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I do not--sorry!
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@solarfugue
Do you have a redbubble? Or any shop?
I do not--sorry!
“But I don’t think it’s very interesting if the whole story is just ‘Will Kylo get his comeuppance?’ He’s a more complicated character than that and I think he deserves a more complicated story than that. I don’t see the point of trying to get behind his mask and learn more about him if all we’re going to learn is ‘Yeah, he’s just an evil bad guy that needs to be killed.’”
— Rian Johnson
Tumblr’s #1 ship right here 🌟
I was convinced I had already posted more Reylo stuff in here…oh well🤷🏻♀️
Since Rey never got to touch his fluffy mane, I bring you relaxing hair-touching through the Force!
Yes the Force works that way, yes their Force Bond was made specifically for this purpose, yes this is very, very canon lol 😗
Star Wars: The Last Jedi (2017) dir. Rian Johnson
She lifted her saber to strike—and reached for the connection she shared with Ben. Showed him. He acknowledged her, and Rey’s lips parted in surprise. It felt different now. The connection was... right. Good. Like coming home. Ben was similarly stunned, and together they wasted a precious moment in this new sharing. This is how it should have been all along. A true dyad. The Emperor and Snoke had robbed them of this.
The Rise of Skywalker, novelization by Rae Carson
(insp.) | for @oberynmartell
Rey with Viking braids for @reylosource!
She's hot!
Art by OlDanComicGuy on Twitter
Duel of the Fates by Veronika-art
“I killed you once, and I’ll do it again.”
Illustration for @perrydowning for her story Lovesick Original painting here > Deviantart
Some of y’all really be like “I love redemption arcs but only if they’re not a bad person.“
and here is another example of people not actually listening to what other people are saying lmao
people want a redemption arc that involves the formerly bad person doing the work necessary to make amends for their bad behavior. that means apologizing for their bad behavior. lol come on yall
seeing as I’ve read posts, thanks to the resurgence of atla zuko discourse, defending zuko’s redemption arc by saying: “his redemption arc works because he wasn’t the villain in the first place!”, I will have to disagree with you.
There is constant, bizarre, discourse where people want to defend their redeemed character against “purity police” by arguing the character was never really bad, never actually the villain, and that’s why their redemption arc works. Except… Redemption arcs are narrative tools almost exclusively used for villains. If someone can’t bear the thought of their favorite redeemed character having been a villain, or physically convulse at someone “misconstruing” the character as a villain, then they’re not really as into redemption arcs as they say they are. This is a completely different issue to botched villain redemption arc storylines, which is what I’m assuming you’re referencing to. So, yeah, we’re listening and we’re hearing some backwards stuff.
I appreciate your reply. I really do. I also think you make a good point about how people act like zuko’s redemption arc was more or less about a good, albeit misguided person, doing bad things becoming aware of how he was doing wrong. I think that is an interesting take.
but the arguments against a kylo ren redemption arc are often about how his redemption arc is not earned, that he never did the work to make up for the fascist organization he was a leader in. he doesn’t apologize or take ownership of the part he played.
and zuko was a kid when he was an imperialist. kylo ren was thirtyish and still a fascist.
it isn’t that he couldn’t have had a redemption arc, but rather that to many people his redemption arc had no real resolution of his part in the first order. deciding to team with his crush to kill palpatine had almost nothing to do with the tyranny of the empire and the first order and everything to do with him feeling personally wronged by sheevs (which he was obviously).
I don’t want to spam OP’s post too much so this will be the last reply from me, mainly because: the original message and concern may not even be specifically targeted at the debate about Ben Solo’s redemption. It could be about, as I mentioned, the resurgence of Zuko discourse or about the many villain characters in She-Ra that were redeemed, or Killing Eve or who knows what other stories that are utilizing (or possibly utilizing) redemption arcs at this moment. I know that I’m coming from a multifandom perspective, as I’ve seen this issue (the one I raised, along with yours) in various spaces. I’ve seen people post “ding dong the witch is dead” in reference to a villain character whose final redemption came in sacrificing her life for the cause in She-Ra, a children’s show, which just… really encapsulates some audience members’ inability to actually understand and/or retain redemption arc narratives and main messages of media for forgiveness and healing.
However, since your immediate thought was Ben Solo when reading the OP’s post and mine, let’s talk about what you brought up. It’s a sincere concern, and a valid viewpoint. However, there are some things to point out:
1) redemption arcs are not earned. They are completed, or not completed. The whole point of a redemption arc is that, even though the person did something deemed “unforgivable”, that person can still become a better person. Forgiveness is earned, however someone’s redemption does not rely on the other party forgiving them. No one owes anyone their forgiveness (though it is an ideal for a better world in general), but no one needs another’s forgiveness in order to become a better person. Have I forgiven my mother for the abuse she has committed in the past? No, I wish I could and I’m working on it- but no. However, I’m not going to stand here and say she isn’t a better person now. She is. Her redemption and healing is not dependent on me. If redemption relied solely on someone else forgiving the person, that would be a selfish endeavor and puts the weight of the redeeming on the person who was initially harmed. However, it is something that can be earned and, in an ideal world, is.
2) Zuko was a child, yes, but if we’re going by “how long” someone was wrong… Zuko was an imperialist for 16 years (clearly I’m aware he was a baby for part of this time) while Ben Solo, stated by DLF storytellers as being a symbol of adolescence, joined the First Order at 23 and remained a soldier for 7 years. He was not “still a fascist” and it becomes pretty clear that his motives were not in line with Snoke but (like with Zuko) to earn familial belonging after being exiled.
3) the main issue I’m seeing with the whole “did he check the marks of redemption arcs” in regards to Ben has a lot to do with the script’s failings to incorporate information given to us in comics (how Ben was manipulated and mentally abused into joining Snoke, did not ‘mass shoot’ his school, and was convinced his family did not want and especially would not want him after the incident at the temple that resulted in Luke’s “death” and a group of students chasing him across the galaxy with mixed intentions and beliefs about what occurred) and what was given to us in the novelization. In the novelization, Ben’s thoughts on Exegol are revealed to us and demonstrate how sorry he is, how he knows he wasted his life and has to break out of Snoke’s mental conditioning, and how he knows the galaxy needs Rey if the new Republic is to have hope and survive.
Though, even with this context removed, we have the scene at the Death Star ruins where Ben says “it’s too late, [Leia’s] gone” and his father (a projection of Ben’s conscious) says “but not what she fought for” or something to that effect. And this is when Ben decides to go to Exegol and fight alongside Rey. Yes, it is to show Rey that he will fight beside her specifically to ensure she is not alone, but it is also to fight for his mother’s cause. The symbolism of Ben holding and fighting with the Skywalker saber is meant to communicate this as well. And as for him being “personally wronged” (which you’re right, he was and his whole family was), I’m pretty sure the narrative punished him for that- either purposefully or not- by literally throwing him into the pit and denying him the ability to actually fight Palpatine. He is, however, allowed to fight and rid the galaxy of The Knights of Ren and that should be seen as him trying to set things right as well- as he should have done in the final installment of The Rise of Kylo Ren. I would also note that Darth Vader also redeemed himself not by fighting against the entire Empire but by defeating Palpatine, which was both a personal thing (saving what he loved, as Ben did) and also symbolic of destroying the Empire. I think JJ was attempting to “ration out” the responsibilities in this final film- Ben to fight for Rey, Rey to fight Palpatine, and the Rebellion to fight the First Order. The execution, as I’m pretty sure most people in fandom (on either side) will attest, is pretty… abysmal.
Personally, though, I feel at peace with his redemption arc. Was it the most well-written arc? Nope. I felt TROS as a film seemed to go back in time to TFA and made the redemption arc feel like it had no time to breathe, and that Ben Solo’s death limited the possibilities of his arc pretty permanently, but his journey checked off all the bullet points. I’m not going to spite the character for poor executive choices, or because others interpreted it differently. And as I said before, whether or not people forgive this fictional character does not decide whether his redemption arc was earned; and Ben having a redemption arc doesn’t mean he must earn people’s forgiveness or that anyone has to forgive him. His arc was completed, quite permanently.
People talk about how badly ben solo’s redemption arc was done as if everything else in tros was not a pile of steaming cowdung. Ben at least still had a noticeable change of character which can’t be said about literally everyone else in that fucking movie
I want to take a moment and speak about @logan-solo and what an amazing person they are bringing joy to this fandom. So, here’s a medieval version of the interrogation scene for you, sweetheart. :)
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But it is pLAtOniC you guys.
reylo fix-it TROS commission uwu <3 Also Happy May the Fourth all!
Director Irvin Kershner on how romance was constructed in Empire Strikes Back:
“We didn’t need to spend too much time on the love story. When Han tried to kiss her, that was enough. In the Star Wars series, a kiss is the equivalent of a sex scene. Han is always after her, he’s always looking at her and she is always looking at him, and you have this right from the beginning. Basically, that’s all you need.”
(from Star Wars: The Annotated Screenplays’, 1997)
the knights kneeling
where are your nsfw artwork now?
I privated most if not all of them when Tumblr did that nsfw purge. I’ll see about un-privating them!