite moments in Florida was the morning I got up to meditate by the ocean at sunrise. After watching the sun for almost an hour, I made this collage of broken shells. Can you see the sunrise? I think it took me nearly an hour. But it felt totally worth it. #collage #sunrise #shells #florida #livefolk

[snsellman]

Accidentally paused my editing on this frame. #hyao In this scene Roma is trying to convince OD to get in the water as the sun is setting.

[osteoprincess]

[snsellman]

Skull in a salt lake

[manfishincsketch]

Pen and acrylic on paper.

Jill Colbert

[beforewegortw]

“Remove everything pointless from an imperfect life and it’d lose even its imperfection.”

Sputnik Sweetheart, Haruki Murakami (via beforewegortw)

[beforewegortw]

“If you really want to know something, you have to be willing to pay the price.”

(via beforewegortw)

[beforewegortw]

“In this world, there are things you can only do alone, and things you can only do with somebody else. It’s important to combine the two in just the right amount.”

(via beforewegortw)

[snsellman]

Who are we? Where are we going? And, at this moment, how can we express ourselves?—our intention is to create a modern cultural manifesto. For a short time, the most interesting place in the country will be a moving target.

http://www.psfk.com/2013/06/train-art-gallery.html Doug Aitken

[snsellman]

Train Converted Into Travelling Collaborative Art Gallery - PSFK

Doug Aitken's latest project is a mobile museum that will go from the Atlantic coast to the Pacific this September.

THIS IS INCREDIBLE. 

Also not the most accessible. 

-S

[beforewegortw]

A Response to "Huh?" From Sarah

What if we use our communications with people to create the art?

Or what if part of the project is documenting how we connect?

Like the man who had strangers draw him directions to make a map of manhattan.

Could we ask strangers for directions to make a map of the world?

Or to make a “map” of specific human emotions. 

What does suffering look like around the world, without language? 

What about love?

-S

[snsellman]

“Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life.” – Jack Kerouac

Jack Kerouac

[snsellman]

KB - You wrote this note for me one day when I was late for Media-Tech. Mr. Adams may not have found it as amusing as I did, but I've kept it for years.  It was written on the back of a November 13, 2006 permission slip for a meet in Strasberg. 

I usually keep this pinned above my desk. 

- Sarah

[observando]