»being there« by ron terada

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»being there« by ron terada
Half Talk
Witness, 2007 Frances Bagley
Line Segments Space
Installation by Kimchi and Chips features a polygon web of nylon strips, projected on to great effect - video embedded below:
An architectural web of threads subtends a null space. It hangs abstract and undefined, a set of thin positive elements segmenting the dark negative space between. Dynamic imaginary forms are articulated into the physical volume by the material of this thread, and the semi-material of the light. The visual gravity of the filaments occupying the space between.
A 2D canvas is reduced from a surface piece into a line segment, but then constructed into another dimension, a volume. Light creates contrast and order on the lines to articulate digital matter. Digital forms inhabit the interconnected boundaries of space, moulding visual mass,
The artists reference Picasso’s light painting, and Reticuláreas of Gego who’s work offers a contemplation of the material and immaterial, time and space, origin and encounter and art and technology.
You can find out more at Kimchi and Chips’ website here
[ via: prostheticknowledge ]
Richard T. Walker in defiance of being here, 2013 neon, cassette recorders, cassettes, keyboards, rocks dimensions variable
In the age of dazzling parametric design, such a modest box form may seem irrelevant, but with its clean lines and uncluttered aesthetic, the cube remains a choice of architects worldwide.
Read more.
Wanderlust by Fabian De Lange.
The concept store Colette commissioned us for postcards underneath the theme of Parisian scenery. We selected black and white pictures of Parisian monuments from dated archives. At that time, we were experimenting with applying paint textures on visuals. We wanted to associate the unexpected colours and relief of the paint with the romantic feel of the photographs. The result is a set of 8 postcards, available here : colette
'Alice' marble tableware collection by Bethan Gray
Yannick Jacquet: projection mapping at TEMPLE DE ST GERVAIS quick and dirty gifs from this video
https://s3.amazonaws.com/i.fakecaptcha.com/words/aa42095cfa1e
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2014
craftandmemory:
A woman’s work is never done (2011) by Eliza Bennett | Flesh, thread
"Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, traditionally employed to represent femininity and applying it to the expression of it’s opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy. Aiming to represent the effects of hard work arising from employment in low paid ancillary jobs such as cleaning, caring, and catering, all traditionally considered to be ‘women’s work’"
Mine
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Jim Sanborn
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New Horizons
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Ian Curtis