🌈

  no good content !!  

[noretreatnancy]

Oh my GOD saw Sinners again… everybody trying to take Sammie’s voice (Remmick wanting to take it and use it for himself, his father telling him to give his voice to God, even Smoke telling him to give up the blues for his own good). But in the end his voice belongs to HIM!! it’s HIS gift it’s HIS power and he holds onto it and builds a life for himself with his music!!! It’s is his connection to his past and his avenue to his future

[starry-eyed-darling]

im thinking abt sinners and The Scene: how Sammie played so beautifully that the house caught fire and showed the people inside, but he wasn't the center of it - there was so much movement in that scene!!! so much to SEE - no two people danced the same way - you're focusing on the spirits of the old and the new and how Together everyone looked even without four walls around them.

And then you have Remmick and his song. There's uniformity in the dancing!!! in the singing!!!! in the movements!!!!!!! Those same people who were dancing so freely and expressively!!!!! Now following remmick step after step!!!!!

Whiteness as vampirism!!! Leeching away individuality!!!! culture!!! freedom!!! ughhgghh this movie !!!!!¡!!! so good !!!!!¡!!!!!!!

[rylandsgrace]

Sinners (2025) dir. Ryan Coogler

[kesteral]

something about smoke being rejected since childhood because everyone was certain his father's evil lived on in him. something about annie being the only one to call smoke 'elijah' and how that makes him soften. something about how just before they're truly reunited, annie says 'i dont want any of that smoke on the baby'. something about annie being the one who sets smoke free from his past and his sins and lets him be human instead.

[vardapilled]

"This film was an incredible opportunity for me. And more than anything, I thought it was an opportunity for me to write a love letter to cinema, to all the things I love about going to the movies. [...] In many ways it's most important movie I've made, straight from me to all of you." - Ryan Coogler

SINNERS (2025) BEHIND THE SCENES (1/2) Dir. Ryan Coogler

[teex]

SINNERS (2025) dir. by Ryan Coogler

[alchemyfreak123]

Women of Sinners - Sinners (2025) dir. Ryan Coogler

[tentacleteapot]

it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.

he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.

[kp-brain]

[godseyeinthecloset]

God he’s beautiful

[kaleidoscopic-quiddity]

remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

[murfpersonalblog]

Annie: There are legends of people born with the gift of making music so true, it can pierce the veil between life and death; conjuring spirits from the past...and the future. In ancient Ireland, they were called Filí. In Choctaw land, they called them Fire Keepers. And in West Africa, they were called Griots. This gift can bring healing to their communities. But it also...attracts evil....

Sinners (2025)

[rylandsgrace]

That was the last sunrise I ever saw. Perhaps the kindest thing the dark gift has given me. // It was the last time I saw my brother. It was the last time I saw the sun. It was the only time I ever felt free.

Interview with the Vampire (2022 - ) // Sinners (2025)

[daenerys-stormborn]

"There are legends of people born with the gift of making music so true, it can pierce the veil between life and death. Conjuring spirits from the past and the future." SINNERS (2025) dir. Ryan Coogler

[legionofpotatoes]

The last time I seen my brother. The last time I seen the sun. Just for a few hours, we was free.

[themurmursofafo0l]

I could talk about Sinners for hours–literal hours–and never fully (or succinctly) convey how it made me feel. The visuals? Amazing, but unsettling, but amazing. It highlights issues of both the present and the past so concurrently that–GAHHH–it just rests with you for days, hell, months after.

[luxfatale]

annie appreciation post✨

[cosmonautroger]

The Smiths, Manchester, UK

[janasojka]

Night drive